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“Women who were housewives, who were pretty miserable ... felt inspired by her book and their life changed. They didn't become megastars, but they became a librarian or something. I've heard women say again and again when the subject of Germaine comes up: 'Well, her book changed my life for the better.' And they'll be modest women living pretty ordinary lives, but better lives.”

“About what mainly constituted what you ask, it was something other. It was just a certain inclination to meet people. And as far as possible, to change something in the other, but also to let me be changed by him. At any event, I had no resistance, I put no resistance to it. I already began as a young man. I felt I have not the right to want to change another if I am not open to be changed by him as far as it is legitimate.”

“I've never changed my approach to acting. I've always felt like I've gotten better. I think that all of us can get better. I feel like, in my acting, I'm better than I was three pictures ago. I think about it. I'm a slow study. It takes me a long time to grasp the material, in order to perform it. But when I come to the set, on the first day, I know the whole movie. That's why I have to start early.”

“I went to West Texas and started writing a cycle of Americana poems after the space conjured images that, as a child, I only saw on television-John Wayne, cowboys, borderlines. But suddenly, I felt close to these once-foreign imageries and wondered how I'd changed. Each evening brought the darkest skies in the country, and I understood the expansiveness of our inner selves. Ultimately nothing divides us except the worlds and words we allow.”

“I felt hopeful for the future because Obama is here. But nothing has changed. It's time for young kids to get serious again and really think about what their four fathers were like. As African-Americans, we are resilient, we are some bad mf-ers, and we are survivors. So get those i-pods out of their ears and become heroes again like the Freedom Riders.”

“We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.”

“I felt that there's an obligation when writing a piece about an urban expressway made in the 50s to acknowledge the context, and Robert Moses is sort of an iconic figure in New York, and he influenced the shape of the city more than anyone else before or after him. He was one of the most powerful and influential civic architects in the world, because of how much he transformed the city. He built multiple bridges and highways and parks and recreational spaces, beaches - in the course of a few decades, he completely changed the city”

“What happened in the 80's was that all the men died of AIDS. That was a particularly depressing time because so many people passed away and it was a very desperate and lonely time, so I think a lot of people felt that we were somehow, unreceived. Not only by the disease but also by the public image of the disease. It really gave homophobia a real shot in the arm and changed the way people viewed gays, queers. It became an entirely different atmosphere.”

“People do not want to be disillusioned by the new president [Barak Obama]. The liberals felt, finally, this is our time. Now they're worried. Now what they see is more business as usual. We all want to give him the benefit of the doubt, we know it's a tough job and he inherited a mess, but at the end of the day, is it really change we can believe in when there's no public options and Wall Street reform has no teeth in it? It really looks a lot like we just changed the color.”

“Bill Pullman is older than Aaron Eckhart - although I was older too - and the age difference changes the play. My perspective on those issues had changed a lot. Without going into nerdy details about that play, there was something that still stuck with me. I still had the same joy in that dialogue and David Mamet's rhythm in terms of his writing. I felt like there was still something to explore.”

“I definitely, at times, felt the pressures of life similar to the pressures anyone would feel growing up. The only difference was that maybe more people were aware of mine. But, if anything, I changed the pressure from negative to positive. So, instead of thinking everybody wanted to see me fail, I decided everybody wanted to see me win, since I wanted to see myself win.”