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“Our success in America will involve two circles: Black Nationalism and Islam–it will take BN [Black Nationalism] to make our people conscious of doing for self & then Islam will provide the spiritual guidance. BN [Black Nationalism] will link us to Africa and Islam will link us spiritually to Africa, Arabia & Asia.”

“I was all-state in four sports in New Jersey, but sometimes I couldn't get served at a restaurant two blocks from my high school. There were no job opportunities then... the only thing a black youth could aspire to be was a bellboy or a pullman or an elevator operator, or, maybe, a teacher. There was a time when all we had was black baseball.”

“I'd been on a road trip right out of college, with a buddy of mine. It was uneventful. We didn't get laid. Although one time it was about 800 degrees and we were in Texas. We had shorts on and nothing else and somehow a motorcycle cop pulls up beside me and says, 'Come on, get on it, get on, go, go, go!' So I speeded up and it turns out we're in a huge state funeral. There are about 40 black Cadillacs in a row and then a green van called Mr Greenjeans, with two guys with no clothes in it.”

“Uncle Sam is not often called a fool in business matters, yet he has sold millions of acres of timber land at two dollars and a half an acre on which a single tree was worth more than a hundred dollars. But this priceless land has been patented, and nothing can be done now about the crazy bargain.... a bad, black business from beginning to end.”

“A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him.”

“Black professors make more than white professors. That's because we are in demand. I'll tell you, give me two blacks in institutions of higher learning, one has a Ph.D. from an elite institution and has a certain publication record. You give me a white scholar with the same credentials, and I will take that black scholar.”

“A lot of my books have been that way. My World War II thriller about Sarin gas [Black Cross] was published two months before the Sarin attack in the Japanese subway. There are very weird coincidences out there. And I do have one surefire plot I have not and probably never will write, because of my fear someone will carry it out.”

“Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.”

“The Christmas just before I turned four, my parents bought me a pair of little black skates and the Bay of Quinte was frozen and my two sisters took me out there and held my hands and taught me to skate. Now I don't know if this is true - although it sounds good! - but rumour has it by the end of the day they couldn't keep up with me.”

“The success [of the X-Men], I think, is for two reasons. The first is that, creatively, the book was close to perfect ... but the other reason is that it was a book about being different in a culture where, for the first time in the West, being different wasn't just accepted, but was also fashionable. I don't think it's a coincidence that gay rights, black rights, the empowerment of women and political correctness all happened over those twenty years and a book about outsiders trying to be accepted was almost the poster-boy for this era in American culture.”