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Emotions Quotes

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Emotions Quotes

“I get a prompt about using my Dissociative Cognition System. It takes considerable effort to make even that decision, but I manage to give my systems the OK and immediately I can step back from the crushing burden of misery, cut off from certain aspects of my own biochemistry so that I can function and make rational decisions. It was an essential mod, for someone who was going to be on their own for long periods of time without any social contact. My emotions are still out there, and I can get fascinating readouts about what that locked-away part of me is actually feeling, good, indifferent, bad, worse, but it doesn't touch me unless I choose to open the door again. It's a fine line, I suspect, between useful logic and that pathological numbness that true depression can often lead to, where doing or wanting anything seems like climbing uphill.”

“I am yet to find a happy computer, despite being the epitome of rationality. Likewise, I am yet to find a civilized animal, despite being the epitome of sentimentality. What this means is that, only with the right balance between rationality and sentimentality there can exist a magical creature called human, brimming with infinite potential - but mess up the balance, and you are stuck with either a cold mechanical world run by rationality or a red-hot uncivilized world run by brutality - both equally unfit for preserving civilized life.”

“Logical reasoning leads to scientific knowledge, but it can also lead to wisdom — and not only by clarifying first principles and overthrowing false assumptions, but also by perceiving the patterns in our personalities, in the covert qualities of our desires, in the inescapable continuum of our free wills’ pursuit of happiness and even in our supposedly irrational emotions, clearly revealing the beauty of life’s inherent rules and effectively eliminating the illusions we have ironically been relying upon to give us hope in the absence of a more profound perspective.”

“It takes both emotion and logic to reach your maximum potential, to really give everything you have, to go beyond your limits. Because emotion and logic will both reach their limitations. And when one fails, you need to rely on the other. When it doesn’t make any logical sense to go on, that’s when you use your emotion, your anger, your frustration, your fear, to push further, to push you to say one thing: I don’t stop. When your feelings are screaming that you’ve had enough, when you think you are going to break emotionally, override that emotion with concrete logic and willpower that says one thing: I don’t stop. Fight weak emotions with the power of logic; fight the weakness of logic with the power of emotion. And in the balance of those two you will find the strength and the tenacity and the guts to say to yourself: I don’t stop.”

“You might think of the barrier between fiction and reality as being a bit like a blood-brain barrier, which allows only some kinds of molecules to pass from the bloodstream into the brain. Emotions can easily pass from the fictional world into the real one, so that fiction can feel as if it were real. But BELIEFS are blocked. We KNOW the events have no bearing in the real world.”

“L’ho perduto. È andato via quando il mio atto del filmare è stato contaminato dal vedere. La purezza dello sguardo è svanita. Si è fatta mera solitudine. I miei occhi sono serrati persi nella gioia del dolore. L’agonia dello sguardo è arrivata. Sento il suo peso dentro i miei occhi mentre le palpebre sono ancora chiuse. Non riesco più a vedere ma posso immaginarmi di guardare, oltre il buio.”

“Während der Kritiker in Theater und Concert, der Journalist in der Schule, die Presse in der Gesellschaft zur Herrschaft gekommen war, entartete die Kunst zu einem Unterhaltungsobject der niedrigsten Art, und die aesthetische Kritik wurde als das Bindemittel einer eiteln, zerstreuten, selbstsüchtigen und überdies ärmlich - unoriginalen Geselligkeit benutzt, deren Sinn jene Schopenhauerische Parabel von den Stachelschweinen zu verstehen giebt; so dass zu keiner Zeit so viel über Kunst geschwatzt und so wenig von der Kunst gehalten worden ist. Kann man aber mit einem Menschen noch verkehren, der im Stande ist, sich über Beethoven und Shakespeare zu unterhalten? Mag Jeder nach seinem Gefühl diese Frage beantworten: er wird mit der Antwort jedenfalls beweisen, was er sich unter „Bildung“ vorstellt, vorausgesetzt dass er die Frage überhaupt zu beantworten sucht und nicht vor Ueberraschung bereits verstummt ist. Dagegen dürfte mancher edler und zarter von der Natur Befähigte, ob er gleich in der geschilderten Weise allmählich zum kritischen Barbaren geworden war, von einer eben so unerwarteten als gänzlich unverständlichen Wirkung zu erzählen haben, die etwa eine glücklich gelungene Lohengrinaufführung auf ihn ausübte: nur dass ihm vielleicht jede Hand fehlte, die ihn mahnend und deutend anfasste, so dass auch jene unbegreiflich verschiedenartige und durchaus unvergleichliche Empfindung, die ihn damals erschütterte, vereinzelt blieb und wie ein räthselhaftes Gestirn nach kurzem Leuchten erlosch. Damals hatte er geahnt, was der aesthetische Zuhörer ist.”

“How does a tiny heart harbor so many clashing sentiments? One moment it is devoted. The next, purely disdaining. Weeping at tremendous heartache and then laughing, lighthearted, through the same tears. How can a heart rage so fierce as to boil blood while it turns to ice? How is this done? To love, hate, esteem, deride, rejoice, deplore, favor, resent— all of these and more swirling inside. This sensitive heart, so full and resilient, buoys up to the point of bursting and then deflates on a dime. It is a slave to whims and whispers. How is it that the human heart beats so wild and untamed?”

“Such a nasty bruise,” he says, staring straight into my eyes. I am stunned he can see it. Delicate to the touch and tender on every side, the bruise is deeper than days. My hand automatically moves to my chest. Science taught me with valid assurance that my heart was fixed in my rib cage, but life has since shown me otherwise. My heart in fact dangles from a tangle of strings. The ends are grasped tight by numerous people who yank and release, having caused many painful bruises over time. I cry because they are invisible to most. “Such a nasty bruise,” he repeats, tugging on my poor heart. His kind eyes fall away from mine as I feel a squeeze on my arm. He twists it enough to show me a small, round patch of purple surrounded by a sickly yellowish corona. “Oh. My elbow.” I let the air exhale from my lungs. Another bruise forms where my heart has hit the floor. It is jerked up again. “Can I do anything for you?” I see in his eyes the mirror image of a finger—his finger—wrapped in one of the dangling strings. He tugs and I feel it. “No,” I reply to his question. But it is a lie. There is something he could do, along with all who grasp a portion of the web entangling my heart. I wish they would mercifully let go.”

“Da li znaš da čitaš poljupce? Poljupci su kao ljubavna pisma. Mogu se pročitati, a mogu se baciti nepročitani. Poljubac može da znači zdravo! Ili laku noć, zbogom, ili dobro jutro! On znači doviđenja, nosi izdaju i smrt, ili bolest, govori dobro došli, seti me se, ili srećan put! Poljubac je zalog sreće, sećanje, laž, obećanje, ili dug sa kamatom. Vesnik radosti ili nesreće. Kroz poljubac jedno naše telo odlazi u naše drugo telo...”