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Boys Quotes

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Boys Quotes

“I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.”

“Normal people, fear the day their parents die. Screwed up people, fear that their parents are going to live forever. Showing up at your house at weird hours of the night, smelling all funny, with a bunch of their friends. Hey boy, this is Harold, Cecil and Dicky. Dicky lost his wife about a year ago. I hear Erin made cookies. Where can I put my shoes ? If that doesn't scare you, you're not human.”

“Not the children of the rich or of the powerful only, but of all alike, boys and girls, both noble and ignoble, rich and poor, in all cities and towns, villages and hamlets, should be sent to school. Education is indeed necessary for all, and this is evident if we consider the different degrees of ability. No one doubts that those who are stupid need instruction, that they may shake off their natural dullness. But in reality those who are clever need it far more, since an active mind, if not occupied with useful things, will busy itself with what is useless, curious, and pernicious.”

“Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie. The new ones are exciting because they're fresh. But if it's not that, if the story is not what you get into, maybe it's the crowd response. You hit the first chords of 'She's In Love With The Boy' and 20,000 people start to scream, you're pretty motivated. You get what you need. And it's a great story. It works.”

“We should not feel so sorely grieved if no man who had not attained the full stature of a Webster, Clay, Van Buren, or Gerrit Smith could claim the right of the elective franchise. But to have drunkards, idiots, horse-racing, rum-selling rowdies, ignorant foreigners, and silly boys fully recognized, while we ourselves are thrust out from all the rights that belong to citizens, it is too grossly insulting to the dignity of woman to be longer quietly submitted to.”

“Animals are a huge part of my life, so yes, if you are going to be a part of my life, you would need to have the same love for animals. Howard is so great in that aspect and he truly is my partner. We have six resident cats - Walter, Apple, Leon Bear, Charlie Boy, Bella, and Yoda-and we have fostered over fifty kittens in the last year. He even lets the kittens play in his hair! They love it!”

“I knew as a young boy that addiction and alcoholism afflict people - good, loving people - in profound ways, and that some people - usually from those rare "normal" families that I longed for as a child and as an adult wonder if they even exist - didn't understand this and sort of looked down their noses at people suffering with addiction.”

“You know, boy versus girl. But she's a tough warrior, so I almost treated it like unisex. But it makes a difference how tall the actors are, because I needed to know that if Olivia Wilde sits in a car that the director, Joe Kosinski can still get the angle he wants, as opposed to maybe in another vehicle than Jeff Bridges has to sit in. So that was fascinating. Because in a real car you change everything and adjust it. But here you have one shot.”

“When the Irish nun said to me, "Speak your name loud and clear so that all the boys and girls can hear you," she was asking me to use language publicly, with strangers. That's the appropriate instruction for a teacher to give. If she were to say to me, "We are going to speak now in Spanish, just like you do at home. You can whisper anything you want to me, and I am going to call you by a nickname, just like your mother does," that would be inappropriate. Intimacy is not what classrooms are about.”

“Combining the lack of emotional literacy they may be imbued with, with the fact that if you're black you're not supposed to be that smart and if you... as a boy you're not even supposed to like school. All of the sudden you've got kids who are afraid, black kids and Latino kids who are afraid to be great, afraid to bask in the enjoyment of education, lest they be labeled less than black, less than Latino, less they be called the oreo.”

“Will I have to explain to my daughter that her brother is gonna make more money doing the exact same job because he's a man? If they both played sports since they were three years old, they both worked just as hard, but because he's a boy, they're gonna give him more money? Like, how am I gonna explain that to her? In tennis we've had great pioneers that paved the way - including Venus [Williams], who fought so hard for Wimbledon to pay women the same prize money they pay men, and Billie Jean King, who is one of the main reasons Title IX exists.”

“This particular one was very, very heartwarming and is the relationship of an older man and a young boy that are essentially on the run. And so yeah, as I say, Barry Crump wrote a lot of books and this one got into the hands of Taika Watiti who then writing the screenplay decided to really vamp up if that's the word, or ramp up and modernize certain phrases - getting in the humor. So he added a lot of a real comedy perspective onto it which is what I think the story needed anyway, especially for it to turn into a film. And it worked.”

“Justice [Sonia]Sotomayor said, "Let's talk - you want to talk about the tax power."And I got like a 10-minute run on the tax power. And, boy, was I glad I did because I was able to get across this idea that, yes, this is a narrower ground on which you can affirm it. And I think everybody agrees. I think even the dissenting justices ultimately in the case agreed that, if Congress had expressly called it a tax, it would be indisputably constitutional.”

“The work that I've been trying to do with violence against women and children comes from seeing quite a bit of violence. I just think it's important that we try to help the young boys who are watching the fathers do it - because if it's OK for the fathers to do it, then these young boys are watching their dads and going, well, nothing's happening to them, so maybe this is OK. But actually, this violence needs to stop in the sandpits.”

“I remembered getting the script for the auditions [of Aladdin], I had asked someone there if improvs were allowed, and he said everyone is sticking to the script. I said to myself that they are either going to love me or hate me. I was crossing out lines and throwing in my own lines. I went into the room and started doing things. They were like, "This boy is nuts! We should keep him." That's how it all came about.”

“If you examine the history of any playwright of the past twenty - five or thirty years - I'm not talking about the comedy boys, I'm talking about the more serious writers - it seems inevitable that almost every one has been encouraged until the critics feel that they have built them up beyond the point where they can control them; then it's time to knock them down again.”