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“So you go away from where you were afraid. Some stay; some go; it's a big difference, leaving the humiliations of childhood, the morbid fear. We didn't have much to say to each other, the ones that left and the ones that stayed. Children get shamed by fear but you can't tell the adults that; they don't care. They make children into dead things like they are. If there's something left alive in you, you run. You run from the poor little child on her knees; fear burned the skin off all right; she's still on her knees, dead and raw and tender.”

“Her father had taught her about hands. About a dog's paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog's paw was a wonder: the smell of it never suggested dirt. It's a cathedral! her father had said, so-and-so's garden, that field of grasses, a walk through cyclamen--a concentration of hints of all the paths the animal had taken during the day.”

“It will be as if I'd never existed, he'd promised me. I felt the smooth wooden floor beneath my knees, and then the palms of my hands, and then it was pressed against the skin of my cheek. I hoped that I was fainting, but, to my disappointment, I didn't lose consciousness. The waves of pain that had only lapped at me before now reared high up and washed over my head, pulling me under. I did not resurface.”

“Voodoo Girl Her skin is white cloth, and she's all sewn apart and she has many colored pins sticking out of her heart. She has many different zombies who are deeply in her trance. She even has a zombie who was originally from France. But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick farther in.”

“Alek was right behind her now, his body pressing close as he adjusted her sword arm. She hadn't realized this fencing business would be so touchy. He grasped her waist, sending a crackle across her skin. If Alek moved his hands any higher, he might notice what was hidden beneath her careful tailoring. “Always keep sideways to your opponent,” he said, gently turning her. “That way, your chest presents the smallest possible target.” “Aye, the smallest possible target,” Deryn sighed. Her secret was safe, it seemed.”

“In the classics section, she had picked up a copy of The Magic Mountain and recalled the summer between her junior and senior years of high school, when she read it, how she lay in bed hours after she should have gotten up, the sheet growing warmer against her skin as the sun rose higher in the sky, her mother poking her head in now and then to see if she'd gotten up yet, but never suggesting that she should: Eleanor didn't have many rules about child rearing, but one of them was this: Never interrupt reading.”

“The vampire bible, bound in human skin, written in blood, and full of prophecies that were never wrong. Trouble was, if you read the thing too long, it drove you nuts. Not "I'm having a bad day and feel bitchy" nuts or PMS nuts. "I think I'll commit felony assault on my friends and rape my boyfriend" nuts.”

“I don't know what rituals my kids will carry into adulthood, whether they'll grow up attached to homemade pizza on Friday nights, or the scent of peppers roasting over a fire, or what. I do know that flavors work their own ways under the skin, into the heart of longing. Where my kids are concerned I find myself hoping for the simplest things: that if someday they crave orchards where their kids can climb into the branches and steal apples, the world will have trees enough with arms to receive them.”

“Feminists do the best Photoshop because they leave the meat on your bones. They don’t change your size or your skin color. They leave in your disgusting knuckles, but they may take out some armpit stubble. Not because they’re denying its existence, but because they understand that it’s okay to make a photo look as if you were caught on your best day in the best light.”

“Tell me what it's like. The race." "What it's like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It's the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It's speed, if you're lucky. It's life and it's death or it's both, and there's nothing like it.”

“What most people call loving consists of picking out a woman and marrying her. They pick her out, I swear, I’ve seen them. As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. They probably say that they pick her out because-they-love-her, I think it’s just the siteoppo. Beatrice wasn’t picked out, Juliet wasn’t picked out. You don’t pick out the rain that soaks you to a skin when you come out of a concert.”

“First,” he said, coming behind me and placing his hands on the counter, just outside of mine, “choose your tomato.” He dipped his head so his mouth was at my ear. His breath was warm, tickling my skin. “Good. Now pick up the knife.” “Does the chef always stand this close?” I asked, not sure if I liked or feared the flutter his closeness caused inside me. “When he’s revealing culinary secrets, yes.”

“He could feel it immediately when his shoulder snapped - the intense pain of his bones cracking. His skin tightened, as if it could no long hold whatever was lurking inside him. The breath was sucked from his lungs like he was being crushed. His vision began to blur, and he had the sensation he was falling, even though he could feel the rock tearing at his flesh as his body seized on the ground.”

“If your skin is crawling, pay attention. If something doesn’t feel right, pay attention. If the hairs on the back of your neck prickle, if your gut clenches up, if a wave of wrongness washes over you, if your heart starts beating faster, pay, pay, pay attention. Do not second-guess yourself or rationalize anything that impedes your safety. Our instincts are the animal inside of our humanness, warning us of danger.”

“Strangely, what pierced his heart and mind most sharply was not the memory of her lips under his at the ball, but the way she had leaned into his neck, as if she trusted him utterly. He would have given everything he had in the world and everything he would ever have, just to lie beside her in the narrow infirmary bed and hold her while she slept. Pulling away from her had been like pulling his own skin off, but he'd had to do it.”

“What's wrong with men?" Tenar inquired cautiously. As cautiously, lowering her voice, Moss replied, "I don't know, my dearie. I've thought on it. Often I've thought on it. The best I can say it is like this. A man's in his skin, see, like a nut in its shell." She held up her long, bent, wet fingers as if holding a walnut. "It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. It's all him and nothing else, inside.”

“He was afraid that the secrets she'd kept would always be here, inside him, an ugly malignant thing lodged near enough to his heart to upset its rhythm, and though it could be removed, cut out, there would always be scars; bits and pieces of it would remain in his blood, making it wrong somehow, so that if he accidentally sliced his skin open, his blood would--for one heartbeat--flow as black as India ink before it remembered that it should be red.”

“His thumb went back and forth over the satin, as if he were rubbing her hip as he had when they'd been together, and he moved his leg over so that it was on top of the skirting. It wasn't the same, though. There was no body underneath, and the fabric smelled like lemons, not her skin. And he was, after all, alone in this room that was not theirs. "God, I miss you," he said in a voice that cracked. "Every night. Every day.”

“He shifted his weight, throwing his good leg off the bed as if he were going to try to stand. “What are you doing?” I demanded through the tears. “Lie down, you idiot, you’ll hurt yourself!” I jumped to my feet and pushed his good shoulder down with two hands. He surrendered, leaning back with a gasp of pain, but he grabbed me around my waist and pulled me down on the bed, against his good side. I curled up there, trying to stifle the silly sobs against his hot skin.”

“I closed my eyes and he kissed my eyelids, barely brushing them with his lips. I felt safe, at home. I felt as if here, against his body, was the only place in which I belonged. The only place I had ever wanted to be. We lay in silence for a while, holding each other, our skin merging, our breathing synchronized. I felt as if silence might allow the moment to last for ever, which would still not be enough.”

“A great man once wrote, "Absence diminishes small loves and increases great ones, as the wind blows out the candle and blows up the bonfire." If only I were as eloquent as Mr. de la Rochefoucauld...I miss you, I miss you, I miss you. And I want you. And I need your kiss. And your touch on my skin like a man needs water. Always.”

“Every night in my dreams, a man appeared from the darkest recesses of my mind, as if he'd been waiting for me to fall asleep. His mouth, full, masculine, would sear my flesh. His tongue, like flames across my skin, would send tiny sparks quaking through my body. Then he would dip south, and the heavens would open and a chorus singing hallelujah would ring out in perfect harmony.”

“You moved my head so that it was lying in your lap. "Keep your eyes open," you said. "Stay with me." I tried. It felt like I was using every muscle in my face. But I did it. I saw you from upside down, your lips above my eyes and your eyes above my lips. "Talk to me," you said. My throat felt like it was closing up, as if my skin had swollen, making my throat a lump of solid flesh. I gripped your hand. "Keep watching me, then," you said. "Keep listening.”

“When I wake, I have a brief, delicious feeling of happiness that is somehow connected with Peeta. Happiness, of course, is a complete absurdity at this point, since at the rate things are going, I'll be dead in a day. And that's the best-case scenario, if I'm able to eliminate the rest of the field, including myself, and get Peeta crowned as the winner of the Quarter Quell. Still, the sensation's so unexpected and sweet I cling to it, if only for a few moments. Before the gritty sand, the hot sun, and my itching skin demand a return to reality.”

“I will never be without information,' she determined. 'I will do better than my sisters. If a bird or any other beast comes out of that uncanny republic where husbands are grown, I will see him with his skin off before I agree to fall in love.' For this is how Marya Morevna surmised that love was shaped: an agreement, a treaty between two nations that one could either sign or not as they pleased.”

“I see a few hands stretching out to me at the edge of the net, so I grabbed the first one I could reach and pull myself across. I roll off, and would have fallen face-first onto a wood floor if he had not caught me. "He" is the young man attached to the hand I grabbed. He has a spare upper lip and a full lower lip. His eyes are so deep-set that his eyelashes touch the skin under his eyebrows, and they are dark blue, a dreaming, sleeping, waiting color.”