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“I don't believe in regretting - one should try to move on. My mum was good at that. She was deeply in love with my father, and he died when I was nine. She remarried, and her second husband died, too. I saw the grieving process she went through. My mother had this way of moving on. It was a fine trait.”

“In retrospect, it's ridiculous that anyone saw me as a fashion icon, since all I was trying to do was to dumb down my middle-class look by messing with my hair. Throughout the eighties I was invariably half-sure and half-confident about whatever it was I wore…Still, I've always believed—still do—that the radical is far more interesting when it looks benign and ordinary on the outside.”

“I'm in the middle of just trying to impress my nieces, who think I work for the bus company because they saw a picture of me on a bus. I did an independent movie with Mark Pellington (I Melt with You), and then tried to impress my nieces again, by starring opposite Miley Cyrus (in So Undercover). So, basically I'm just trying to get some respect from my family.”

“What if, instead of being afraid of even talking about death, we saw our lives in some ways as preparation for it. What if we were taught to ponder it and reflect on it and talk about it and enter it and rehearse it and try it on?What if, rather than being cast out and defined by some terminal category, you were identified as someone in the middle of a transformation that could deepen your soul, open your heart, and all the while-even if and particularly when you were dying-you would be supported by and be part of a community?”

“I saw my job [as president] as to try to move the world from an unstable condition of interdependence toward more integrated cooperative world community. Therefore, my approach was to cooperate wherever possible and to build institutions of cooperation, an expanded NATO, the World Trade Organization, the Summit of the Americas, the Asian Pacific Leaders, all those, the coalition to fight in Bosnia and Kosovo, to cooperate wherever possible but to act alone if we had to.”

“One day I was just looking at the coins is what brought this up. I saw "In God We Trust" on my coins. I said, "I don't trust in God," what is this? And I recalled there was something in the Constitution that said you're not allowed to do that and so I did some research. And as soon as I did the research, I realized the law seemed to be on my side and I filed the suit. It's a cool thing to do. Everyone should try it.”

“I've been doing photography in one form or another for, oh golly, over seventy years. I don't carry cameras. I used to. For many years I carried cameras wherever I went. Photograph whatever I saw that was of interest. In the last years, I've only used cameras to explore thematic ideas which presented themselves first. And then bring out the cameras to try to explore that idea.”

“I've worked with multiple directors throughout the 'Saw' series with a lot of conversations as they bring their particular installment to the screen. If I've been able to do anything throughout the course of these films, it's been to help shape dialogue and to try to make things as delicate and as intelligent as I can.”

“Growing up, I was a typical high school kid when YouTube first came out, and I was just watching a whole lot of videos of guys in the league I'm playing with now, guys that aren't in the league, and guys that came before me, just watching the moves that they do, and going out in my backyard and trying them. I did it almost every single day. And I didn't do any crazy dribbling drills or any two-ball dribbling drills. I'm really not good at two-ball dribbling. Nah, never did that. I just went out and tried the moves that I saw.”

“I don't think I've ever tried to be something that I'm not. People do that for you. People try to pigeonhole you. People tried typecasting me, before they even saw me in anything else. I've never understood that. I was like, "Why don't you wait until my next project, before you start telling my what my career is going to look like, for the next 10 years?" I've never let it set me back because I always knew the world would try to do that for me, anyway.”

“When I was little, I wanted to be a mother, because that's who I saw. I saw my mom caring for me. I didn't play doctor. I didn't play lawyer. I didn't have those visions until I was in college, meeting people who were doing those things. That's why we're trying to encourage moms, teachers, fathers, to be that presence in their children's lives, in their communities, because it really makes a difference.”

“That was one of the reasons why I wanted to tell the story of Colin Price. I saw someone in this fictionalized political character that was trying to do something important for his city. He meant well, but then you see that the human flaws had really derailed his past. It seems to be happening more and more in our country. I wanted to hold a mirror up to that.”

“I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up... not using. ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research.”

“I remember going foraging for breakfast in St. Louis once. I saw this one girl sitting in front of the venue, and she made this pink T-shirt with a big heart in the middle of it and a misty picture of our guitarist Mark [Potter]. She was so embarrassed when she saw me. And I was trying desperately not to laugh.”

“Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.”

“When the Forbidden Fruit was handed to Adam and Eve, they were allowed the moral choice to accept or decline. I know people who have refused to feast on the money tree. They live simply, within their means, and seem far more content than those who are trying to horde their wealth while clinging to the ladder of 'success,' terrified to let go. That isn't real living. The Puritans rightly saw that as covetousness.”

“Don't worry about wearing the sign; be the sign. You don't have to wear a sandwich board saying, "I am religious and spiritual and know what you should do." You do have to be the best of the mystical presence that your tradition brings. Certainly in Christianity, that means that you begin to go through life putting on the mind of Jesus, trying to see the world as Jesus saw the world.”

“Never has the divide between the iPhone world and the politics world been so clear: I saw a bunch of people very well-served by their computers and telephones (very often Apple products) but undeniably shortchanged by our government-run cartel education system. And the tragedy for them - and for us - is that they will spend their energy trying to expand the sphere of the ineffective, hidebound, rent-seeking, unproductive political world, giving the . . .politicians. . .an even stronger whip hand over the Steve Jobses and Henry Fords - and we will be the poorer for it.”

“There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on, the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning.”

“You know, there are a lot of directors, like Clint Eastwood (on Changeling) is one where he casts you and you know in many ways that's enough for him and so, you go, ok, well, he saw something. Ok, what is it that he saw? What is it that I brought to this and why am I right for this and not trying to double-guess it and get in your own way and get psyched out, 'cause he trusts so much.”

“The earliest stand-up comedy I was aware of was Bill Cosby. I watched Saturday Night Live as soon as I was aware of it, and Monty Python used to be on PBS at weird hours, so I used to try to watch that. And I loved George Carlin on SNL, that was the first stand-up I ever really remember seeing on TV. And then Steve Martin. I guess I was in fifth or sixth grade when Steve Martin showed up, and he was instantly my idol. And Richard Pryor around the same time too, I sort of became aware of him, though I don't remember the first time I saw him.”