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“The worst thing that can happen is when you have gone weeks and months into elaborate sequences and the storyline of the film changes and you find out they don't need it. Sometimes you don't shoot those sequences, or they have been shot and then get edited out of the sequence you've shot gets changed and needs to be redone. That can be hard. It's not heartbreaking, but you do tend to think, "Och, all that work and effort." But that's filming, you know? You put all of these modular things into the pot, and sometimes they don't all get used.”

“It takes about a year to write an opera for me, but not a really a year of writing. I'm touring at the same time, and I'm playing, sometimes doing smaller projects.[The opera] Akhnaten fits in with Gandhi and Einstein, so that forms a trilogy in a way.I picked people who were these kind of larger than life characters, who kind of changed the world they lived in by almost the force of their personality and their inventiveness. People that I think not only do I admire but I think they're admirable people.”

“I knew where the magnets were, behind the gyprock, and the magnets were very powerful. I think they had to be powerful for me, otherwise the reader wouldn't have a reciprocal experience. But I was very careful to bury them deeply, deeply in the plaster and paint over them. I didn't want anybody to directly access them, and that's gradually changed for me.”

“I think it was simply word of mouth that made it a New York Times bestseller for more than 60 weeks, over a year. People being moved and changed and transformed by the book [ One Thousand Gifts: A Dare to Live Fully Right Where You Are] and wanting to share that with hurting people all around them.”

“Britain, as a pop music nation, used to have this very 'empire' kind of attitude. We used to 'invade' the world with our bands, you know? That's obviously changed, because in Europe they're much more interested in bands speaking their own language. Especially in France and Germany. They're starting to develop their own bands much more.”

“We got Sally Field onboard [in Smokey and the Bandit] and it changed the entire dynamic. About a third of the way into filming, I was in the car with Sally and there was this little moment where we kind of looked at each other, and then we both turned and looked over at Hal [Needham]. He gave us a thumbs up and said, "Yeah!" And we kind of knew there was some magic going on.”

“Technology and the Internet have created a new set of relationships. It's changed the social fabric of promotion: advertising, dating. Part of art world judgment, part of it, is based on people's statistics; their measure of financial value: of likes, of popularity. Data and technology are invading the traditional and classic set of criteria.”

“Hans Rosling typically would go into the room, and he would ask the audience questions. Often they had to answer them with clickers or raising their hands or something. We get [data] wrong because 50 years ago that wasn't the case and because we haven't had these graphics we don't realize that over the last 30, 40, 50 years things have changed dramatically. And you see how the world has been getting a better, safer, more homogeneous place. It just has.”

“I definitely, at times, felt the pressures of life similar to the pressures anyone would feel growing up. The only difference was that maybe more people were aware of mine. But, if anything, I changed the pressure from negative to positive. So, instead of thinking everybody wanted to see me fail, I decided everybody wanted to see me win, since I wanted to see myself win.”

“Earlier the world was bi polar. Foreign policy would be centered around two super powers. India was a little late in realizing that this bi polar situation was for namesake. Now the entire world, in changed circumstances, especially in 21st century, it is more interdependent and inter connected, earlier, the foreign policy was possible between governments, but today it is not possible just between governments. Government relations are important but increasing people to people contact is equally important. There's been a shift in paradigm.”

“One question is: Who is the working class today, and how has it changed? Where are we in that? I don't have a knee-jerk kind of 1930s thing about we must build the unions and that's the way to the future. I'm writing this book right now called Pallin' Around, and the subtitle is: "Talking to the Tea Party." And frankly I find talking to the Tea Party exhilarating, I love it.”

“In Cairo, these young men hanging around in the street, we're told these guys are lazy, they're uneducated, they don't care, they don't have any political instincts - just like the working class in America, apparently - and then suddenly what the hell happened? What was that? They changed the world by changing themselves. Now is that over? No. Is the civil rights movement over? No. These movements have not accomplished what they set out to accomplish.”

“The touring makes you take a step back. It makes you realize how your lifestyle has changed. You spend all this time inside, alone, writing. And then it becomes about travel and new places and new people. And I do love talking to people about the book, but ideally, I like a little less disruptive lifestyle, I like it when things are more organized.”