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“Sourdough isn't only for bread. Any grain-based baked good- from crackers to waffles, from muffins to pasta, can be made with a wild yeast starter. Why would the home baker want to incorporate sourdough into their regular baking? First, it's an excellent way to use the starter you remove during feedings. Instead of throwing the excess in the trash, add it to your pancake batter or chocolate chip cookies. Second, a sourdough starter is an ecosystem of wild yeasts and beneficial bacteria that work together to add B-vitamins to grains, to break down gluten for better digestion, and to neutralize phytic acid and enzyme inhibitors. In other words, it's good for you. And finally, because sourdough eventually becomes a way of life. Experimenting with different ways of using it is one of the most satisfying aspects of using wild yeast in your kitchen.”

“This is Clive Christian Number One. It's one of my favorite fragrances, and one of the most exquisite. It's made from entirely pure ingredients, mainly natural aged sandalwood from India and Tahitian vanilla, but a lot of the other ingredients - the ones that produce the fine top notes- they change slightly every year, depending on availability and the perfumers' preference." Using her skills, she smelled the scarf. "Pineapple, plum, mirabelle, and peach, heart notes of jasmine, ylang ylang, orris, and carnation. I'm betting this is the '08.”

“There is a touch of cumin to bring harmony to the floral chord, a carnal romance at the heart of the fragrance." Rapacine reached for Iris's arm and smelled the fragrance on her; a satisfied smile spreading on her face. "And at last, a sensual and animalic base: ambergris, salty and erotic; sandalwood, milky and sacred, and... I couldn't resist an iris note, but iris is a mute flower, the bloom will not give its scent---" "That tracks, I'm a mute flower at work, too." "No, you misunderstand. Live iris has a scent, but its scent is impossible to extract like other flowers. Iris guards its fragrance fiercely. What I used in the base is orris, a material that is made from the iris root, which takes years to mature, that is tender, powdery, and intimate. You are named for a rare and precious fragrance, one whose character is both ethereal and yet rooted in soft earth." Iris was in awe.”

“It was filled with a dark paste, rather than liquid. I unscrewed the cap. The smell rolled toward me, and I reared back. I could almost hear growling, the pop of a bone socket. "Civet," Claudia said, unfazed. "It takes a strong stomach to smell an animalic base note straight, don't you think? But a drop or two, down there in the bottom of a perfume? It sends that other message. Death and sex- that's what perfume's all about. You'll understand when you're older." I stared back at her. I knew about death. I knew about sex. I didn't need her to tell me. She held out another bottle, her expression bland. "Jasmine." I was cautious this time, barely sniffing the contents, but the smell was a relief- sweet, white, and creamy, almost euphoric. I felt as if I were floating in it. Just as I was about to put the bottle down, though, I caught a whiff of something else in the background, something narcotic and sticky. I inhaled more deeply, trying to pin it down. "You like it," Claudia said. For the first time, she seemed pleased with me. "Do you know what that is, that note you're searching for?" I shook my head. It was right there, but in that cool, blank room, I couldn't quite name it. "It's shit," Claudia said. She smiled, slow and lazy. "Technically, the molecule's called indole, but a rose by any other name...”

“She watched as he put a few ice cubes in a heavy glass, then expertly curled a strip of grapefruit rind from one of the fruits in a bowl on the bar top. "This must be a favorite," she commented, nodding at the supply of grapefruit nestled in the bowl along with the usual lemons and limes. He poured a generous measure from the black bottle and handed it to her with a cocktail napkin. "See for yourself." Gemma wasn't in the habit of drinking gin neat, so she sniffed, then took a tentative sip. The flavors exploded in her mouth- coriander and juniper and lime and... grapefruit. "Oh, wow," she said, when her eyes stopped watering. "That is amazing. I'm converted.”

“In addition to the aquatic freshness of lychee fruit, the head has neroli, the flower of bitter orange. It is delicate, a little green, and more aromatic than citrus, and known for its purifying qualities." Iris thought the neroli must be the juicy nectar and the lychee the rosy pop. "Then a voluptuous floral heart. Tuberose, la fleur charnelle, the carnal flower, whose narcotic femininity was once believed to be so powerful that it could send young women into spontaneous orgasm if they smelled it after dark. Next, the flower that raised me, jasmine, a tiny white flower with an enveloping sweetness, warm and resonant as a cello line. And Osmanthus, what the Chinese call the flower of wisdom, whose scent evokes an apricot's velvet flesh, at once blushing and innocent yet strapped with a leather nuance.”

“The Rothschild is very lovely. You will be quite pleased. It reminds me of brown sugar, chocolate, and dried plum- very powerful and elegant. Let me show you. The color is remarkable." Escoffier uncorked the wine and slowly began to decant it in the candlelight, carefully leaving the sediment behind. "Amazing, isn't it? Rubies- those are the only things on this earth that are as beautiful as this is, are they not? No?" Gabetta watched as Escoffier deftly poured the ruby river of wine, gently, slowly and carefully. The musty air was filled with the particular lushness of late summer with its ripe cherries and tart apples.”

“They ended up at the Old Corner Bookstore, which Brian had read about in a tour guide to Boston. "Longfellow and Hawthorne and Oliver Wendell Holmes used to read here. Let's go in." Brian nudged the girls until they obeyed. It was a regular bookstore, less history-minded than Brian had expected. In fact, the local history shelves were quite mangeable. I'll buy one book, he thought. This will get me launched in actual reading. Out of the zillions of choices, I'll find one here. Brian picked out Paul Revere and the World He Lived In. It was thick and somehow exciting, with its chapter headings and scholarly notes and bibliography.”

“I could smell her perfume, sultry and deep, too loud for such a small space. "Poison," Victoria said, shooting me a knowing smile. "What?" Fisher said, turning. "It's a fragrance, circa 1985," she explained. "It got completely cheapened later, but the vintage stuff is still striking." She paused, sniffing lightly, ticking off scents on her fingers. "Plum, coriander, and opoponax." "What?" "It's a myrrh.”

“I’m relieved to see that even brilliant physicists make mistakes.” Kohler looked over. “What do you mean?” “Whoever wrote that note made a mistake. That column isn’t Ionic. Ionic columns are uniform in width. That one’s tapered. It’s Doric—the Greek counterpart. A common mistake.” Kohler did not smile. “The author meant it as a joke, Mr. Langdon. Ionic means containing ions—electrically charged particles. Most objects contain them.”

“I like to leave little notes, around as I have traveled. It's like a semi-permanent graffiti for the soul. You know, some words or thoughts for a person's commute home, or the waitress that has been picking up people's sloppy plates all day, maybe even a mom watching her kids play in the park. You never know what is on a person's mind...maybe dread, or hate, or sorrow, or even nothing. I only hope some little thing makes them feel a bit better.”

“It's easy to forget history or give it a cliff notes. The cliff notes of history. But mainly, so much of what happens in 'Eyes on the Prize' happened in Jackson, Mississippi. Jackson, Mississippi isn't really known for any other touchstone to the movement, other than Medgar Evers being killed. There were sit-ins and riots and atrocities.”

“And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky—so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.”