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Cutting Quotes

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Cutting Quotes

“Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.”

“As you may know, KFC is under worldwide pressure to eliminate its cruelest abuses of chickens, such as cutting the beaks off baby birds; breeding chickens to grow so large, so quickly that many suffer crippling injuries; and slitting the birds' throats or dropping them into tanks of scalding-hot water while they are still alive and able to feel pain.”

“I can only tell you one thing that I do know for sure, I am a dreamer. There are not many people that will recognize or want to recognize the fact that they are dreamers in their own life ... I continue to get up in the morning,enthusiastically, and go pick up a golf club with a thought that I can somewhere find that secret to making the cut. That's just an example, but it applies to other things in life, too, and that's the way I live and the way I think and the way I feel.”

“The unnatural and increasingly rapid growth of the feeble-minded and insane classes, coupled as it is with steady restriction among all the thrifty, energetic and superior stocks constitutes a national and race danger which is impossible to exaggerate. I feel that the source from which the stream of madness is fed should be cut off and sealed before another year has passed.”

“I think Miss Moore was right to cut "The Steeple-Jack" - the poem seems plainer and clearer in its shortened state but she has cut too much... The reader may feel like saying, "Let her do as she pleases with the poem; it's hers, isn't it?" No; it's much too good a poem for that, it long ago became everybody's, and we can protest just as we could if Donatello cut off David's left leg.”

“I've chosen a life that's so different from everybody else's that it cuts me off from them. Practically everybody I know treats me like a guest celebrity. Of course it's my own fault. I feel so damn alone sometimes, I feel like I could just float away into the stratosphere and everybody would stand there looking up at me and not one would haul me back down to earth. No ropes.”

“I can only think seriously of trying to live up to an ideal, to improve myself, if I am split in two pieces. There must be a good “I” who is going to improve the bad “me.” “I,” who has the best intentions, will go to work on wayward “me,” and the tussle between the two will very much stress the difference between them. Consequently “I” will feel more separate than ever, and so merely increase the lonely and cut-off feelings which make “me” behave so badly.”

“With that being said, you are a Democrat. You are saying, "Let's cut and run." And I have to tell you, I have been nervous about this interview with you, because what I feel like saying is, "Sir, prove to me that you are not working with our enemies." And I know you're not. I'm not accusing you of being an enemy, but that's the way I feel, and I think a lot of Americans will feel that way.”

“When I'm at our house in France I totally cut myself off from the rest of the world. I never have to listen to phones ringing and that's because - and Vanessa would confirm this - phones are banned from the house. We have a beautiful life and I feel that spending time in France has just calmed me down and made me stop worrying about things which aren't really important.”

“What intelligent being, what being capable of responding emotionally to a beautiful sight, can look at the jagged, silvery lunar crescent trembling in the azure sky, even through the weakest of telescopes, and not be struck by it in an intensely pleasurable way, not feel cut off from everyday life here on Earth and transported toward that first step on celestial journeys?”

“I guess the way I describe it is when basketball players talk about being in the zone and they feel like they can't miss. That's the way a running back feels when the game is in slow-motion. It feels like every cut is right, every run is going to be at least 10 yards. You see what the defense is doing. You know what they're trying to do to you. It's awesome.”

“To allow the fear to come on you and then pass through. If you keep cutting the fear off by intervening - let's say, taking a Xanax to try to cure it - you'll never understand what fear is really for. Fear is part of a survival mechanism. The way you conquer fear is to feel it all the way, and then you'll find out that there's nothing there - it's just emotion.”

“Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it.”

“Modern cosmetic surgeons have a direct financial interest in a social role for women that requires them to feel ugly. They do not simply advertise for a share of a market that already exists: Their advertisements create new markets. It is a boom industry because it is influentially placed to create its own demand through the pairing of text with ads in women's magazines. The industry takes out ads and gets coverage; women get cut open. They pay their money and they takes their chances. As surgeons grow richer, they are able to command larger and brighter ad spaces.”

“People over the age of thirty were born before the digital revolution really started. We've learned to use digital technology-laptops, cameras, personal digital assistants, the Internet-as adults, and it has been something like learning a foreign language. Most of us are okay, and some are even expert. We do e-mails and PowerPoint, surf the Internet, and feel we're at the cutting edge. But compared to most people under thirty and certainly under twenty, we are fumbling amateurs. People of that age were born after the digital revolution began. They learned to speak digital as a mother tongue.”

“I've kept the people who've been in my career who I feel are my family. Kathy [Kennedy] had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.”

“When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.”

“I ordered a club sandwich, but I'm not even a member. "I like my sandwiches with three pieces of bread." "Well, so do I!" "Then let's form a club." "OK, but we need some more stipulations. Instead of cutting the sandwich once, let's cut it again. Yes, four triangles, arranged in a circle, and in the middle we will dump chips." "How do you feel about frilly toothpicks?" "I'm for 'em!" "Well, this club is formed."”