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Kamand Kojouri Quotes

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Famous Kamand Kojouri Quotes

“For me, you are fresh water that falls from trees when it has stopped raining. For me, you are cinnamon that lingers on the tongue and gives bitter words sweetening. For me, you are the scent of violins and vision of valleys smiling. And still, for me, your loveliness never ends. It traverses the world and finds its way back to me. Only me.”

“Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.”

“Here's another poem, like all others before and after, dedicated to you. There isn't anything left to be said but I will spend my life trying to put you into words. You who is every goodness, every optimism and hope. Your love is a better fate for me than anything I could wish for. If you are a part of me, then you’re the best part. And if you're separate from me, then you are my destination. But I’ve become a weary traveller, so please, let us never be apart.”

“I only wrote prose before I met you. My musings were superfluous and serious as well. But now the words dance with me. I sing with them and we create poetry.”

“I left the bank because they wouldn’t deposit my cheque of poems. So I went to the store, but they didn’t accept my currency of words. So I boxed all my stories and took them to charity. But they refused my donation and asked me to give blood instead. I opened the notebooks and made them look, 'What do you think I wrote these in?”

“for Falasteen the boy i adored at sixteen gifted me his keffiyeh feeling guilty for living when others were killed simply for existing i haven’t seen him in sixteen years but think of him often these days his grandmother’s purse still carrying keys to their home believing they’d return in weeks can it even be called a key if what it unlocked is no longer there? we’d sneak onto mall rooftops & pretend shooting only happened with stars! 'we have a duty of memory,' he said, 'so they’ll kill us all until only the soil is witness' how could i reply? i sat in my liquid silence today there are nurseries of martyrs they bomb babies for they fear enemies hiding between pacifiers & tiny wrists bomb hospitals because enemies hide in ICU bedpans bomb schools because enemies hide in children’s bags bomb the oldest mosques & churches because enemies hide in rosary beads & votive candles they bomb journalists because enemies are hiding under their PRESS vests & helmets bomb poets because enemies hide in pages of peace poems the elderly are bombed because enemies hide under their canes the disabled are bombed because they harbour enemies in their artificial limbs they raze & burn all the ancient trees because enemies make bombs from olives they bomb water treatment plants because enemies are now water & so it goes: justification provided exoneration granted business as usual & the boy I adored has green-grey eyes the colour of fig leaves we don’t speak but i wish to tell him 'i’m sorry the world is a blade i’m sorry home is blood & bones i’m sorry music is sirens & wails i’m sorry night is infinite' but the boy I adored has grey-green eyes the colour of forgotten ash”

“To see you is to forget my name. To forget this tight collar and that delayed train. To forget the conflict with the landlady and the worry that my students won’t like me. These trifles lose themselves in the valleys of your brows and the seas of your hair. To see you is to forget my name. To forget if it matters what I do and whether what I do matters. To forget who I think I am and who I think I ought to become. To forget every past moment and unremember every moment to come. To see you is to forget my name. To forget myself and forget the world. These trivialities drown themselves in the dark eyes that stare back at me. Because to see you is to see you. Only you.”

“She might not have read many books. But when she reads a book, she swallows the very words. If you open the books on her shelves, you will find that the front and back covers encase white pages.”

“We don’t find God in temples and cathedrals. We don’t find Him by standing on a prayer rug or sitting in a pew. God appears when we love someone other than ourselves. And we continue to feel His presence when we do good for others. Because God is not found in mosques and synagogues. He resides in our hearts.”

“I have become intoxicated again. You are such a potent wine, my friend. To escape your withdrawal effects, tomorrow I will drink in excess. Alas, why make me love? I was aware, conscious, and sensible before. I am ill by cause of this illusion. The devil plays tricks on me more and more. I was a harp you immaculately plucked at will. Your score, the nightingale song within notes composed to imprison and bear me wings. Oh, if only they could hear how it sings! I am now beyond parched. My strings left untouched. You are no longer an oasis, my friend, but a mirage soon coming to an end.”

“I used to be lost in us. Blurred were the lines that separated us. But now, I see our togetherness in our separateness. I see the you in me and the me in you. We are two independent beings who complement one another like photographs that are beautiful on their own but are enhanced when juxtaposed, creating an altogether new photograph.”

“Do the lovers know that when they whisper these poems they are commemorating our love? Do they ever think of you and me or only of themselves? Do they know that I once found a strand of your hair and wore it around my neck like a necklace? That I kiss your hands more than I kiss your lips? Do they realise that our love and their love are drops in the universe’s ocean of love and that without any of these drops, the ocean would be less?”

“Lovers dream of one more embrace. One more kiss. One act of love, no matter how small. For in loving, lover and beloved emptied themselves. Now, they look for their oasis like men engulfed in flames. Even filled to the brim, they will never satiate. For they continue to leak, these cracked vessels. How else did love seep through?”

“We are all born as storytellers. Our inner voice tells the first story we ever hear.”

“Work. Good, honest work, whether it’s working with your hands to create an artwork, or manual labour, brings forth a sense of divinity at play. The only prerequisite is that whatever the work is, it is done sincerely and in congruence with the soul’s true origin and intent, then, without any effort, one experiences a flow, wherein one feels a part of the plan of the entire universe.”

“I think, therefore I am? No, I simply am. I am. I am. I am. I will still be if I didn't think. In fact, it is only then that I would step into a different dimension of consciousness. Yes, I will still be if I didn't think. I will still be if I stopped breathing. I will still be because you still are. My words are written and you are receiving them. We are dancing. We are making love. And when you stop reading them, they will still be because nothing ever truly ceases to exist. There is not a thing that is not. Every thought, energy, and vibration is recycled. I am and I will continue to be because I manifest as the universe, therefore I will continue to manifest as the universe.”

“Autumn has come and reason has gone. Yesterday, I sold the sun for you and tonight the stars are running away from me. When you first spoke, you slowly annihilated my world. Your mouth was like the sea — in your kisses I sank. Your hands were like the ocean — in your caresses I sank. I ask for no salvation on this moonless night. I only ask for more Autumn.”

“I look at my parents the way mothers look at their toddlers. I take every chance to witness them undisturbed. To study every detail as if sitting for an important exam. I take note of their hands, the curves of their ears, the way they envelop a room and greet others. The way their souls shine through when they speak of something they love, like a candid photograph unveiling beauty and truth. Even though I am present in the same space as them, I am distanced because of the intensity of my love. Every heartbeat reminds me of the ephemeral nature of our bodies and the blessedness of these moments until my father looks up from his book and catches me smiling. And like a child he is bewildered for a moment and smiles back.”

“Can we share my eyes so you can see what I see? Can we share my ears so you can hear what I hear? Can you perch on my shoulders so you can go where I go? Always in my heart, I don’t experience anything separate from you. This shared wonderment becomes doubled. This shared love becomes infinite.”

“Violinists wear the imprint on their necks with pride For they are the players of harmony. Pilgrims, too, wear the imprint on their foreheads with pride For they are the conductors of unity. And Lovers? Why, they are made humble by the imprint on their hearts For they are merely the instruments of rhapsody.”