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I Quotes

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All I Quotes

“I was working full time and going to school at night and on the weekends. It was just crazy. At one point a month had gone by, and Marc - my then boyfriend, now husband, and I hadn't gone out on a date. I was like, I don't want to be this person. I want to be a person who cares where she's investing her time and energy. And I want to be a good wife, daughter, and friend.”

“I was working in a church in Florida as a youth intern, which means I really didn't do much other than staple stuff. I'm from Dallas, Texas, and every time my grandmother would call-she would call me any time of the day-I'd be home answering the phone. She was like, "What do you do all day?" and sarcastically I would say, "Well, I'm trying to chalk off the next year to spend time finding a band name." And she said, "Well mercy me, why don't you get a real job?" I thought, "Wait a minute. That's the perfect name." That kind of freed up my year but that's where the name came from.”

“I was working in the same building as U.S. News & World Report, and I banged on the door and said, "I'm ready to go." And they said, "What's your combat experience?" I said, "Does my parents' divorce count? It was pretty rough." Then they said, "What's your reporting experience?" And I said, "I covered the women's volleyball team in college exceptionally well." The guy was like, "You are so not ready to be a war correspondent."”

“I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...”

“I was working on a satirical novel about a charismatic preacher who takes over a small Indiana town. Then I remembered Jim Jones was from Indiana and Googled him. I learned that the FBI had recently released all the documents that agents collected from Jonestown after the massacre - over 50,000 pieces of paper and almost 1,000 audio tapes. I started reading the files and couldn't tear myself away; I find "true" stories inherently more powerful than fiction.”

“I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.”

“I was working towards my bachelor's degree in creative writing at Arizona State University when videos, pictures, and stories from these protests started blooming across my Facebook feed. I saw Native people holding their ground and being ground down by the opposing police force. I saw them bitten by dogs and hosed down and maimed by rubber bullets hitting their faces and bodies, all while bright white words scrolled across the bottom of the video, explaining the situation and giving statistics.”

“I was working with a Crookes tube covered by a shield of black cardboard. A piece of barium platino-cyanide paper lay on the bench there. I had been passing a current through the tube, and I noticed a peculiar black line across the paper. ... The effect was one which could only be produced in ordinary parlance by the passage of light. No light could come from the tube because the shield which covered it was impervious to any light known even that of the electric arc. ... I did not think I investigated. ... I assumed that the effect must have come from the tube since its character indicated that it could come from nowhere else. ... It seemed at first a new kind of invisible light. It was clearly something new something unrecorded. ... There is much to do, and I am busy, very busy. [Describing to a journalist the discovery of X-rays that he had made on 8 Nov 1895.]”

“I was working with a number of African heads of state. And after their initial surprise, I think many of them just treated me as they would anybody else. They had to deal with me as a representative of the United States of America, and the United States of America was too important to be dismissed or ignored on any grounds.”

“I was working with actors who were very easy to work with, but I can just imagine how, with all the other decision-making problems that come up along the way, in addition to that, the whole point of what your doing is following performance and character development. You're building your story with those building blocks, and it is not easy. I've only come out with more respect for directors, from this.”

“I was working with an extraordinarily successful company that was doing a CEO succession, and the board was discussing the threats to the business. They were enormous, despite the company's strong market position. I then realized that there were no longer just turn-around periods for companies in trouble, that now variables that could drastically effect any business's profitability were not going to go away.”

“I was working with D'Mile - he's amazing! And I don't know, it was like that guitar riff was so crazy to me, and so I think I was frustrated about something that happened earlier and I feel like I'm just a good guy, I don't cut people off, I don't really call people out when they do stuff that they should be called out on, and I'm just always the one being the bigger person. So, that day "Gangster" just came out. That's just how I feel in that day to day life.”

“I was working with these very long-chain ... extended-chain polymers, where you had a lot of benzene rings in them. ... Transforming a polymer solution from a liquid to a fiber requires a process called spinning. ... We spun it and it spun beautifully. It [Kevlar] was very strong and very stiff-unlike anything we had made before. I knew that I had made a discovery. I didn't shout "Eureka!" but I was very excited, as was the whole laboratory excited, and management was excited, because we were looking for something new. Something different. And this was it.”

“I was working within a figurative representational framework, and there was a sense of reading the painting as a transparency, or truth, or autobiography, which I think is partially the burden of artists of color - or women, or anybody who is representing a so-called minority position. Are you actually telling a true story, or your own story? You don't just get to tell a story. The readings of the work didn't necessarily conform to my own understanding of mythology, where violence and eroticism and the body and all of these different forms coexist all the time.”