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Little Bit Quotes

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“Asking the question whether the mainstream media has a liberal or conservative bias is like asking whether al Qaeda uses too much oil in their hummus. I might think they use a little bit too much oil; some people might think it's a little dry. But the problem with al Qaeda is they want to kill us. And the problem with the mainstream media is that it has these other biases that are much more important.”

“I want to say to all you Scribes, Pharisees, heresy hunters, all of you that are going around pickin' little bits of doctrinal error out of everybody's eyes and dividin' the Body of Christ...get out of God's way, stop blockin' God's bridges, or God's goin' to shoot you if I don't...let Him sort out all this doctrinal doodoo!...I refuse to argue any longer with any of you out there! Don't even call me if you want to argue...Get out of my life! I don't want to talk to you...I don't want to see your ugly face!”

“I have every iPod that's been made ˘ that's how sick I am. I carry anything and everything I possibly would want to listen to. I have a lot of jazz. I adore Ralph Towner, Leo Kottke. I've always been a big Oscar Peterson fan. I've branched out a little bit more in rock-and-roll, but that's maybe because I'm 50 years old and I can now listen to Steely Dan again without shame. I adore the Grateful Dead. Creedence Clearwater Revival. Crosby, Stills, Nash, and Young. All that's been fun to get back into. But I'm no longer interested in the Doobie Brothers.”

“If you've got a restaurant, you definitely want the line to be out the door the first night, but you're more interested in people continuing to come to the restaurant. And that's their outlook, a little bit. I think it allows for more creativity, in the process. It allows people to make interesting programming that maybe wouldn't have a place on broadcast networks, if you were just counting people.”

“Televisison is like a factory line. You need discipline and focus. You have to hit your mark and know your lines. It's not that I don't know my lines when I do a film, but the pace of discovery is always a little bit more relaxed and nurturing and almost babying, in a way. Television toughens you up, and I like that, but I don't want it to toughen me up too much.”

“Most Americans don't live their lives solely as Democrats or Republicans or conservatives or liberals. Most Americans live their lives that are just a little bit late for something they have to do. Often it's something they do not want to do, but they do it. Impossible things get done every day that are only made possible by the little, reasonable compromises.”

“I had been in Chicago for 22 years, and my wife and I didn't want to see another Chicago winter. Its a wonderful town but the winters are brutal. My wife and I are both east coast people and we wanted to live someplace a little bit warmer but didn't want to live way down south. So Delaware seemed like a good compromise.”

“I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.”

“Jodie Foster did it, Natalie Portman did it. I think it's entirely possible to juggle university with filming... I actually think going to university will make me a better actress. The experience of living like that, working to deadlines, living with other students. It's all the things I want. There are actresses who don't know about things like doing their own laundry and getting a bus. I'm not going to be like that. For me, this is just the beginning. I've only shown a little bit of what I can do. There is so much more to come.”

“If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.”

“Comedians are - at the end of the day, we're just a bunch of people that lack a little bit of - we're very insecure, and we want to be loved and liked by everybody. And you know, I could check my Twitter and there could be 150 people that say wonderful things. There'll be one person who says something negative. And all we focus on is that negative.”

“Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story.”

“It's a little bit about being a global citizen, with all the United Nations positive umph that there is with that phrase - it's about being a positive do-gooder. But it's also: how can I participate in globalization in a really clear way? Like: don't leave the house unless you can bring something worthy into the world. And so Nicaragua changed the way that I want to do things.”

“So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.”

“Banks don't want certain asset classes, and that's created opportunities for private equity, hedge funds, Silicon Valley. In this case I think he was referring to some of the European banks shedding assets, and the big buyers are probably not going to be big American banks. Someone like Blackstone may have a very good chance to buy those assets, leverage them, borrow up a little bit, and do something good there.”

“One of the things we find when we talk to people that attend these congregations, they all have social cost to it. People want to know why they're doing that. Sometimes they're questions about selling out on their race or "Are we not good enough that you have to go to this kind of congregation and not ours?" So there are costs to it, and I think they're a little bit higher in the South because of its history.”

“"You are the actor, and I understand we already had our sit down, you explained your concept, your view," so I said, "Okay, I'm in your hands." That means that if you've got to nudge me a little bit to the right I move to the right, just from the pressure, weight, but you won't have to touch me at all. You can come and go "Okay, you want me over here a little bit more," so no pressure on us at all that's easy to do.”

“That's always been my main anxiety - the people in the room. That's my massive stress - thinking that these people in the room are judging me. And, this time around, I've been able to think a little bit more clearly about that. I've been able to think "Well, no. They're here to enjoy a show," and I want to give them that. I want to give them their money's worth – for starters.”