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Cutting Quotes

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Cutting Quotes

“To me, the scariest movie ever made to this day is The Exorcist. It still scares the living hell out of me, and it’s because of the fantasy element. It’s the exorcism. It’s the Devil. It’s not a guy breaking into your house trying to torture you or cut your whatever off. Those kinds of movies don’t do it for me, and I don’t call them horror.”

“When fighting zombies, the only comfort one can have--if, indeed, it can be called a "comfort"--is knowing where the zombies are. "They are over there, and we are over here. When they come at us, we're going to shoot them down. That's how it's going to work. They're just zombies, and they're way over there. No way are we going to f*** this up." But when zombies then unexpectedly pop up behind you--Bam!--the whole battle plan's not so cut and dried, is it, Mr. Tough Guy?”

“I've made quite a number of movies like Castaway and a few others where I'm the only guy in the movie and the only place to be is right next to the camera in costume ready to go in order to get it. The years, and more specifically probably the four months prior to beginning shooting, is where the big preparation is that the director does because I knew we were going to get on the set. And the good news is, if you're the boss, if it ain't good, you don't use it. You just cut it out.”

“While opponents label (Howard) Dean a throwback liberal, The New York Times recently noted that as governor, Dean cut income taxes, reformed welfare and balanced Vermont's budget - all traditionally conservative policies. Dean also received an 'A' rating from the National Rifle Association, which I think you can't get unless you've killed a guy.”

“When guys come over to date my daughter, I'm going to tell them, 'I want you to go out and have a very good time with my daughter. I want you to enjoy yourself and have her home on time. If you abuse her in any way, I'm going to kill your mother and father, cut your back open, pull out your spine, and leave you in a wheelchair so you can think about what you did for the rest of your life. Now, go out and have a good time!'”

“We're not allowed in the cutting room - and that's extraordinary. So, when a director is asking for certain nuances and colours and we feel that they're phoney, but we do it because the director asks for it, that's the one that they pick in the cutting room. And I contend that when you see a movie with bad acting, don't blame the actor... blame those guys in the cutting room because they like that take.”

“I love listening to these guys give us lectures about debt and deficits. I inherited a trillion-dollar deficit. ... This notion that somehow we caused the deficits is just wrong. It's just not true. ... If they start trying to give you a bunch of facts and figures suggesting that it's true, what they're not telling you is they baked all this stuff into the cake with those tax cuts and a prescription drug plan that they didn't pay for and the wars.”

“But you know, I'm very conscious that people criticize Hollywood. Yet we've created a form, the Western, that can be understood in every country. The good guys against the bad guys. No nuances. And the horse is the best vehicle of action in our medium. You take action, a scene, and scenery, and cut them together, and you never miss.”

“The violence you witness is Denzel doing it and we're taking some visual effects and doing some things and you see something happen it's happening in front of you as opposed to cutting away and doing a bunch of tricks. It's in front of you. So it's hard not to make it a hard "R" if you see a guy get punched and teeth wind up in someone's knuckles.”

“The Brick House was one of the toughest joints I ever played in ... Guys would drink and fight one another like circle saws. Bottles would come flying over the bandstand like crazy and there was lots of plain common shooting and cutting. But somehow all that jive didn't faze me at all. I was so happy to have some place to blow my horn.”

“During the preproduction when I'm shooting and then once we wrap we go away. And then the visual effects guys take over. And then they add all those little bits and pieces. They come up with ideas during the cut in the editing, and they said while would be really cool if we did this thing here where the blade pops out. So then you see the movie and say wow that's a really neat idea. I wish we would have thought of that.”