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T Quotes

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All T Quotes

“The weather behaved itself. In the spring, the little flowers came out obediently in the meads, and the dew sparkled, and the birds sang. In the summer it was beautifully hot for no less than four months, and, if it did rain just enough for agricultural purposes, they managed to arrange it so that it rained while you were in bed. In the autumn the leaves flamed and rattled before the west winds, tempering their sad adieu with glory. And in the winter, which was confined by statute to two months, the snow lay evenly, three feet thick, but never turned into slush.”

“The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again. Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness. 'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep. Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.”

“The weather in the Plaza was always perfect, and even compared to the rest of the Carter Lane campus, it was a beautiful space. A full acre of ground, lush with bright tufts of native grasses. Tall yucca, hidden patches of prickly pear, pink bitterroot and bright blue flax and a hundred other wildflowers all clumped together. Spring buttercups and balsamroot bloomed side by side with midsummer lupines and paintbrush, and the sunflowers and snow asters that didn't bloom until September out in the fully real world. It never changed. The Cross Worlds Plaza wasn't quite Otherside, but wasn't exactly the human world either. Like the name suggested, it stood in between. In the center of the Plaza stood a stone circle. The boulders were different colors and types of rock-- rough pink granite from the Eastern Court territory in Maine, smooth white marble from an Alabama quarry in Southern Court land, warm orange Texas sandstone from the Summer Court, and dusty Michigan limestone representing Winter. There was basalt from the Northern court in Washington, and even a chunk of onyx marble from California, from the site of the former Western court, which had been snuffed out before I was even born. At the heart of the circle stood a stack of three wide, flat stones-- shale and slate from Idaho and Montana, topped with a thin, shiny disk of Wyoming obsidian.”

“THE WEATHER OF LOVE Love Has a way of wilting Or blossoming At the strangest, Most unpredictable hour. This is how love is, An uncontrollable beast In the form of a flower. The sun does not always shine on it. Nor does the rain always pour on it Nor should it always get beaten by a storm. Love does not always emit the sweetest scents, And sometimes it can sting with its thorns. Water it. Give it plenty of sunlight. Nurture it, And the flower of love will Outlive you. Neglect it or keep dissecting it, And its petals will quickly curl up and die. This is how love is, Perfection is a delusional vision. So love the person who loves you Unconditionally, And abandon the one Who only loves you Under favorable Conditions.”

“The weather was as ready as the school and campus. The sky was cloudless and the temperature was expected to top out at 76 degrees. Early morning mowers had sugared the air with the fragrance of freshly mowed grass.”

“The weathercocks on spires and housetops were mysterious with hints of stormy wind, and pointed, like so many ghostly fingers, out to dangerous seas, where fragments of great wrecks were drifting, perhaps, and helpless men were rocked upon them into a sleep as deep as the unfathomable waters.”

“The Weaver” “My life is but a weaving Between my God and me. I cannot choose the colors He weaveth steadily. Oft’ times He weaveth sorrow; And I in foolish pride Forget He sees the upper And I the underside. Not ’til the loom is silent And the shuttles cease to fly Will God unroll the canvas And reveal the reason why. The dark threads are as needful In the weaver’s skillful hand As the threads of gold and silver In the pattern He has planned He knows, He loves, He cares; Nothing this truth can dim. He gives the very best to those Who leave the choice to Him.”

“The Weaver My life is but a weaving between my Lord and me; I cannot choose the colors He worketh steadily. Oft times He weaveth sorrow And I, in foolish pride, Forget He sees the upper, And I the underside. Not til the loom is silent And the shuttles cease to fly, Shall God unroll the canvas And explain the reason why. The dark threads are as needful In the Weaver's skillful hand, As the threads of gold and silver In the pattern He has planned.”

“The Weaver's dress rustled as she crept closer in the gloom. 'Who did you bring, little wolf? What did you bring to me?' Ianthe and her two guards stepped over the threshold. Then another step. Past the open door. They didn't see me in the shadows behind it. 'Dinner,' I said to the Weaver, whirling around the door- to its outside face. And let go of the handle. Just as the door slammed shut hard enough to rattle the cottage, I saw the ball of faelight that Ianthe lifted to illuminate the room. Saw the horrible face of the Weaver, that mouth of stumped teeth opening wide with delight and unholy hunger. A death-god of old- starved for life. With a beautiful priestess before her. I was already hurtling for the trees when the guards and Ianthe began screaming.”

“The Weaveress squinted at the loom. While any other person would merely see a thickset of colour-flashing Threads, Ærinna saw cosmic events, destinies and the collective soul of countless beings. Some of them were about to kick the bucket and kick it well. They weren’t to die of any expected natural causes either – unless one counted being “woven out of the Pattern” either natural or expected.”

“The weaving of mankind into one community does not imply the creation of a homogeneous community, but rather the reverse; the welcome and adequate utilization of distinctive quality in an atmosphere of understanding.... Communities all to one pattern, like boxes of toy soldiers, are things of the past, rather than of the future.”

“The weaving, waving field of geometric shapes and lines folds and falls over me, or I fall into it. I am seeing small spherical globules of white light, like pearls, that are glistening, shining moist, and perfectly aligned and interconnected in complex three-dimensional webs, reminiscent of Buckminster Fuller’s dymaxion structures, yet always changing, unfolding and enfolding. These webs are what constitutes my body, clustering in certain areas to make organs like my eyes. They also constitute all other bodies and forms around me. Each individual is a kind of cluster in this infinite ever-changing molecular web. Each thought or feeling or experience is also a local cluster in this holographic matrix of all possibilities. A sun of pure white light radiates out from the center of the swirling, pearl-studded crystalline grid. It is too intensely bright for me to maintain the focus of attention, so gradually I lose awareness of it and emerge back out of the infinite oneness back into my body-form (RM).”