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Cutting Quotes

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Cutting Quotes

“The greatest evil is not done in those sordid dens of evil that Dickens loved to paint ... but is conceived and ordered (moved, seconded, carried, and minuted) in clear, carpeted, warmed, well-lighted offices, by quiet men with white collars and cut fingernails and smooth-shaven cheeks who do not need to raise their voices.”

“The old Indian teaching was that is is wrong to tear loose from its place on the earth anything that may be growing there. It may be cut off, but it should not be uprooted. The trees and the grass have spirits. Whatever one of such growth may be destroyed by some good Indian, his act is done in sadness and with a prayer for forgiveness because of his necessities.”

“In the last few decades entire new categories of waste have come to plague and menace the American scene. Pollution is growing at a rapid rate. Pollution destroys beauty and menaces health. It cuts down on efficiency, reduces property values and raises taxes. Almost all these wastes and pollutions are the result of activities carried on for the benefit of man. A prime national goal must be an environment that is pleasing to the senses and healthy to live in. Our Government is already doing much in this field. We have made significant progress. But more must be done.”

“Our practical choice is not between a tax-cut deficit and a budgetary surplus. It is between two kinds of deficits: a chronic deficit of inertia, as the unwanted result of inadequate revenues and a restricted economy; or a temporary deficit of transition, resulting from a tax cut designed to boost the economy, increase tax revenues, and achieve -- and I believe this can be done -- a budget surplus. The first type of deficit is a sign of waste and weakness; the second reflects an investment in the future.”

“There are those who hold that there is a pattern to all that is said and done in this world, that no thing happens without reason nor out of time. As to that, I cannot speak, for I have seen too many threads cut short to believe it, but of a surety, I have seen too the weft of my fate shuttled on the loom. If there is a pattern, I do not think there is anyone among us who can stand at a great enough distance to discern it; yet I will not say that it is not so.”

“If I were afraid of polls, I never would've been elected in two landslide elections, leading a highest percentage in our state's last election for governor. If I were afraid of polls, we wouldn't have privatized our charity hospital system, we wouldn't cut our state budget 26%, wouldn't have cut over 30,000 state government bureaucrats, wouldn't have done statewide school choice. Here's the real record.”

“Maybe it's not as clear-cut as that. Maybe it's the very presence of one thing - light or darkness - that necessitates the existence of the other. Think about it, people couldn't become legendary heroes if they hadn't first done something to combat darkness. Doctors could do no good if there weren't diseases for them to treat.”

“[There's] a joke that I've done forever: 'Nowadays they say that the largest majority of people will be Latino and you'll tell scary stories to your grandkids: "A long time ago when I was growing up, there used to be people who were white," and the kid says, "Really?" and you say, "Yeah, like the man who cuts our grass."' I've had that line forever and I love it.”

“In 22 years of acting, I've only done two movies where I, personally, kill people. The Coens called me the Spanish Ballerina on (the No Country For Old Men) set, because every time I had the gun, when they called cut, I'd give it back and say, 'Take this s**t out of my hands!' There were laughing, like they couldn't believe I was supposed to be the villain.”

“Three days after my boyfriend left me, I discovered a closetful of his clothes. I thought of what I'd done in the past (bundling them up and sending them, COD: distributing them to my friends) even as I already had the scissors in hand and was cutting his shirts and a pair of pants into teeny pieces. When there was nothing left of his ghost except a large pile of cloth, I decided to learn how to quilt.”

“Before we snap to judge someone who's done a horrible crime, is it possible that all of us in the worst possible circumstances could be capable of something like that? So it's about not judging people before really considering what the circumstance was and that not all murderers are created equal. We have a tendency in our society to just say murder? Cut and dried. Go away forever. Or maybe you should have the electric chair yourself.”

“I look at it this way... For centuries now, man has done everything he can to destroy, defile, and interfere with nature: clear-cutting forests, strip-mining mountains, poisoning the atmosphere, over-fishing the oceans, polluting the rivers and lakes, destroying wetlands and aquifers... so when nature strikes back, and smacks him on the head and kicks him in the nuts, I enjoy that. I have absolutely no sympathy for human beings whatsoever. None. And no matter what kind of problem humans are facing, whether it's natural or man-made, I always hope it gets worse.”

“I've kept the people who've been in my career who I feel are my family. Kathy [Kennedy] had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.”

“In terms of bullying, there are so many new laws in America, I am not sure about worldwide, but in America, the laws for bullying are getting strict. And I am really excited of how strict they are and I think it has cut down on a lot of bullying. As a kid I was a bully and I was bullied. I lived both sides of it. To see what is being done with bullying now is super important.”

“When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.”

“I don't try to take a person out of our world and put them into my world; that wouldn't work. It's sort of like bad Photoshop: If you see something Photoshopped together - and even if it's done pretty well - the eye catches on it. That happens a lot when people try to cut and paste people from our world into their fourteenth-century historical romance novel.”

“I've done movies in the past that have so many characters and I find it's very hard to follow all these stories. You end up not caring about any of the people and I thought that would be the case in this film, and you had these big speeches for each character, you know, it's like "God that's how you'll have to cut that down in order to paste it all", to edit the movie and my representatives could say "no, you really you ought to check it out.”

“Once you start carrying your own suitcase, paying your own bills, running your own show, you've done something to yourself that makes you one of those women men like to call 'a pal' and 'a good sport,' the kind of woman they tell their troubles to. But you've cut yourself off from the orchids and the diamond bracelets, except those you buy yourself.”

“Commercials are also any opportunity to meet new crew and work with new kind of rigs. You can explore working with different people without having to make the full commitment of having to do an entire feature film with them and see whether you like them. Also it's great for testing out new equipment, like on the last spot we just did, I used a lot of drone technology, really cutting edge drone stuff, more than I've ever done before, and it worked out really really well.”

“With directing, your day is done. When you hit seven o'clock, it's "Cut." That's what it is. For better or worse, that's what you've got and you have to make that work, and there's something incredibly liberating about that because you can't torture yourself. You have to focus on the moment, and you have to embrace every second and opportunity and maximize that, whereas with writing, there's no imperative there. You just amble along.”

“I'm happy to say that I have not been fired off a film. The score is usually the last thing to be done. So a lot lands on the scores shoulders. A lot of problems that seem to have nothing to do with the music gets blamed on the music , because it's relatively cheap to change, where as a reshoot etc is not. Music is often expected to help or fix bad cuts, bad acting, bad filming, bad timing, you name it.”

“So something I've felt I've learned with The Cosmopolitans shoot is using some agility and changing things quickly. That's something I found really useful on this shoot too. The gestation of The Cosmopolitans and this are slightly different from my other films. The script would be done and I'd be cutting it, but I wasn't always writing new material.”