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“In a musical sense, it seemed like all the good intentions had gone awry, very quickly. I mean, we got back from America and Blur had made The Great Escape, which I thought was a really, truly awful album - so cheesy, like a parody of Parklife, but without the balls or the intellect. And Oasis were enormous and I always found them incredibly dreary. There was this uncritical reverence surrounding the whole thing”

“The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable.”

“In Egypt the neoliberal programs have meant statistical growth, like right before the Arab Spring, Egypt was a kind of poster child for the World Bank and the IMF [International Monetary Fund:] the marvelous economic management and great reform. The only problem was for most of the population it was a kind of like a blow in the solar plexus: wages going down, benefits being eliminated, subsidized food gone and meanwhile, high concentration of wealth and a huge amount of corruption.”

“We recriminalized black life. Incarceration rates since the 1908s have gone through the roof, overwhelmingly black males, women and Hispanics to some extent. Essentially re-doing what happened under Reconstruction. That's the history of African Americans - so how can any one say there's no problem. Sure, racism is serious, but it's worse than that.”

“In polite society, there is such a thing as sensitivity to some issues, as time has gone on. There was a time when we weren't politically correct, at all, and we all wince at moments when we look to the past and see that. I don't really know what the answer is, as far as that is concerned. However, me, as an artist, I don't really think about it, at all. It actually is not my job to think about that, especially in terms of me, as a writer, but also as a filmmaker. I'm not worried about the filmmaking part because, if I'm writing it, that's what I'm going to do.”

“What city has given the world more in terms of American culture than New Orleans? There is none. Not New York. Not L.A. Not Chicago. Not anywhere, in the sense that African American music has gone around the world twenty times over, and it's continuing to evolve. It is our greatest cultural export.”

“I stand on the shoulders of giants that have gone before me, in terms of affording people like myself, women, the access to democracy, the vote, medical treatment, education, everything that I've been given. It's all been earned. Therefore I feel it's incumbent on me personally to just contribute something, to add to a collective voice that needs to be here right now, to build it up to a tipping point, to make the world aware that women's rights still have to be addressed and that the word 'feminism' has been devalued and needs to be reclaimed.”

“So, we've gone from covered wagons to going to the moon in just under 100 years. For all the centuries and thousands of years before us, people walked or rode horses, cows, camels or whatever. This so-called modern era, from the late 19th century through now, has been the period of the most amazing development, discovery, innovation and acceleration of change that humans have ever experienced. And it hasn't slowed down yet.”

“In a world that has gone global, we no longer have a choice. If we don't export freedom, we risk importing the viruses which have corrupted other nations. ... Some critics complained that President Bush was arrogant when he suggested America can and should export freedom to other countries. This implies the people of unfree countries may not wish to be free. Which is the greater arrogance?”

“Once physical beauty is gone there must be something more to take its place . . . 'To thine ownself be true' is a rule to live by in Hollywood, especially. There's a strong undercurrent of conformity in the movie colony that one must fight all the time. I think this especially true when it comes to fashion, beauty and grooming.”