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Ambiguous Quotes

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Ambiguous Quotes

“Virtually every major technological advance in the history of the human species- back to the invention of stone tools and the domestication of fire has been ethically ambiguous. If you want to reason about faith, and offer a reasoned (and reason responsive) defense of faith as an extra category of belief worthy of special consideration, I'm eager to play. I certainly grant the existence of the phenomenon of faith; what I want to see is a reasoned ground for taking faith seriously as a way of getting to the truth , and not, say, just as a way people comfort themselves and each other”

“The American citizen lives in a world where fantasy is more real than reality, where the image has more dignity than its original. We hardly dare face our bewilderment, because our ambiguous experience is so pleasantly irridescent, and the solace of belief in contrived reality is so thoroughly real. We have become eager accessories to the great hoaxes of the age. These are the hoaxes we play on ourselves.”

“Feeble and timid minds . . . consider the use of dilatory and ambiguous measures as the most admirable efforts of consummate prudence.”

“What if [Saddam] fails to comply and we fail to act, or we take some ambiguous third route, which gives him yet more opportunities to develop this program of weapons of mass destruction? ... Well, he will conclude that the international community has lost its will. He will then conclude that he can go right on and do more to rebuild an arsenal of devastating destruction. And some day, some way, I guarantee you he'll use the arsenal.”

“There was one woman who had a giant sign and on it, it just said, 'America Is Better Than Abortion.' I think she meant that America was too good a place for the horror of abortion. But instead, it sounded like she had weighed both - the American spirit and getting an abortion and decided that American spirit better. I think it is a bad idea to have grammatically ambiguous protest signs.”

“The state of emotional intoxication allows one to grasp existence in one's self and in the other, as both subjectivity and passivity. The two partners merge in this ambiguous unity; each one is freed of his own presence and achieves immediate communication with the other.”

“I never held Negroes to be inherently inferior. The statement in Marriage and Morals refers to environmental conditioning. I have had it withdrawn from subsequent editions because it is clearly ambiguous.”

“I've done a lot of going back and forth with my own writing, in particular translating my English language stuff into Ukrainian - poetry as well as prose. But I actually hate doing it. It is a thankless, mind-numbing process, additionally unpleasant for me because it reminds me of my ambiguous status of not belonging anywhere.”

“I didn't have a perfect model, but I wanted to try to blend my own personal reflections and experiences with this broader canvas to see how a lot of the narratives we have about economy and foreign policy got stuck. Because we have these categories of liberal, conservative, free marketer, open government - all these stereotypes about our politics and the categories we try to put things in are inadequate to this sort of complex, ambiguous, sometimes contradictory experience we have as ordinary people and that I have as an elected official.”

“Human courtship has some wild extremes. At one end of the spectrum, there is harassment, pestering, blackmail, and an abuse of institutional power, which its targets rightly fear and loathe. At the other end is love, which as Nietzsche said, is beyond good and evil and always deserves our respect and compassion even when it is doomed or destructive. In the wide middle of the spectrum are all the ambiguous and tragi-comic goings-on of our species.”

“Even if that statement was ambiguous, we kind of wanted to cause a stir. We thought that by having the name "Cabaret Voltaire", that with it came a certain responsibility. It wasn't meant to be purely entertainment; it was meant to be something a little bit more serious - and to provoke people - wrapped within an outer wrapping of entertainment.”

“This word "redemption," what is it about this word? Is it tangible? Do you know when it has happened? Is it necessary in a drama? Does it make a character boring? Does everyone agree on a character being "redeemed?" Or is it a word that is so subjective and polarizing and insignificant in modern television? It is a word that has been given, quite possibly, far too much significance, when it is truly ambiguous and meaningless in a drama. I have personally grown to loathe that word in literature.”

“I never think in terms of alienation; it's the others who do. Alienation means one thing to Hegel, another to Marx and yet another to Freud; so it is not possible to give a single definition, one that will exhaust the subject. It is a question bordering on philosophy, and I'm not a philosopher nor a sociologist. My business is to tell stories, to narrate with images - nothing else. If I do make films about alienation - to use that word that is so ambiguous - they are about characters, not about me.”

“When I first auditioned for Dexter... Well, I was sent the script, and I read it and loved it, and I knew right away that it was going to be a hit because it's the type of programming that I like to watch. It's that very morally ambiguous thing where you find yourself rooting for someone who's really an awful person, but... is he doing good? You're constantly calling into question your own moral code. I love that as an audience member.”

“I think a more complex idea of fiction - and the human self's relationship with the world - emerges when we abandon this philistine equation between literature and liberalism and human goodness, and pay some attention to the darker, ambiguous, and often muddled energies and motivations that shape a work of art. If we do this, we can appreciate a writer like Céline or Gottfried Benn without worrying whether they conform to existing notions of political incorrectness.”

“I was lucky I guess. My main job was done when I finally found Ben Whishaw and knew that there was someone who could portray a character who was so ambiguous and multi-faceted. Ben is equally dark and innocent; potentially violent and yet at the same time kind of a boy. He got all that across and still makes audiences root for the guy even though they might be kind of disturbed by that fact.”

“I think that maybe happy families don't need stories the way unhappy families need stories. Maybe they're too busy living that they don't actually step back and talk about life like the Anton Chekhov quote. I prefer Anton Chekhov to Lev Tolstoy, and the reason is because of what he leaves out. Sometimes I think Tolstoy had a theory that he was proving and he proved it. Chekhov is more ambiguous.”

“When I was a TV director working on Judd Apatow's show Undeclared. I was surrounded by so many young people. People like Seth Rogen, who was 9 years old or something. It was just a ridiculous amount of talented young people. I started to think I'd like to see a young-love movie, but not one done in that glossy, Hollywood, high-concept manner we've become accustomed to. One that was, for lack of a better way of putting it, a little more ambiguous, '70s-style, where everyone was flawed, middle-class characters.”