Quotessence
Home / Quotes / B Quotes

B Quotes

Browse famous quotes beginning with B. This page is a child index of the full Popular Quotes A-Z directory.

All B Quotes

“Berkshire's whole record has been achieved without paying one ounce of attention to the efficient market theory in its hard form. And not one ounce of attention to the descendants of that idea, which came out of academic economics and went into corporate finance and morphed into such obscenities as the capital asset pricing model, which we also paid no attention to. I think you'd have to believe in the tooth fairy to believe that you could easily outperform the market by seven-percentage points per annum just by investing in high volatility stocks.”

“Berlin is a skeleton which aches in the cold: it is my own skeleton aching. I feel in my bones the sharp ache of the frost in the girders of the overhead railway, in the iron-work of balconies, in bridges, tramlines, lamp-standards, latrines. The iron throbs and shrinks, the stone and the bricks ache dully, the plaster is numb.”

“Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.”

“Berlin of 1884 was effected through the sword and the bullet. But the night of the sword and the bullet was followed by the morning of the chalk and the blackboard. The physical violence of the battlefield was followed by the psychological violence of the classroom. But where the former was visibly brutal, the latter was visibly gentle … The bullet was the means of physical subjugation. Language was the means of the spiritual subjugation.”

“Berlin seems like a place of healing to me though: you have both the Holocaust Memorial and Hiroshima Strasse side-by-side there. You have the whole last century libraried and you can see exactly what we did. Now there's lots of artists and musicians moving there because they can't afford the rent in London and New York, and they're having children and making it a gentle place. It seems to be a place of hope now.”

“Berlinerinnen also continue to reinvent Berlin fashion. Women like Claudia Skoda, c.neeon (Clara Kraetsch and Doreen Schultz), Stadtkluft (Claudine Brignot of urbanspeed and Sandra Siewert of s.wert) and Natascha Loch carry on the tradition of Berliner Chic and carry its meanings into today's fashion. Berlinerinnen will always be ready to wear: the women who live in the city, are photographed in its streets, wear local brands and give Berlin fashion its reputation as exigeant and schraeg. Without all of these women, there would be no Berliner Chic, and so it is to them that this project is dedicated.”

“Bermimpilah terus, bermimpilah terus, bermimpilah selama kamu dapa bermimpi! Apabila tiada mimpi, apakah jadinya hidup? Keadaan yang sesungguhnya biasanya sangat kejam. Barang kali memang betul apa yang dikatakan orang, bahwa sebenarnya kami harus tinggal seorang diri di sebuah pulau yang tidak didiami manusia! Tetapi jika demikian, orang lalu betul-betul akan memikirkan diri sendiri saja bukan? Saya kira kami harus hidup dengan dan untuk orang banyak. Itulah tujuan hidup, untuk membuat hidup indah! Derita akan meluhurkan, sekurang-kurangnya kalau orangnya baik. Dalam hal lain derita justru akan merendahkan. Juga kami akan berubah. Bagaimana perubahan itu hanya Tuhan yang tahu. Yang kami ketahui hanyalah, kami bukanlah lagi anak-anak yang lela.”

“Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St. Ives for about four years before returning to Japan to start his own pottery. He had exhibitions in London, and if these exhibitions didn't sell out, the galleries were instructed to send the remaining work down to the Leach Pottery, where they would go into the showroom for sale. If Bernard saw one that hadn't sold that he really admired, then he would take it (he would buy it), and it would go into the house.”

“Bernard [Leach] knew Ben Nicholson, Barbara Hepworth, Terry Frost, Peter Lanyon, Johnny Wells. I can think of a number of people that we met there just because we were living with Bernard. Some of them became our friends, particularly the younger artists, but we were privileged to at least meet and talk with the older artists also. And they would come to dinner, and we would simply be included in the conversation, which was quite fascinating.”