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“Looking back on the event, I find myself thinking there are three approaches to journalism represented here. One is the "cool" approach of traditional journalism, including network broadcasting in which NPR is no exception. One is the "hot" approach of talk radio, which has since expanded to TV sports networks and now Fox TV. The third is the engaged approach of weblogging.”

“All I wanted to do was put together one of the best home maths systems in the world, and that's what we've done. I've loved numbers since I was two or three, and I get really excited about them. Now, I'm allowing myself to get excited about things. If you're doing it for a TV network or any major corporation, you have to put a lid on it a little.”

“Thank God for that. You can shut them, say, 'Hold on a moment.' You play God to it. But who has ever torn himself from the claw that encloses you when you drop a seed in a TV parlour? It grows you any shape it wishes! It is an environment as real as the world. It becomes and is the truth. Books can be beaten down with reason. But with all my knowledge and scepticism, I have never been able to argue with a one-hundred-piece symphony orchestra, full colour, three dimensions, and I being in and part of those incredible parlours.”

“On the lip of the Grand Canyon. I've always wanted to do that. My very first TV special out of the Olympics was on a glacier in Alaska. Right after that one, I went and pitched this idea to skate in three National Parks. Like Voyageurs National Park, because it freezes over and you have these little islands that you can skate around. [The networks] were like, 'Way too expensive.'”

“I remember I prayed to God. I was like, "Just let me be on TV." Let my friends see me on TV in a good thing. I like, if I'm funny a little bit on a commercial and then I don't need to act ever again. "Just let them see me." And then it worked. I got the commercial. I was on TV. My friends all saw me. I was a kind of a star at school for like three days. And then it faded away and I was hungry and I had to like make another deal with God. I remember it still.”

“When I was a kid, I lived in this small town way out in the country. We had three TV channels and one radio station. I couldn't even get my hands on good comic books. My aunt, who is a librarian, gave me Tolkien's "The Lord of the Rings," Laura Ingalls Wilder's "Little House on the Prairie," and Lewis's "The Chronicles of Narnia." They were such incredible treasures to have in my somewhat mundane country life.”

“This product that was on TV was available for four easy payments of $19.95. I would like a product that was available for three easy payments and one complicated payment. We can't tell you which payment it is, but one of these payments is going to be hard. The mailman will get shot, the envelope will not seal, the stamp will be in the wrong denomination. The final payment must be made in wampum.”

“I barely read. I'm not a good reader at all. Rather than reading, I used to sit in front of the TV and watch black-and-white cowboy movies. I'm a painfully slow reader. It's really bad as an actor, because you have to read a lot of scripts. It takes me like an average of three hours to read a script, which is pretty poor.”

“If you're a prostitute, this is your day: You party, you have customers until four or six in the morning, then you sleep. You wake at noon, watch soaps on TV, take two or three hours to fancy up yourself, and then you start waiting for customers. That's your life. And some days no customers come. There's no party. There's nothing. You sit there and wait. If you're educated you can read books, but in Bangladesh and most other places you watch TV or listen to music or cook.”

“You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.”

“It's easy to leave people wanting more after the first episode, but it's hard to leave people wanting more after the 24th episode. And it's my job, more than anybody else's, to keep that in mind. One season, in TV terms, is nothing. You need to hit it for three or four seasons, and then you're doing well, in TV terms. Then, you've done your job.”

“The headmistress was a very well-respected theater teacher. She taught me what stage left and stage right were, what a director was, and what all these things meant, which was something I had no concept of. She sent me off to drama school, at age 18, and I stayed there for three years. Before I knew it, I was working on a TV show.”

“Phil Harris and Pat Boone were once paired as guests on an episode of Andy Williams' TV show. During a rehearsal break, Harris suggested the three of them go out for a drink. When Boone declined, explaining he did not drink, Harris asked Williams, "Andy, can you imagine getting up in the morning knowing that's the best you're going to feel all day?"”

“I came into the 'Comedy Bang! Bang!' TV show with a level of confidence that I don't think I would've had if I hadn't been doing the podcast for three years already. I certainly had to figure out in those three years the sense of humor I wanted to do and the way to talk to celebrities without being incredibly intimidated by them.”

“Often when I'm on TV, they'll ask what are the three most important things for people to do. I know they want me to say that people should change their light bulbs. I say the number one thing is to organize politically; number two, do some political organizing; number three, get together with your neighbors and organize; and then if you have energy left over from all of that, change the light bulb.”