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“In the '60s when I started to see everything I could see, you could see pretty much everything which was still available from the '30s, '40s, '50s, '60s, and therefore I had an education which was really large and vast in different cinema. That's probably the reason I did not fall for the New Wave. It's really the love of the movies that made me want to become a cameraperson, definitely. I was really a film buff.”

“I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.”

“I've had the same friends I've always had. I mean, I've lost a few over the years. Hate to use the word "success," but I don't know what else to say, but some people are more affected by that than others. I've had the same core group of friends that I've always had. We're surfing, so that definitely keeps you grounded. Just when I think I'm cool because we're playing these massive shows or having some sort of commercial success, I can always be reminded how small I am when I try to surf a wave that's a little bit out of my league, and I just get pummeled.”

“There were a few before me, there was a generation that started a little bit before me of women producers and Sherry Lansing, she was the first woman studio president, and she was really inspiring to me. I was inspired by other women in other fields, I was an adolescent in the 70s with the second wave feminism, and I got very inspired by that and felt like, you know what, there's no reason why I can't do this.”

“At the Third Wave Foundation, we were asking questions like, "How can we get more voters registered who support our issues?" or "How do we want to give away of money so that it has the greatest impact?" But, the poems were involved in questions of feeling whole, negotiating sexual trauma, and speaking to what has been lost forever. I've always been a person who feels most energized when I am both creating art and working toward social change, but I often have difficulty talking about the two in the same breath.”

“In primetime cable television today, the anchor or anchors, with an "s", have to drive the hour. The anchor has to be skilled enough to take it over. So if I find that it's getting boring or I'm not getting information I want, I'll take it over. I'll do a soliloquy, I'll ask an outrageous question, I'll wave my arms in the air, I'll lift it myself. It's like a quarterback that's back to pass and nobody's open.”

“A few years ago, the Bose Acoustics Corporation had a new product, the Bose Wave Music System. And their ad campaign for it was not successful until they changed one thing. At the top of the ad they said, "Hear what you've been missing." And that caused the skyrocketing of the interest in purchasing of the product. Why? Because with something new, people are uncertain, and when they are uncertain, they want to avoid losses.”

“People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.”

“We have a society that monumentally conspires against the pursuit of health. We have wave after wave of labor-saving technology that says don't ever use your muscles for anything, along with messages that you should be more physically active. We have, every year, the introduction of hundreds, if not thousands, of new highly processed foods, the majority of which glow in the dark. At the same time we're telling people: eat foods closer to nature. We have schools where we teach children to sit still all day long so they can become adults we can't get off couches with crowbars.”

“I am from many places. I am from a hike across Tuscany...waves of golden wheat undulating on the hills...tractors plowing new vineyards...taxi drivers yelling, "Bella!" I am from a canoe motoring through marshes in the Amazon outside Manaus, Brazil... Jacana birds taking flight as we pass houses on stilts... giant trees and lily pads...and giggling children jumping into the lake for a swim during a downpour, while I stand unbelievably drenched but baptized by a oneness of spirit.”

“Qian Xuesen, the father of the Chinese Space Program, studied in the United States, and he was a protégé of Theodore Von Carmen's at Cal Tech and helped start the jet propulsion laboratory there, and then he got caught up in the anti-communism wave and was accused of being a spy and was actually deported back to China where he built from nothing, their entire missile and space program. So, in a way, in a very real way, the United States in trying to protect so-called protect our secrets and throwing this guy out of the country, we helped seed and start the Chinese missile program.”

“What the studio didn't understand is that surfing is about a billion times more dangerous than skydiving. They would not allow the boys to skydive, but they allowed us to surf in pipeline in Hawaii. Nine-hundred foot waves. So we're out there in the middle where the greatest surfers in the world surf. They have these long lenses on from the beach, so they can't see anything. They are just shooting our faces in the Point Break.”

“I don't encourage people to litigate when facing discrimination: It is so hard - painful and difficult. It's draining financially, emotionally, and professionally. But when you see that you could be the person who impacts the conversation in a meaningful way - or that you could inspire a few people to feel better about themselves, to speak up, to inspire others, to create this broader wave of change - I don't regret that at all.”

“I had been DJing a dance night in Brooklyn and witnessed the response people had to "The Devil's Dancers" - Oppenheimer's one hit song. All these young people were dancing to this amazing song, completely unaware of whether it was current or not. It was from 1982, but sounded very current. It made sense that a physical record should exist for this song again. It seemed the obvious choice to represent what Minimal Wave was going to be.”

“Being the recent accessibility of rare vinyl and cassette music via blogs, as well as the digital backlash which is driving more people to crave the tangible - most of these minimal wave releases are hand-numbered vinyl editions, which adds another level to the listening experience. They can listen to an LP and it's there for them to look at, examine its cover art, and hold whilst buying and downloading music in digital form remains such an ephemeral experience.”

“From the standpoint of a Middle Eastern citizen, Americans look like a bully forcing our way of life on the Islamic way of life. The notion of purity is very important in Islam, and a lot of the negative warlike actions taken against us have to do with our physical presence in the Middle East. Osama bin Laden was trying to get the American, or protesting the American military presence in Saudi Arabia. It's not surprising that our strong presence in Iraq has produced a wave of resistance anger, extreme anger in some cases, and a permissive atmosphere that allows these people to go undetected.”

“Talking about improving the culture, I prefer to say "develop" or "evolve" rather than "change". If I walk into a room and say: "we are here to change the organization," it sends shock waves through the group. If I say: "your success to date has come from who you are, to be successful in the future, we need to get to X, let's talk about how we evolve the organization to that point," that is a very different statement. Successful organizational "change" must come from the people. So, recruit them with common purpose, recognize that it will take time, and plow forward.”

“I don't feel like music is getting more intense; I think generally the channel for deeper harmonic saturation is not just a sine wave - but a really crunched sine wave. The trend in music is towards a harmonic saturation. I wouldn't say I'm reacting against that. It's just a personal choice to move into some weird space. This also allows me breathing room in the future. It just felt like the right thing to step back on.”

“I argue that science would be much richer if it were multisensory. The problem with instrumentation is that instruments, unlike our senses, can be monosensory. Since the discovery of the electromagnetic spectrum - which is really the discovery that all energy coming from something has a wave form - in theory we could image anything along that spectrum. In fact, we don't, because only certain parts of the spectrum have been instrumentalized. But the new thing is computerization. You can take all the data, the measurement of the frequencies, and transform it into an image.”

“Trans kids are living in the future in a way. When I was growing up, "transgender" wasn't even a word. It wasn't used. Just the naming of something that's invisible, or was thought of as shameful or different - giving it a name that's not a slur is powerful. It's still a little hard to imagine what it might look like growing older as a trans man, but I think that's going to change for the next generation. For trans kids growing up, that visual bridge towards their future selves is starting to develop in conjunction with this trans media wave we're in.”

“There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer. About five years ago, I got a turntable that hooks up to your computer, and I put the vinyl in there and I listened to it back-to-back with a CD, and it didn't even compare. But people don't have time to go track down vinyl, lower it in, all that. And they probably don't care. It's hard to make music knowing that it's not going to be received by the listener in the way that it should be.”

“I feel like in American fiction we're moving out of a period of intense irony, and I'm very glad about that. I feel like irony is fine for its own sake but shouldn't be the sole reason to write a book. It has been an ironic world view: that's the best way I can describe it. I'm a fan of earnestness. I feel like there's a new wave of earnestness and I'd be happy if I'm some small part of that.”