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“I like the process of giving control away [at the recording]. When you give it up to people, it's another intelligent organism that digests your information completely differently from how a machine digests information. It's like you're on a sailboat, and every time you can find out how to better adjust [the sail] to make it more precise. And it's interesting to see that the musicians have their own ideas. To use their intuitive power with their knowledge that they incorporate into the music. This is the moment you give away control, you give it to someone else's intuition.”

“You live in a society that is shaped in every possible way by the Bible. The language you use, the laws you obey (and disobey), the founding principles of your nation, the disputes about abortion, homosexuality, adultery - these and so much else in your world are rooted in the Bible. You don't have to read it for its truth value. You should read it to understand how your world got the way it is, the way you would read the constitution or Shakespeare.”

“The reality is that there are half a billion kids in India, in villages, who have a pre-determined life. If they're very lucky and they're a gifted athlete, maybe they can compete for the Olympics, or maybe they can get into the military. But if you're not a gifted athlete, then you're going to end up working for your family and you're going to perpetuate what your family is. It's gotten to the point, in villages, where there's no hope. And the first spark of hope is when you ask yourself the question,"What gift did God give me that I can develop and use to better my life?"”

“Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.”

“Once you realize you can make people laugh, it's a superpower. When you're really young, you don't know how to use that power, so I would just say the meanest things I could to get a laugh. I was so awful. I would make fun of kids who didn't deserve to get made fun of. I was just mean, when I was really young. You don't realize that you don't have to be mean to be funny. But, it was something that I was just able to grow into.”

“I was always a feminist. My mother was a feminist; my grandmother was a feminist. I always understood women had to fight very hard to do what they wanted to do in the world - that it wasn't an easy choice. But I think the most important part is that we all want the right to be taken seriously as human beings, and to use our talents without reservation, and that's still not possible for women.”

“I just love the idea of witches, in general. The whole concept of witches was to keep down the feminine rise in power that was happening, at the time. They created this concept of witches, so that they could burn women at the stake and keep them in their place, and now we've turned it around to empower women. That's very ironic. If they only knew that they created a weapon for us to use against them.”

“A song has to take on character, shape, body and influence people to an extent that they use it for their own devices. It must affect them not just as a song, but as a lifestyle. The rock stars have assimilated all kinds of philosophies, styles, histories, writings, and they throw out what they have gleaned from that.”

“In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo. I like that entertainment has this usefulness - that it's ultimately trying to make a bunch of people feel something, and to think about life and be able to use things that were so simple and direct but potentially have a really powerful effect.”

“I could always hold a melody, but I was never like, I'm going to be a singer. So I'm able to use that when I write. I'm actually playing the beat with my voice. Instead of thinking about coming up with melodies, it's like filling in the instruments. So sometimes it's better to have beats with less melodies in them, because then I can play more with my vocals.”

“The videos are sometimes the only way for people across the country and different places to see and hear the music. They may not get the same radio stations or they don't get the same TV channels, they don't have the same MTV that plays the same music. People will use to the Internet and that's why YouTube and stuff like that is so important.”

“I'm fascinated by the new iPhone. I bought it and kept trying to use it in France. "Siri, what is a good restaurant?" (In a robotic voice.) "I'm sorry, Robin. I can't give locations in France." "Why, Siri?" "I don't know." It's like she was upset with the French or something. "They seem to have an attitude I can't understand. Should I look for Germans, Robin?"”