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Older Brother Quotes

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Older Brother Quotes

“[My mother] is the greatest hero I'll ever know because she kept us all together, she made sure we all graduated college. She always believed in us no matter what we do. My older brother Joel became an art teacher; my brother Rip ultimately became a television producer and singer and actor himself.”

“My first encounter with yoga was in 1969 with my older brother Doug. I was thirteen years old, and he was eighteen. He'd learned about yoga in California on a surfing trip, and when he came back to Houston, Texas, he introduced me to this new stuff he'd learned. I'll always be grateful for that positive influence at an early age.”

“When I came to the United States in 1975 I was eleven, and within a few months my voice broke. I recited commercials like a parrot and I got yelled at quite often. My older brother one night said, "You speak so much English when you're not supposed to, that's why your vocal chords shattered. Now you sound like a duck." I thought it was true. I went from this sweet-voiced Vietnamese kid who spoke Vietnamese and French to this craggy-voiced teenager.”

“My father announced early on that he didn't want his sons to be "country club bums." And for a number of reasons, I bore the brunt of that - I have an older brother and two younger brothers. So he had me work in all my spare time. I started out picking dandelions, shoveling stalls, milking cows, building a fence - whatever dirty job was out there. That's a big deal, because you learn things working that you don't learn in school.”

“My personal story is that my father was a heroin addict and a heroin dealer and has been in and out of prison my entire life, he's been arrested sixty times. I also have an older brother addicted to crack cocaine who's been in and out of prison so it was really important for me to tell a story that shows the humanity and the journey of a man getting of our prison and trying to re-acclimate into society. It's apart of our community that we have stereotypes and ideas about but we don't actually know much about it, unless we know someone personally.”

“I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.”

“Jack Kerouac seems to have been preoccupied with the question of duality from a very young age. He seemed to feel that there was more than one person inside him. Indeed he would veer from friendly, open and so on to someone who was angry. In a way, there was a swing also between his American self and what he later called his Franco-American older brother. There was a swing between the deeply introverted part of himself and the person he became out in the world, having to act in an extroverted way.”

“I'm four and a half years older than my sister - it's an interesting age difference. Growing up it feels like a big rift. Then you get older and you realize it's not. But for a while there, we really didn't have much to do with each other - mostly because I should have been a better older brother. I'm making up for lost time. I want that in print so she can read it.”

“It's the same when you listen to any kind of successful athlete. My older brother has a useful name for them - he calls them lottery ticket careers. I are engaged in what he calls these lottery ticket careers. On the one hand it's very, very unlikely that you're ever going to hit it. On the other hand if you do hit it, you really hit it. You have to be engaged with it, though, maybe you're entire life. And if you never actually do hit it? You kind of jovially lie yourself along the way and recognize that it may produce things outside the hitting it kinds of goods, I suppose.”

“Thirty years ago my older brother, who was ten years old at the time, was trying to get a report written on birds that he'd had three months to write, which was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books about birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him put his arm around my brother's shoulder, and said, "Bird by bird, buddy. Just take it bird by bird.”

“I learned early that crying out in protest could accomplish things. My older brothers and sister had started to school when, sometimes, they would come in and ask for a buttered biscuit or something and my mother, impatiently, would tell them no. But I would cry out and make a fuss until I got what I wanted. I remember well how my mother asked me why I couldn't be a nice boy like Wilfred; but I would think to myself that Wilfred, for being so nice and quiet, often stayed hungry. So early in life, I had learned that if you want something, you had better make some noise.”

“So we dream on. Thus we invent our lives. We give ourselves a sainted mother, we make our father a hero; and someone’s older brother and someone’s older sister – they become our heroes too. We invent what we love and what we fear. There is always a brave lost brother – and a little lost sister, too. We dream on and on: the best hotel, the perfect family, the resort life. And our dreams escape us almost as vividly as we can imagine them.”

“I remember being a 12 year old art kid and feeling like there was no exciting art movement happening, especially for somebody like me. I was looking around for artistic inspiration and could find nothing — until my older brother’s friend brought a Giger book over to the house. Upon seeing the first image I knew I would never be the same. A whole new world opened up to me and I have been exploring it ever since. It’s no doubt that I would not be here today, doing what I do, without his influence. H.R. Giger is the king of the Dark Art movement.”