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“Creative people often feel highs of joy and lows of sorrow that others may never experience, and perhaps could not even handle if they did. Little wonder many outside the creative world mistake (or dismiss) eccentric responses of the spirit as weakness or mental illness. But in the end, these dismissive souls will never know what it is to be moved by tears by the beauty of rose or brought to joy by sunlight filtering through the leaves of spring or autumn. The creative walk in glades invisible to those outside their realms.”

“We Americans commercialize everything. Look at what we did to Christmas. Christmas is Jesus' birthday. Now, I don't know Jesus, but from what I read he was the least materialistic person who ever walked the earth. No bling on Jesus. He kept a low profile and we turned his birthday into the most commercial day of the year. In fact we have a whole Jesus birthday season. And then at the end of it, we have the nerve to have an economist come on TV and say what a horrible Jesus birthday season we had.”

“The tall building, concentrating man in one place more densely than ever before, similarly concentrates the dilemma of our public architecture at the end of the twentieth century: whether the new forms made possible by technology are doomed by the low calculations of modern patrons and their architects.”

“[Concerning the Water Ouzel, now called American Dipper:] In a general way his music is that of the streams refined and spiritualized. The deep booming notes of the falls are in it, the trills of rapids, the gurgling of margin eddies, the low whispering of level reaches, and the sweet tinkle of separate drops oozing from the ends of mosses and falling into tranquil pools.”

“[D]rawing up 'secret war plans' for a possible attack on Iraq wasn't irrational. The low-level war against Saddam was 12 years old, with no end in sight. American and British pilots were getting shot at, sanctions weren't working, and Bush was getting warnings that Saddam had all those terrible weapons and would use them against America. Bush would have been a fool not to draw up plans. Gee, wait till the critics find out that FDR, without ever informing the media, was plotting to fight Japan and Germany before Pearl Harbor.”

“The most successful teachers in low-income communities operate like successful leaders. They establish a vision of where their students will be performing at the end of the year that many believe to be unrealistic. They invest their students in working harder than they ever have to reach that vision, maximise their classroom time in a goal-oriented manner through purposeful planning and effective execution, reflect constantly on their progress to improve their performance over time, and do whatever it takes to overcome the many challenges they face.”

“I grew up in low-income areas and I've seen people take negative energy and just accept it. They give into and end up living a pretty rough life. At a young age, I just knew I wasn't going to give in because I didn't want to end up being one of those people in the neighborhood that didn't have anything and lived a hard life.”

“We try to make films for people [that are] the films that we'd like to see. They're not easy to get made. They're hard to get made. You have to keep the budget low to get them made. But at the end of the day, I don't really worry about competition, because I don't really think of it that way. I don't feel like I'm in a race with anybody.”

“Propaganda must not concern itself with what is best in man - the highest goals humanity sets for itself, its noblest and most precious feelings. Propaganda does not aim to elevate man, but to make him serve. It must therefore utilize the most common feelings, the most widespread ideas, the crudest patterns, and in so doing place itself on a very low level with regard to what it wants man to do and to what end. Hate, hunger, and pride make better levers of propaganda than do love or impartiality.”

“Dancing of late years has been degraded to the narrow limits and low professionalism of mere mechanical proficiency, associated with the most frivolous... phases of the stage. But this day is fading...We are turning our gaze inward, learning to seek there the divine sources of the dance, to the end that it may flower into new and more glorious forms of beauty and wealth”

“The great lesson in microeconomics is to discriminate between when technology is going to help you and when it's going to kill you. And most people do not get this straight in their heads. But a fellow like Buffett does. For example, when we were in the textile business, which is a terrible commodity business, we were making low-end textiles-which are a real commodity product. And one day, the people came to Warren and said, "They've invented a new loom that we think will do twice as much work as our old ones."”

“How could Digital's collapse be so precipitous? It's because, in many ways, financial performance data is misleading. As you move up to the top of the market, you're getting rid of the less profitable products at the low end and adding business with more attractive margins at the high end. The rate of unit volume growth might be tapering off as you pursue these smaller markets, but your margins actually look better. So Wall Street rewards your stock price until you hit the ceiling.”

“The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.”

“High prices can be the result of speculation, and maybe plunging prices can be attributed to the end of speculation, but low prices over time aren't caused by speculation. That's oversupply, mainly by Saudi Arabia flooding the market with low-priced oil to discourage rival oil producers, whether it's Russian oil or American fracking.”

“Oil now, as a result of the Saudi production, is priced so low that there are not going to be new fracking investments made. A lot of companies that have gone into fracking are heavily debt-leveraged, and are beginning to default on their loans. The next wave of defaults that banks are talking about is probably going to be in the fracking industry. When the costs of production are so much more than they can end up getting for the oil, they just stop producing and stop paying their loans.”

“On another front of the category-error argument are the insufferable fogeys who think the [Nobel] award is an outrage upon literature itself. That the problem is not simply a mistake may have been made about definitions, but that awful vulgarians are encroaching upon their sacred places. [Bob] Dylan, to them, is the harbinger of the low-culture mob; the latest in an unending number of final straws, or the thin end of a wedge that never seems to get thicker.”

“South Korea at the end of the Second World War had a very low level of literacy. But suddenly, like in Japan, they determined they were going in that direction. In 20 years' time, they had transformed themselves. So when people go on saying that it's all because of perennial culture, which you cannot change, that's not the way the South Korean economy was viewed before the war ended. But again within 30 years, people went on saying there's an ancient culture in Korea that has been pro-education, which is true.”

“Then there came a faraway, booming voice like a low, clear bell. It came from the center of the bowl and down the great sides to the ground and then bounced toward her eagerly. 'You see I am fate,' it shouted, 'and stronger than your puny plans; and I am how-things-turn-out and I am different from your little dreams, and I am the flight of time and the end of beauty and unfulfilled desire; all the accidents and imperceptions and the little minutes that shape the crucial hours are mine. I am the exception that proves no rules, the limits of your control, the condiment in the dish of life.”

“O Mistress mine, where are you roaming? O, stay and hear; your true love's coming, That can sing both high and low: Trip no further, pretty sweeting; Journeys end in lovers meeting, Every wise man's son doth know. What is love? 'Tis not hereafter; Present mirth hath present laughter; What's to come is still unsure: In delay there lies not plenty; Then, come kiss me, sweet and twenty, Youth's a stuff will not endure.”

“I hold another creed, which no one ever taught me, and which I seldom mention, but in which I delight, and to which I cling, for it extends hope to all; it makes eternity a rest - a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last; with this creed, revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low. I live in calm, looking to the end.”

“The word itself has another color. It’s not a word with any resonance, although the e was once pronounced. There is only the bump now between b and l, the relief at the end, the whew. It hasn’t the sly turn which crimson takes halfway through, yellow’s deceptive jelly, or the rolled-down sound in brown. It hasn’t violet’s rapid sexual shudder or like a rough road the irregularity of ultramarine, the low puddle in mauve like a pancake covered in cream, the disapproving purse to pink, the assertive brevity of red, the whine of green.”

“There was movement along the fringe of Chauncey's vision, and he snapped his head to the left. At first glance what appeared to be a large angel topping a nearby monument rose to full height. Neither stone nor marble, the boy had arms and legs. His torso was naked, his feet were bare, and peasant trousers hung low on his waist. He hopped down from the monument, the ends of his hair dripping rain. It slid down his face, which was dark as a Spaniard's.”