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Lows Quotes

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Lows Quotes

“The errors of a wise man are literally more instructive than the truths of a fool. The wise man travels in lofty, far-seeing regions; the fool in low-lying, high-fenced lanes; retracing the footsteps of the former, to discover where he diviated, whole provinces of the universe are laid open to us; in the path of the latter, granting even that he has not deviated at all, little is laid open to us but two wheel-ruts and two hedges.”

“There are only two ways out for animals at pounds--being adopted or being killed. And cats have such a low rate of adoption that many pounds, even in some larger cities, don't bother to take them in at all. Not for nothing is it always the "dog pound" and never the "cat pound.”

“For years I have told my students that I been trying to train executives rather than clerks. The distinction between the two is parallel to the distinction previously made between understanding and knowledge. It is a mighty low executive who cannot hire several people with command of more knowledge than he has himself.”

“I do my best writing between 10 p.m. and 5 a.m.. Almost every friend I have who is a consistently productive writer, does their best writing between 10 p.m. and 8 a.m. My quota is two crappy pages per day. I keep it really low so I'm not so intimidated that I never get started. I will do the gathering of interviews and research throughout the day. I'll get all my notes and materials together and then I'll do the synthesis between 10 p.m. to bed, which is usually 4 or 5 a.m.”

“Above all, success in business requires two things: a winning competitive strategy, and superb organizational execution. Distrust is the enemy of both. I submit that while high trust won't necessarily rescue a poor strategy, low trust will almost always derail a good one.”

“Martina Navratilova said in the early '90s that Seles would inspire the players of the future to also use two-handed forehands. That didn't happen, but she is responsible for the all-out aggression with which most of the top players play. All the low trajectory shots hit with just moderate amounts of spin and traveling into the corners like heat-seeking missiles? You guessed it, Monica's to blame.”

“The Atomic Age was born in secrecy, and for two decades after Hiroshima, the high priests of the cult of the atom concealed vital information about the risks to human health posed by radiation. Dr. Alice Stewart, an audacious and insightful medical researcher, was one of the first experts to alert the world to the dangers of low-level radiation.”

“We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That's occasionally what happens. What more often happens is that we settle on some sort of - a few sort of structural ideas, like, "Okay, when I put my finger up, we're all going to move to the extremes of our instruments. So, that means you can only play either very high or very low or both. And we're going to stay there until I take my finger down.”

“There was a filmy veil of soft dull mist obscuring, but not hiding, all objects, giving them a lilac hue, for the sun had not yet fully set; a robin was singing ... The leaves were more gorgeous than ever; the first touch of frost would lay them all low to the ground. Already one or two kept constantly floating down, amber and golden in the low slanting sun-rays.”

“Suppose a nation, rich and poor, high and low, ten millions in number, all assembled together; not more than one or two millions will have lands, houses, or any personal property; if we take into the account the women and children, or even if we leave them out of the question, a great majority of every nation is wholly destitute of property, except a small quantity of clothes, and a few trifles of other movables.”

“When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.”

“It was at Harvard not quite forty years ago that I went into an anechoic [totally silent] chamber not expecting in that silent room to hear two sounds: one high, my nervous system in operation, one low, my blood in circulation. The reason I did not expect to hear those two sounds was that they were set into vibration without any intention on my part. That experience gave my life direction, the exploration of nonintention. No one else was doing that. I would do it for us. I did not know immediately what I was doing, nor, after all these years, have I found out much. I compose music.”

“So now I'm going to forget the 400 years of lynching and killing raping and depriving my people feeding of justice and equality and the lowest of low last respect and I'm going to look at two or three white people who are trying to do right and don't see the other million who are trying to kill me? I'm not that big of a fool.”

“I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent. And in the lab, too, the photochemical process was very difficult to watch, because sometimes they were shipping prints that you didn't even know were two points off or three points off. We suffered greatly to make these films, and they'd be out-of-focus, with the sound too low.”

“The only thing you should have to do is find work you love to do. And I can't imagine living without having loved a person. A man, in my case. It could be a woman, but whatever. I think, what I always tell kids when they get out of class and ask, 'What should I do now?' I always say, 'Keep a low overhead. You're not going to make a lot of money.' And the next thing I say: 'Don't live with a person who doesn't respect your work.' That's the most important thing—that's more important than the money thing. I think those two things are very valuable pieces of information.”

“Progress is unstoppable. It is a drumbeat to which we must all march. Technology helps and good ideas spread – these are two lows of nature. If you don’t let technology help you, if you resist good ideas, you condemn yourself to dinosaurhood! I am utterly convinced of this.”

“I paused for a light at Hamilton and TWlfth and noticed the Nissan was running rough at idle. Two blocks later it backfired and stalled. I coaxed it into the center of the city. Ffft, ffft, ffft, KAPOW! Ffft, ffft, ffft, KAPOW! A Trans Am pulled up next to me at a light. The Trans Am was filled with high school kids. One of them stuck his head out of the passenger-side window. "Hey lady," he said. "Sounds like you got a fartmobile." I flipped him an Italian goodwill gesture and pulled the ball cap low on my forehead. (Three to get Deadly)”

“These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.”

“You know well I couldn't bear to live with a low common man after you two; and it's wicked and cruel of you to insult me by pretending I could.”

“What the—Have you been crying?" Tohrment demanded. "Are you all right? Dear God, is it the baby?" "Tohr, relax. I'm a female, I cry at matings. It's in the job description." There was the sound of a kiss. "I just don't want anything to upset you, leelan." 'Then tell me the brothers are ready." "We are." "Good. I'll bring her out." "Leelan ? " "What?" There were low words spoken in their beautiful language. "Yes, Tohr," Wellsie whispered. "And after two hundred years, I'd mate you again. In spite of the fact that you snore and you leave your weapons all over our bedroom.”

“You came here a fighter, Maddie. Maybe you'd lost a round or two, but you were on your feet. You want to stay in Lucky Harbor? Fight for it. You want a relationship with your sisters? Fight for it." "What about you? What about a relationship with you?" He pulled back to look into her face as if memorizing her features. His voice, when he spoke, was low and gravelly with emotion. "I'm already yours. Always have been. All you have to do is step into the ring.”