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All I Quotes

“IN THE fifteenth century, a swampy parcel of land in the sestieri of Cannaregio was set aside for the construction of a new brass foundry, known in the Venetian dialect as a geto. The foundry was never built, and a century later, when the rulers of Venice were looking for a suitable spot to confine the city’s swelling population of unwanted Jews, the remote parcel known as Ghetto Nuovo was deemed the ideal place. The campo was large and had no parish church. The surrounding canals formed a natural moat, which cut off the island from the neighboring communities, and the single bridge could be guarded by Christian watchmen. In 1516, the Christians of Ghetto Nuovo were evicted and the Jews of Venice were forced to take their place. They could leave the ghetto only after sunrise, when the bell tolled in the campanile, and only if they wore a yellow tunic and hat. At nightfall they were required to return to the island, and the gates were chained. Only Jewish doctors could leave the ghetto at night. At its height, the population of the ghetto was more than five thousand. Now, it was home to only twenty Jews.”

“In the fifteenth century, Marsilio Ficino put it as simply as possible. The mind, he said, tends to go off on its own so that it seems to have no relevance to the physical world. At the same time, the materialistic life can be so absorbing that we get caught in it and forget about spirituality. What we need, he said, is soul, in the middle, holding together mind and body, ideas and life, spirituality and the world.”

“In the fifth century BC, Buddhism and Jainism posed a great threat to Vedic ritualism. Members of the merchant classes patronized these monastic ideologies. Threatening even the Buddhists and the Jains was the idea of an all-powerful personal Godhead that was slowly taking shape in the popular imagination. The common man always found more comfort in tangible stories and rituals that made trees, rivers, mountains, heroes, sages, alchemists and ascetics worthy of worship. The move from many guardian deities and fertility spirits to one all-powerful uniting deity was but a small step. Being atheistic, or at least agnostic, Buddhism and Jainism could do nothing more than tolerate this fascination for theism on their fringes. In a desperate bid to survive, Vedic priests, the Brahmins, did something more: they consciously assimilated the trend into the Vedic fold. In their speculation they concluded and advertised the idea that Godhead was nothing but the embodiment of Brahman, the mystic force invoked by the chanting of Vedic hymns and the performance of Vedic rituals. Adoration of this Godhead through pooja, a rite that involved offering food, water, flowers, lamp and incense, was no different from the yagna.”

“In the fifties, you have your beauty as a treat. I thought that until I hit the sixties.In your sixties, life decides to reward you with certain kinds of profound appreciation, so that people name their children and schools and libraries after you! And you still have your sexuality and your sensuality. If you want your sexuality, you still have it.”

“In the fight against ISIL, we cannot rely on an Assad regime that terrorizes its people; a regime that will never regain the legitimacy it has lost. Instead, we must strengthen the opposition as the best counterweight to extremists like ISIL, while pursuing the political solution necessary to solve Syria's crisis once and for all.”

“In the film Death and the Maiden, there is a point during which Sigourney Weaver has duct-taped Ben Kingsley to a chair in her living room. The characters are re-enacting a reverse torture scene. To move the plot of a woman tortured toward its desire: to torture the torturer. To extract a confession. The chair is a prop. A prop is a stage object that supports the drama. If the audience suspends their disbelief the chair transforms itself in time and space. If the audience is left unconvinced the chair is silly and imaginable in anyone’s living room. In the film Romeo is Bleeding Lena Olin sits in a chair and spreads her legs so that her cunt can be seen/scene. Her nationality keeps slipping; she is what we want her to be in a million ways. Her severed arm our severed arms. Her mouth opening like a country. In the film Exotica Atom Egoyan has the male lead (primary actor, financial draw) sit in a chair immobile while a child-stripper dances excruciatingly close to his body. His hands on his thighs. His mouth open. His mind seated. Torture. In the film Barbarella Jane Fonda is trapped inside of a science fiction sexual orgasm chair. This is before her politics come. In the film Breaker Morant two men mutated soldiers lost are executed—shot through the chest—while seated in chairs. In my kitchen I jack my father off while he sits in a chair, my hand smally domestic, the back of the chair holding his back, the legs of the chair forgiving his weight, the wood of the chair blonde, the hair of the girl blonde, the room magnified to cinematic proportions.”

“In the films I've done recently, I've been learning a little more about the side of myself that enjoys being a light. I remember when I used to dress in all black and you'd say. "Just be pretty, hold your head up, be proud. Be a pleasant person and don't cover yourself so much with darkness, your need to be a little crazy." Now I have nothing against anything I've been in before, because I love all sides of me, but I have been experimenting more with that lovely woman side. In this age of feminism, I would hate for the whole gentlemen and ladies things to be lost.”

“In the final analysis, agape means a recognition of the fact that all life is interrelated. All humanity is involved in a single process, and all men are brothers. To the degree that I harm my brother, no matter what he is doing to me, to that extent I am harming myself. For example, white men often refuse federal aid to education in order to avoid giving the Negro his rights; but because all men are brothers they cannot deny Negro children without harming their own. They end, all efforts to the contrary, by hurting themselves. Why is this? Because men are brothers. If you harm me, you harm yourself. Love, agape, is the only cement that can hold this broken community together. When I am commanded to love, I am commanded to restore community, to resist injustice, and to meet the needs of my brothers.”

“In the final analysis the hierarchic pattern is nothing like the straightforward witness for organic evolution that is commonly assumed. There are facets of the hierarchy which do not flow naturally from any sort of random undirected evolutionary process. If the hierarchy suggests any model of nature it is typology and not evolution. How much easier it would be to argue the case for evolution if all nature's divisions were blurred and indistinct, if the systema naturalae was largely made up of overlapping classes indicative of sequence and continuity.”

“In the final analysis, the question of why bad things happen to good people translates itself into some very different questions, no longer asking why something happened, but asking how we will respond, what we intend to do now that it has happened. Are you capable of forgiving and accepting in love a world which has disappointed you by not being perfect, a world in which there is so much unfairness and cruelty, disease and crime, earthquake and accident? Can you forgive its imperfections and love it because it is capable of containing great beauty and goodness, and because it is the only world we have? Are you capable of forgiving and loving the people around you, even if they have hurt you and let you down by not being perfect? Can you forgive them and love them, because there aren't any perfect people around, and because the penalty for not being able to love imperfect people is condemning oneself to loneliness? Are you capable of forgiving and loving God even when you have found out that He is not prefect, even when He has let you down and disappointed you by permitting bad luck and sickness and cruelty in His world, and permitting some of those things to happen to you? Can you learn to love and forgive Him despite His limitations, as Job does, and as you once learned to forgive and love your parents even though they were not as wise, as strong, or as perfect as you needed them to be? And if you can do these things, will you be able to recognize that the ability to forgive and the ability to love are the weapons God has given us to enable us to live fully, bravely and meaningfully in this less-than-perfect world?”

“In the final analysis, the relation of the individual to society must not be conceived after the atomistic and mechanistic pattern of bourgeois individualism which destroys the organic social totality, or after the biological and animal pattern of the statist or racist totalitarian conception which swallows up the person, here reduced to a mere histological element of Behemoth or Leviathan, in the body of the state, or after the biological and industrial pattern of the Communistic conception which ordains the entire person, like a worker in the great human hive, to the proper work of the social whole. The relation of the individual to society must be conceived after an irreducibly human and specifically ethicosocial pattern, that is, personalist and communalist at the same time; the organization to be accomplished is one of liberties. But an organization of liberty is is unthinkable apart from the amoral realities of justice and civil amity, which, on the natural and temporal plane, correspond to what the Gospel calls brotherly love on the spiritual and supernatural plane. This brings us back to our considerations of the manner in which the paradox of social life is resolved in a progressive movement that will never be terminated here-below. There is a common work to be accomplished by the social whole as such. This whole, of which human person are the parts, is not ‘neutral’ but is itself committed and bound by a temporal vocation. Thus the persons are subordinated to this common work. Nevertheless, not only in the political order, is it essential to the common good to flow back upon the persons, but also in another order where that which is most profound in the person, its supra-temporal vocation and the goods connected with it, is a transcendent end, it is essential that society itself and its common work are indirectly subordinated. This follows from the fact that the principal value of the common work of society is the freedom of expansion of the person together with all the guarantees which this freedom implies and the diffusion of good that flows from it. In short, the political common good is a common good of human persons. And thus it turns out that, in subordinating oneself to this common work, by the grace of justice and amity, each one of us is trill subordinated to the good of persons, to the accomplishment of the personal life of others an, at the same time, to the interior dignity of ones own person. But for this solution to be practical, there must be full recognition in the city of the true nature of the common work and, at the same time, recognition also of the importance and political worth--so nicely perceived by Aristotle--of the virtue of amity.”