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“I have a love/hate relationship with my body, Some days I'm happy with it and other days I wasn't born with Gisele Bundchen's body unfortunately, so you got to work for it - but it's okay.” Madonna “Do I sometimes look at Gisele Bündchen and wonder how awesome life would be if I never had to wear Spanx? Duh, of course. That's kind of the point of Gisele Bündchen.”

“Fear keeps us focused on the past or worried about the future. If we can acknowledge our fear, we can realize that right now we are okay. Right now, today, we are still alive, and our bodies are working marvelously. Our eyes can still see the beautiful sky. Our ears can still hear the voices of our loved ones.”

“Photos should focus on your waist up, unless you have amazing legs. Then it's okay to include one or two full-body shots in your gallery. The majority of your photos should be closer up, highlighting your face. Don't stage a smile. Instead, try to laugh just before the shot is taken. Flirty smiles that don't look cheesy also work. Make eye contact with the camera. Aim to take most of your photos outdoors.”

“I see women who have this struggle between what they know is right, what they know is necessary, what they know is healthy, what they know is good for them, what they know is good for the work that they need to do, what they know is good for their bodies, what they know is good for their families - all too often ending that statement with the upturned question mark: "If it's okay with everyone?" Still asking, still requesting, still filing petitions for somebody to say that it's all right.”

“I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.”

“I might find that I have a habit of being jealous and comparing myself with other people and riveting my attention on how much somebody else is accomplishing or doing, or how much better they are at such and such. First, I might recognize the story - the mental images and internal dialogue - and say, "Okay, comparing mind." Then, rather than staying caught in the content, I'll bring my attention into my body and open to the immediate feelings that are there.”

“So much wanting and longing, clutching, desiring, passion and hatred and terrible need. Here, death was suitable, there was room for it, the grip of life's relentless urges slackened, replaced by this icy simplicity. This wasnt her death. It was his. That was the sad and honest truth. Though it would stay with her, it would be more like a black onyx heart on a silver chain, worn privately, under her clothes, close to her body, all her life. The guilt, the beauty, everything. It wasnt over, it had only begun. Well ok then, Okay.”

“The front door flew open, and Mary shot out of the house, jumping off the porch, not even bothering with the steps to the ground. She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked. She was sobbing. Bawling. Crying so hard her whole body was shaking. He didn't ask any questions, just wrapped himself around her. I'm not okay," she said hoarsely between breaths. "Rhage...I'm not okay.”

“Very slowly, she peeked around the tree trunk. Saw a slim, petite figure, flanked by two very large, very dangerous-looking soldier of fortune types picking their way through the bodies and the rubble. "Amy?" Oh, God. It was Amy. "Get away from her," Jenna ordered, stepping out from behind the conifer, wielding the iron pan like a club. Both men stopped. Glanced at her. Glanced at each other over Amy's head. "What?" The biggest one grunted out a surly laugh. "Or you'll souffle us?" Okay. She was definitely going after him first.”

“You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!”

“You were wrong. She really is the new general in town." I smiled back, hoping he wasn't aware of my body's reaction to us standing so close. "Maybe. But, it's okay. You can still be colonel." He arched an eyebrow. "Oh? Did you demote yourself? Colonel's right below general. What's that make you?" I reached into my pocket and triumphantly flashed the CR-V keys I'd swiped when we'd come back inside. "The driver," I said.”

“Matt?" "Yeah?" "You okay?" "Working on it." His voice sounded unusually tight. "I thought you said you did this a lot." "Yeah. I do. But apparently not with anyone I'm wildly attracted to." This caused certain reactions in her body that were best not experienced in mixed company. "It's just panties," she finally whispered. "And they're really great panties," Matt agreed. "But it's not the panties, Amy. It's you.”