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“It's not that I'm not a horror fan, it's just that the horror scripts I've been sent have been rubbish and obvious. Because they usually are in horror films - it's just about scare factor. You're always one step ahead, you know who's going to die first, you know who's going to survive, you're going to get a jump every twenty minutes.”

“People have a very limited idea of what being creative is - playing the guitar or the flute or writing poetry - so people go on writing rubbish in the name of poetry. You have to find out what you can do and what you cannot do. Everybody cannot do everything. You have to search and find your destiny. You have to grope in the dark, I know. It is not very clear-cut what your destiny is, but that's how life is. And it is good that one has to search for it - in the very search, something grows.”

“We are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat, - the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish.”

“Novel-writing is a highly skilled and laborious trade. One does not just sit behind a screen jotting down other people's conversation. One has for one's raw material every single thing one has ever seen or heard or felt, and one has to go over that vast, smoldering rubbish-heap of experience, half stifled by fumes and dust, scraping and delving until one finds a few discarded valuables. Then one has to assemble these tarnished and dented fragments, polish them, set them in order, and try to make a coherent and significant arrangement of them.”

“[Concerning monotheistic religions] The only thing these hysterical cults have in common is the belief that this world will be consumed, and deservedly so, when the moment is ripe. They also, all of them, profess a great disdain for earthly possessions. Yet they pass the intervening time in haggling over the most trivial and paltry property rights, over caves and rocks and disputable pieces of archeological rubbish.”

“[Photography] has become more and more subtle, more and more modern, and the result is that it is now incapable of photographing a tenement or a rubbish heap without transfiguring it. Not to mention a river dam or electric cable factory: in front of these, photography can now only say, How beautiful!”

“We were terribly excited, and I think we took it on our shoulders that we were creating the 21st century in 1971. That was the idea. And we wanted to just blast everything in the past, rather like the vorticists did at the beginning of the century in the Britain or the dadaists did Europe, you know. It was the same sensibility of everything is rubbish, and all rubbish is wonderful.”

“We're too passive. We're feeding on too much rubbish and I think we should strive to just shrug away that comfort zone and be able to get the most of each one of us, which means restructuring the way we deal with time and the priorities we have in life, so being what we want to be I think should be something that we should keep in mind.”