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Vision Quotes

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Vision Quotes

“Ensor sees with his imagination, but his vision is perfectly accurate, of an almost geometric precision. He is one of the very few who can really see. Like you, he has an obsession with masks; he is a seer as you and I are. The common herd, of course thinks that he is mad.*****************You shall see what sort of man Ensor is, and what a marvellous insight he has into the invisible realm where our vices are created... those vices for which our faces make masks.”

“I have observed dreams and visions very carefully, and am now certain that the imagination has some way of lighting on the truth that the reason has not, and that its commandments, delivered when the body is still and the reason silent, are the most binding we can ever know.”

“It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.”

“One can't write a weird story of real power without perfect psychological detachment from the human scene, and a magic prism of imagination which suffuses them and style alike with that grotesquerie and disquieting distortion characteristic of morbid vision. Only a cynic can create horror - for behind every masterpiece of the sort must reside a driving daemonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.”

“The Spanish voyager, as his caravel ploughed the adjacent seas, might give full scope to his imagination, and dream that beyond the long, low margin of forest which bounded his horizon lay hid a rich harvest for some future conqueror; perhaps a second Mexico with its royal palace and sacred pyramids, or another Cuzco with its temple of the Sun, encircled with a frieze of gold. Haunted by such visions, the ocean chivalry of Spain could not long stand idle.”

“We need enthusiasm, imagination and the ability to face facts, even unpleasant ones, bravely. We need to correct, by drastic means if necessary, the faults in our economic system from which we now suffer. We need the courage of the young. Yours is not the task of making your way in the world, but the task of remaking the world which you will find before you. May every one of us be granted the courage, the faith and the vision to give the best that is in us to that remaking!”

“It is the divine attribute of the imagination, that it is irrepressible, unconfinable; that when the real world is shut out, it can create a world for itself, and with a necromantic power can conjure up glorious shapes and forms, and brilliant visions to make solitude populous, and irradiate the gloom of a dungeon.”

“How can we accept a situation in which there are no longer orchestras, choruses, libraries or art classes to nourish our children? We need more support for the arts, not less -- particularly to make this rich world available to young people whose vision is choked by a stark reality. How many children, who have no other outlet in their lives for their grief, have found solace in an instrument to play or a canvas to paint on? When you take into consideration the development of the human heart, soul and imagination, don't the arts take on just as much importance as math or science?”

“Mars tugs at the human imagination like no other planet. With a force mightier than gravity, it attracts the eye to its shimmering red presence in the clear night sky. It is like a glowing ember in a field of ethereal lights, projecting energy and promise. It inspires visions of an approachable world. The mind vaults to thoughts of what might have been (if Mars were a litter closer to the warming Sun) and of what could be (if humans were one day to plant colonies there).”

“I have lived in the pursuit of a vision, both personal and social. Personal: to care for what is noble, for what is beautiful, for what is gentle; to allow moments of insight to give wisdom at more mundane times. Social: to see in imagination the society that is to be created, where individuals grow freely, and where hate and greed and envy die because there is nothing to nourish them. These things I believe, and the world, for all its horrors, has left me unshaken.”

“In the one instance, the dreamerloses sight of this object in a wilderness of deductions and suggestionsuntilhe finds the incitamentum, or first cause of his musings,... forgotten. In my case, the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance.”

“Used with due abstinence, hope acts as a healthful tonic; intemperately indulged, as an enervating opiate. The visions of future triumph, which at first animate exertion, if dwelt upon too intently, will usurp the place of the stern reality; and, noble objects will be contemplated, not for their own inherent worth, but on account of the day-dreams they engender. Thus hope, aided by imagination, makes one man a hero, another a somnambulist, and a third a lunatic; while it renders them all enthusiasts.”

“There are, broadly speaking, two types of drinkers. There is the man whom we all know, stupid, unimaginative, whose brain is bitten numbly by numb maggots; who walks generously with wide-spread, tentative legs, falls frequently in the gutter, and who sees, in the extremity of his ecstasy, blue mice and pink elephants.... The other type of drinker has imagination, vision. Even when most pleasantly jingled he walks straight and naturally, never staggers nor falls, and knows just where he is and what he is doing. It is not his body but his brain that is drunken.”

“First comes thought; then organization of that thought, into ideas and plans; then transformation of those plans into reality. The beginning, as you will observe, is in your imagination.”

“While the Passover narrative [in Exodus] energizes Israel's imagination toward justice, Israel's hard work of implementation of that imaginative scenario was done at Mt. Sinai. . . . Moses' difficult work at Sinai is to transform the narrative vision of the Exodus into a sustainable social practice that has institutional staying-power, credibility, and authority.”

“It takes a lot of imagination to be a good photographer. You need less imagination to be a painter because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the extraordinary.”