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“When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.”

“White people couldn't do black music back in the day because they weren't funky or bad enough. They weren't from the ghettoes, but hip-hop and R&B changed all of that because white kids want to be down with it. They wanted to learn it so they studied the culture. It's kind of a cool thing because we shouldn't be so separate.”

“In the Eleusinian mysteries, they would always warn people, "if you go in here, your ego will die. You're going to have to confront all your past hang-ups, strip them off, and be a changed person." One emperor of Rom who wanted to be initiated in the Eleusinian mysteries said, "That's interesting, I approve of what you're doing, but I don't want to be changed.”

“Marcel Duchamp, one of this century's pioneers, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art... He declared that he wanted to kill art ("for myself") but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a "new thought for that object."”

“I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band - individuals, not session musicians.”

“I don't think I've changed very much. I think I'm the same kid that I was when I got here. When I came here all I wanted to do was win games. I wanted to play baseball for LSU and be the ultimate team player. That's all I want to do. If we don't end up being the last team to win the game at the end of the year then I won't be happy. That's all I'm worried about this year.”

“Funny story: I was hanging out with Adam Shankman for Samantha Ronson's birthday, and Lance Bass was there. I don't really know Lance, but he comes over to me and goes, 'Hey, I just wanted to let you know I'm a fan of 'Pretty Little Liars' and I'm rooting for your character.' It was surreal! That's how 'PLL' has changed my life.”

“There's a difference in our ages [with Leonardo DiCaprio], but we were both in the same sort of position [on The Quick and the Death movie].Everyone below us in a casting position were all these really famous character actors like Keith David. And they were looking at the two of us going, 'Who are these guys?' So that naturally kind of put us together in a way where we'd just hang out together because we didn't care about status. We just wanted to enjoy the experience. The two things that have changed about Leo [ DiCaprio] since that time: he can drink legally and he's no longer a virgin.”

“I've always wanted a normal life, and this is what I got. Being an actress wasn't a plan at all, so what's happened to me is very strange. Life isn't very normal, even though I'm still very much a normal girl. I ride the subway, I ride the bus, and all of that. It's the people around me that have changed. I love when I go to a restaurant and I walk past, and everyone waves. That's always really funny. It's strange. It just goes to show that whatever plan you have for your life, you are wrong, a lot of times.”

“Yes it did really. It was very exciting to find that my energy could be directed into something more useful and positive. I was starting to get panicked. I was thinking 'what am I going to do with my life?' I wasn't sure what was going to happen. Then I became crazily obsessed with acting. I suddenly had a work ethic and then everything changed completely for the better because I knew what I wanted to do with my life.”

“You know, whenever you're shooting a film there's different obstacles and challenges, whether it be from the makeup artist getting fired that you liked or whatever - the one that did the makeup the way you wanted. There's always stuff that changed, like the DP leaving the set, and there's a new guy in there, and the way he does lighting isn't the same as the last guy.”

“Same thing for the bad guy. People were really after this guy Radovan Karadicz. But I came up with a combination of several people, who then became The Fox. That's who Simon Hunt and Duck are after. I did that so I could have freedom with what The Fox said and did, so that I didn't have to be stuck. Certain things I wanted to stay to the truth. Certain things I changed, and certain things are the facts.”

“Obviously, my tastes and my priorities have changed. But I'm still asking the question 'Why?' Just because I'm a mother doesn't mean I'm not still a rebel and that I don't want to go in the face of convention and challenge the system. I never wanted to think in a robotic way, and I don't want my children to think that way, either.”

“I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn't planned; it was realism. Over the years, the work has changed for me. I know that I have wanted to repeat myself, but I can't. I've been lost a lot of times, but then I'd just get an idea and photograph it. Once I'd started, I'd know exactly what would go down and how it would end. So I just quit doing it, because it loses all interest for me when you know what's going to happen.”

“I just wanted to honor who Emily was. She's just a strong woman. Through my journey of playing her, I found a lot of strength, and I think that I've changed, as a female, in the way that I carry myself. To go through something traumatic, like getting your face scarred, it made me analyze vanity a lot. When you have a little pimple and you're like, "Oh, my god, there's an alien on my face!," you feel like it's magnified.”

“There was definitely a pecking order, and when Stallone walked in, we were like, "All hail!" He came in with his big forearms, pointing and telling everybody where he wanted the cameras with his big cigar ablazing, and you just go, "This is Stallone!" with admiration, because none of us would be here without this guy. That's the thing, he changed movies forever”

“He was, as Billy Name said in the acclaimed Ric Burns documentary about Andy Warhol, uninterested in being a second-tier artist. He was uninterested in being a first-tier artist! He wanted to be, you know, a god. Someone who completely changed the...he wanted to be Zeus with the lightning bolt and nothing less would have satisfied him.”

“My numbers and my stats were exactly the same. I was doing what the coaches wanted me to do. And what I had been doing up to that point was enough to get me a very well-paying contract with the Vikings. ... In my mind there was only one thing that had changed from the year before and the year I got cut: And that was I started speaking out in support of same-sex rights.”

“I think we came out and got the first goals fairly easily and fairly quickly. All of a sudden they started to change the defense and they changed things up on us and I thought we got a little too comfortable. I give their goalie credit, he made some very good saves, but we just wanted to score. We changed some things halfway through the fourth quarter and we were able to generate some shots. I think for most of the year we've been good on offense. We haven't really struggled like that. We knew coming into the season that we'd have to share the ball on offense and really be efficient.”

“I have been acting for almost 20 years now. At first it changed in my focus and how much I wanted to act. When I was younger, it was so much fun, and I really wanted it, but it was not competitive. Then I became a teenager and it became kind of competitive and not as much fun. I pulled back and I got lazy about it, where I was like, "Yeah, I guess, I'll do small parts in cool movies," but I wasn't really trying to say anything.”

“As I got older, my ambitions changed and I wanted to be a graphic designer. In form five, I did Art for CXC and got a grade 2 at the general proficiency level. I was devastated because I was aspiring for a grade 1. I took a break from art when I went to A level because I could not cope with the disappointment of my Grade 2. But I guess when you love doing something you just can't turn you back on it completely.”

“I definitely, at times, felt the pressures of life similar to the pressures anyone would feel growing up. The only difference was that maybe more people were aware of mine. But, if anything, I changed the pressure from negative to positive. So, instead of thinking everybody wanted to see me fail, I decided everybody wanted to see me win, since I wanted to see myself win.”

“The concept of what I want to do as an artist has not changed at all. When I was seven years old, I fell in love with writing songs and knew I wanted to make music and play it for a lot of people. Back then I said I wanted to heal people with music and bring them together. I called my music, "PAZZ," which means pop and jazz. To this day, all of those things still ring crystal clear.”

“Basically what Salomé did with Rilke as a mentor was direct him toward the Russian Orthodox Church, so he could project his love of the divine feminine onto the Virgin Mary. She wanted him to stop the cycle of being disappointed by the ultimate humanity of women. She was like, "You don't want me, you want the Virgin Mary." It's kind of a mystical concept! She also changed Freud's opinion, a little bit too late, about the female psyche, which he had so wrong. If it had been better publicized, it would have changed Western society's perception of the female psyche, too.”