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Feedback Quotes

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Feedback Quotes

“If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.”

“With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.”

“The customer is always what inspires me first! I love talking to everyone on Instagram and seeing feedback on SnapChat! I can ask a question like "What product do you wanna see next??" and they give you immediate answers. I will never make a product I personally wouldn't wear every day! But I think it's important to be in tune with your audience and see their expectations.”

“There's nothing like getting feedback that's positive and supportive. That's what I'm all about. I'm really just genuinely doing good music. I'm not looking to be on the cover of magazines and I'm not in it for the fame. I'm not in it for selling or the biggest Pop song in the world. I have to go for critically acclaimed. I'd rather go for my peers that I look up to say "I listen to her record." I'd rather do a small little touring venue that has two people who support me as opposed to thousands of people. I mean if it happens, it happens but I'm doing it for me.”

“Yeah, I know a lot of soldiers. I know soldiers who don't like to hear thank you for your service. And I know soldiers that do like to be told thank you for your service. The ones who don't like to be told are the ones who've been through serious sh*t. They don't care about feedback. They did their job. They did what they have to do. Sometimes the people that thank them are exactly the ones they don't want to be thanked by.”

“Writing can be such a lonely endeavor that I do think community is also important.Meeting at cafes and exchanging work and reading to each other and giving each other little bits of encouragement and feedback and thoughts, I think that's an incredibly rich experience because what it does is it gives you a sense of community but also purpose. If I know I'm going to meet you in a cafe next Tuesday, I'm going to write something that I can hand to you. Discipline is such a challenge for so many writers and so I think that that's a key benefit of being in a group.”

“Mo Willems was so helpful. I had met him a number of times, and I knew from his books how funny he was, of course, but it was really neat to be able to have his feedback. He's so great with comic timing. Working with him was like taking a master class in comic timing, because he could pinpoint right away if a section wasn't working. I remember him saying once, "No, you need a beat between this page and this page," and it was like, oh yeah, of course. I hadn't seen it, but being so good at what he does, Mo noticed it right away.”

“I thank God that I became addicted to pain pills, because the process of going through rehab taught me more about myself than I had ever known. I wish I would have learned what I learned about myself I learned in rehab, going through life. You know, we're all raised to be loved. We care about what other people think of us, and sometimes to our detriment we let feedback and the opinions of others shape our own self-image. I was guilty of that, too. But in my professional life, I had mastered it. I didn't care what the critics said.”

“Our mission is to help people discover and support great journalism. But something like Blendle, asking micropayments for journalism, hasn't been done before on this scale and with our broad support from media companies. So we want to do it well and listen very carefully to the feedback of our users first. That feedback from the early community is very important to us.”

“We need more concept-development and active involvement, less tuning forks, pulleys, and friction formulas - students know they'll never use those. They need more study of outer space and DNA. They need more exciting teaching, more fair-minded encouragement, more career guidance, more mentorship. Both students and teachers need more feedback. It would help if we stopped protecting bad teachers - It's very difficult to get rid of even sexual perverts let alone just bad teachers.”

“What differentiates human from lower-animal consciousness is time. You can't explain the concept of "tomorrow" to your dog. Our consciousness is dominated by time - We're constantly running simulations of the future. Our brain is a prediction machine. The hallmark of intelligence, indeed of genius, is the number and complexity of the feedback loops we use in predicting the future.”

“My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.”

“For me, when we came out with a TV show, my HBO show, so much of the feedback was, "How do I do it?" And my response was always the same: "Just make something." Stop talking about it. You do in a way that the work takes on a life of its own. Like the "Signature" series [(2008), in which the artist trekked across the United States in the shape of his own signature] was a simple concept that became this story about the people you met along the way.”

“Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.”

“I started blogging because I didn't know if I wanted to be an artist. I wanted to talk to other people online who were doing art, so I would post work and ask for feedback. I loved that an artist like James Jean would show his process on his blog. It became this open dialogue that, unfortunately, we don't have a lot in the fine-art world. People will say, "Wow, you share a lot." I'm like, "No, I make it a point to." Instagram is a great place for people to share failure. I don't want people to think that being an artist is some glamorous life.”