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“But it's never just been the journals that have made the difference, I don't think. It's also the way the students are with one another . . . the way they talk about books and authors and themselves. Not just their problems, but their passions too. The way they form a little society and discuss whatever matters to them. Books light the fire-whether it's a book that's already written, or an empty journal that needs to be filled in.”

“Even if you have the wit to look by yourself in a bush away from the other children, there are not many bell crickets in the world. Probably you will find a girl like a grasshopper whom you think is a bell cricket.And finally, to your clouded, wounded heart, even a true bell cricket will seem like a grasshopper. Should that day come, when it seems to you that the world is only full of grasshoppers, I will think it a pity that you have no way to remember tonight's play of light, when your name was written in green by your beautiful lantern on a girl's breast.”

“I feel like I owe it to the readers to try to pull back the veil and give them the honest version of what's going on. But it's not more fun. If Obama, as he does sometimes already, gets a little snippy with me about something I've written, you're thinking, 'Oh God, the president of the United States is already annoyed with me.'”

“Think of it! A few more boats, a few more planks of wood nailed together in a particular way at a thrifty cost and all those men and women whom the world can so ill afford to loose would be with us today. There would be no mourning in thousands of homes which now are desolate and these words need not have been written.”

“If you are thinking, you can't understand Zen. Anything that can be written in a book, anything that can be said - all this is thinking . . . but if you read with a mind that has cut off all thinking, then Zen books, sutras and Bibles are all the truth. So is the barking of a dog or the crowing of a rooster. All things are teaching you at every moment, and these sounds are even better teaching than Zen books.”

“We are a free people; and now you have planted in our country the title deeds of our future slavery. You are neither god nor demon; who are you, then, to make slaves? Orou! You understand the language of these men, tell us all, as you have told me, what they have written on this sheet of metal: This country is ours. This country yours? And why? Because you have walked thereon? If a Tahitian landed one day on your shores, and scratched on one of your rocks or on the bark of your trees: This country belongs to the people of Tahiti - what would you think?”

“I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.”

“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men's reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”

“For if I should not believe all that is written by Historians, of the glorious acts of Alexander, or Caesar; I do not think the Ghost of Alexander, or Caesar, had any just cause to be offended; or any body else, but the Historian. If Livy say the Gods made once a Cow speak, and we believe it not; we distrust not God therein, but Livy. So that it is evident, that whatsoever we believe, upon no other reason, then what is drawn from authority of men only, and their writings; whether they be sent from God or not, is Faith in men only.”

“No matter what character your play. I feel like whenever anyone is honest and whole and well-written, you're going to be able to connect to that person because we're all kinda made up of the same stuff and I think that's always one of the really powerful things about approaching each individual character and role and film.”

“Every day on the set, things change. You move things around. The actors are creating the roles and bringing them to life, and bringing the moments to life, as they happen. That's the best thing about television. I think it gets misunderstood, when there's one credit that says, "Written by," because that's certainly not the way it happens, in real life.”

“These are the moments. These are the moments where you realize love is everywhere if you look closely. When you realize happiness isn't next weekend, and it's not last week, it's right now. That was one of the best nights of my life. It felt good to know purpose. I lay in my bunk and I think of all the stories I'm in. I think about all the stories that are in my story. I think about all the stories that are left to be written. And it might be my favorite book yet.”

“I have a few things that I have written over the years that haven't been made, but I sort of feel like there was a good reason why they were not made. So I am not anxious to go back and fix them. I don't have something in the desk drawer that I think, "The time is right now. If I just do this, it'll be great." It is kind of out of sight and out of mind. I am thinking ahead rather than back.”

“I believe that written stories will continue to survive because they answer an essential human need. I think movies might disappear before the novel disappears, because the novel is really one of the only places in the world where two strangers can meet on terms of absolute intimacy.”

“When you’re good at improv, even when you’re going to deliver somebody else’s line that they’ve written, you’ve got to nail it. And sometimes it’s not going to be as good as you think, and you have to not worry about hurting each other’s feelings. All that matters is the product itself. All that matters is the show.”

“I'm not against religion in the sense that I feel I can't tolerate it, but I think written into the rubric of religion is the certainty of its own truth. And since there are 6,000 religions currently on the face of the earth, they can't all be right. And only the secular spirit can guarantee those freedoms and it's the secular spirit that they contest.”

“I began to think that the finest modern writer was the screen actor. This was in the spirit of the Fifties where a very antiliterary literature was emerging - Kenneth Patchen and others. I kind of believed what Nietzsche said, that nothing not written in your blood is worth reading; it's just more pollution of the airwaves.”

“I'd be very suspicious of anybody that seems to have to move to the next level of expression. I distrust that: now I'm writing a book, now I'm being an actor. It should be a natural thing. I think it's a natural thing for you to act. But I think that people that feel that, because they've written one maybe quite beautiful love song that equips them to play Romeo, is probably misguided.”

“I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first eight to 10 scripts were pretty horrendous, but I stayed at it, stayed at it, and stayed at it, until I eventually found a voice and a subject like Rocky that people were interested in.”