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“Champagne arrived in flûtes on trays, and we emptied them with gladness in our hearts... for when feasts are laid and classical music is played, where champagne is drunk once the sun has sunk and the season of summer is alive in spicy bloom, and beautiful women fill the room, and are generous with laughter and smiles... these things fill men's hearts with joy and remind one that life’s bounty is not always fleeting but can be captured, and enjoyed. It is in writing about this scene that I relive this night in my soul.”

“Do we take less pride in the possession of our home because its walls were built by some unknown carpenter, its tapestries woven by some unknown weaver on a far Oriental shore, in some antique time? No. We show our home to our friends with the pride as if it were our home, which it is. Why then should we take less pride when reading a book written by some long-dead author? Is it not our book just as much, or even more so, than theirs? So the landowner says, ‘Look at my beautiful home! Isn’t it fine?’ And not, ‘Look at the home so-and-so has built.’ Thus we shouldn’t cry, ‘Look what so-and-so has written. What a genius so-and-so is!’ But rather, ‘Look at what I have read! Am I not a genius? Have I not invented these pages? The walls of this universe, did I not build? The souls of these characters, did I not weave?”

“When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.”

“You are like a god, like an immortal one,' she whispered to me one night in our bed, her naked body pressed to mine, our sweat golden and glistening in the candlelight. 'Oh, my love,' I whispered back to her, 'I am more mortal than all. It seems that a part of me dies every night that I lie with you.”

“...You see I believe in that stuff to: yoga and mystical powers. I once knew a man who could kill himself on command. Can you believe that? . . . Why do you laugh? . . . Believe it! By will of his own mind, he could make his heart stop beating for good' My neighbor poised and looked seriously at me, searching in my eyes. '...You laugh!' he repeated once more… 'You laugh, but he was a master at it! He could commit suicide at his own will!' Indeed, hearty laughter streamed through my nose. 'Could he do it perpetually?' I asked. 'Perpetually...?' My neighbor rubbed his waxy chin. 'I mean, is he still able to do it?' 'I’m not sure I understand.' 'Well? Then is he dead…?!' My neighbor's puzzled face slowly began to transform into a look of realization. 'But sir,' he said, 'Of course he’s dead! I mean to say... this man could kill himself on command, you see. And you don’t come back from the dead!' The two of us found ourselves crossing to the door so I could let my visitor out. I slapped him with friendliness on the shoulder. 'No, you don’t come back from the dead,' I agreed.”

“Intoxication, like sexual euphoria, is the privilege of the human animal. Sexual frenzy is our compensation for the tedious moments we must suffer in the passage of life. “Nothing in excess” professed the ancient Greeks. Why, if I spend half the month in healthy scholarship and pleasant sleep, shouldn’t I be allowed the other half to howl at the moon and pillage the groins of Europe’s great beauties?”

“The hour of spring was dark at last, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I’ll say it once and true... From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.”

“Without knowing why or how, I found myself in love with this strange Wanderess. Maybe I was just in love with the dream she was selling me: a life of destiny and fate; as my own life up until we met had been so void of enchantment. Those things: mystery, fate, enchantment... they are things that young people offer us as soon as we get close to them. And if we're not careful, we can be seduced by, and drawn back into, the youthful world they preside over.”

“People wonder why so many writers come to live in Paris. I’ve been living ten years in Paris and the answer seems simple to me: because it’s the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.”

“Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.”

“I will always know the glory of the beautiful and rare, as they will know security from labour and prayer. As they will hear the laughter of the children they gave life, I will know the torments of the song born under knife. And to their girls, they will give, while with their sons they'll share; where I will bear a song—a son! The wife of despair.”

“Coffee, my delight of the morning; yoga, my delight of the noon. Then before nightfall, I run along the pleasant paths of the Jardin du Luxembourg. For when air cycles through the lungs, and the body is busy at noble tasks, creativity flows like water in a stream: the artist creates, the writer writes.”

“I was surrounded by friends, my work was immense, and pleasures were abundant. Life, now, was unfolding before me, constantly and visibly, like the flowers of summer that drop fanlike petals on eternal soil. Overall, I was happiest to be alone; for it was then I was most aware of what I possessed. Free to look out over the rooftops of the city. Happy to be alone in the company of friends, the company of lovers and strangers. Everything, I decided, in this life, was pure pleasure.”

“I thought of the fifteen years I lived 'sans papiers' in France and how Paris had belonged to me. I was like a king in France. And now that suddenly I was French, Paris was gone for me. I had abdicated the throne the French people had given to me. All those people were gone. The whole city had changed. I left for five years: three spent wandering in Europe, while two years I spent living in Muslim Morocco; and now Paris had changed and there was no going back.”

“POEM FOR SOUKAÏNA” **** To tell of my new Moroccan Love, Ô, I court her everyday. But just as a pearl in the mud is a pearl, So is my Love just an Arab girl… in that I offer her constant, loving woos, but she’ll ask me in return that I give her flooze*. That’s when I kiss her and shrug, and I say, “Someday.” And she gives me her love free anyway. * * * Ô, my Love is a child of the souks. In Casablanca born. A gypsy thief, “Soukaïna” named. We met in the souks of Marrakech, It was here my heart she tamed. Ô, she came at nineteen to Marrakech, In search of wild fun. And she lived in Marrakech seven years, Before my heart she won.”

“Passionate attraction to someone of the opposite sex will make a hero or a fool of a novelist each time.”

“In my errant life I roamed To learn the secrets of women and men, Of gods and dreams. I've known all the countries of our world, I've lived a thousand lives: Many lives I lived in love, Other lives I squandered. For in my life I never traveled, All I did was wander.”

“My Love wakes in a puddle of sunlight. Her hands asleep beside her. Her hair draped on the lawn like a mantle of cloth. I give her my life for our love is whole I sing her beauty in my soul.”

“Being the Novelist-in-Residence at a riad hotel in the kasbah of an Arabic North African city is a lot like trying to write one’s memoirs on shreds of napkins in a nuthouse.”