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W Quotes

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All W Quotes

“WHY DID YOU TELL PEOPLE MY ESSAY WASN’T TRUE?” “I don’t know,” he said, breaking out in a sweat. “Because I don’t believe it. I don’t believe anyone could be so well adjusted.” She typed. “WHY NOT?” “You said you look at your friends’ lives and feel like your own is better, which is fine, except that you don’t have any friends.” “HOW DO YOU KNOW THAT?” “I sit behind you. I notice things.” “WHAT KIND OF THINGS?” “It’s not your fault that you don’t have any friends. You always have an aide with you. No one is going to be themselves when there’s a teacher standing right there. Plus, you talked about parties and dances, but I don’t think you’ve even been to any, so how would you know what you’re not sorry to be missing?” He kept going. He started saying too much, telling her all the things he’d noticed—that she never said hi to other kids, that she never answered questions when people asked her things before class. “I’m not pretending I’m Mr. Popularity or anything. I’m just saying you’ve got this whole message that doesn’t seem believable. To me, anyway.” “I CAN’T BELIEVE YOU’RE SAYING THIS.” Her facial expressions were impossible to read. He couldn’t tell how mad she was. Probably pretty mad. “I’m sorry. You’re right. I shouldn’t have said anything. It’s none of my business. Like, none at all. I don’t know why I just said all that. I had this theory that you’re trying to be a certain kind of person, and that must be hard. But God, I’m hardly one to talk. So let’s forget the whole thing. Please. I’m sorry.” It startled him when her machine blurted out a single word. “NO!” “No what?” “DON’T BE SORRY. YOU’RE RIGHT. MY GOSH, I CAN’T BELIEVE HOW RIGHT YOU ARE.”

“Why didn't I feel like this when we were actually together?" "Maybe... maybe your mango wasn't ripe." I squinted at Cat. "I'm not following. You're going to have to take me there." "There's a part in You've Got Mail when Kathleen and Joe have been hanging out together. Joe knows their online identities, but she doesn't. And they go to the farmers' market, and before parting ways she says, 'I hope your mango's ripe,' and he gives her this considering look and tells her that he thinks it is." "That is a very obscure reference." "The point is, the mango was a metaphor for their relationship. He'd waited until she'd grown and softened under the sunlight, and once she'd gotten there, he made his move---both before and after revealing his identity.”

“Why didn't Jacob simply refuse to go along with this bold, obvious swindle? Again, Robert Alter's insights are invaluable. When Jacob asks, 'Why have you DECEIVED me?' the Hebrew word is the same one used in chapter 27 to describe what Jacob did to Isaac. Alter then quotes an ancient rabbinical commentator who imagines the conversation the next day between Jacob and Leah. Jacob says to Leah: 'I called out "Rachel" in the dark and you answered. Why did you do that to me?' And Leah says to him, 'Your father called out "Esau" in the dark and you answered. Why did you do that to him?' His fury dies on his lips. He sees what it is like to be manipulated and deceived, and he meekly complies with Laban's offer.”

“Why didn't the Democrats accomplish more right after the 2006 elections that gave them control of Congress? It wasn't just that they didn't have votes to override a presidential veto or block a filibuster. They didn't use their mandate to substantially change how the public--and the media-- thought about issues. They just tried to be rational, to devise programs to fit people's interests and the polls. Because there was little understanding of the brain, there was no campaign to change brains. Indeed, the very idea of "changing brains" sounds a little sinister to progressives-- a kind of Frankenstein image comes to mind. It sounds Machiavellian to liberals, like what the Republicans do. But "changing minds" in any deep way always requires changing brains. Once you understand a bit more about how brains work, you will understand that politics is very much about changing brains-- and that it can be highly moral and not the least bit sinister or underhanded.”

“Why didn't you become a sorcerer, Geralt? Weren't you ever attracted by the Art? Be honest.' 'I will. I was.' 'Why, then, didn't you follow the voice of that attraction?' 'I decided it would be wiser to follow the voice of good sense.' 'Meaning?' 'Years of practice in the witcher's trade have taught me not to bite off more than I can chew. Do you know, Vilgefortz, I once knew a dwarf, who, as a child, dreamed of being an elf. What do you think; would he have become one had he followed the voice of attraction?”

“Why didn't you come to me last night?” she whispered. The question took him by surprise and he wasn't prepared to provide her with an answer while he was caught by the sapphire of her eyes. She lifted a finger to his face, and every muscle in him relaxed as she traced it over his cheek. It was as though his body was reminded of when she had healed him—that perfect moment when her eyes came back to him and after he had shared the memory of his weakest moment. “It's not enough,” she mumbled. “The time that you spend with me isn't enough, Malloron. I feel…” Her palm pressed against his cheek and Malloron didn't need to wait for her to continue, he could feel it in the bond. He simply drew her into his arms. The moment their bodies touched, the bond trembled inside his chest, stirring deep within him, a strange hope blooming. He pulled her against him and began to purr for her, his deep satisfaction of touching and holding her saturating every single vibration that rocked through his chest.”

“Why didn’t you dare it before? he asked harshly. When I hadn’t a job? When I was starving? When I was just as I am now, as a man, as an artist, the same Martin Eden? That’s the question. I’ve been asking myself for many a day. My brain is the same old brain. And what is puzzling me is why they want me now. Surely they don’t want me for myself, for myself the same olf self they did not want. They must want me for something else, for something that is outside of me, for something that is not I. Shall I tell you what that something is? It is for the recognition I have recieved. That recognition is not I. Then again for the money I have earned and am earnin. But money is not I. And is it for the recognition and money, that you now want me?”

“Why didn't you return it to Michael?" Needham sighed, throwing down his napkin and rising from the table, through with the conversation. "He was careless with it in the first place," he said simply before quitting the room, Lady Needham fast on his heels. It might have been sixteen years since she'd seen him last, but a part of her still considered Michael Lawler, Marquess of Bourne, a dear friend, and she did not like the way her father spoke of him, as though he were of little value and less import. But then, she really didn't know Michael- not the man. When she allowed herself to think of him, more often than she'd like to admit, he was not a twenty-one-year-old who had lost everything in a silly game of chance. No, in her thoughts, Michael remained her childhood friend- the first she'd ever made- twelve years old, leading her across the muddy landscape on one adventure or another, laughing at inopportune moments until she could not resist laughing with him, muddying his knees in the damp fields that stretched between their houses and throwing pebbles at her window on summer mornings before he headed off to fish in the lake that straddled Needham and Bourne lands. She supposed the lake was part of her dowry, now. Michael would have to ask permission to fish there. He would have to ask her husband permission to fish there. The idea would be laughable if it weren't so... wrong. And no one seemed to notice.”

“Why didn't you write all this time? Did you not remember us in a song? A dance? In the skies littered with stars? Did you not get drunk? Why didn’t you write all this time? Did you not remember us in a film? A book? In idyllic dusks and dawns? Did you not get high? It is good that you didn't. For all is well. I am drunk and dazed. I have already forgotten you and your bewitching ways.”