Quotessence
Home / Quotes / I Quotes

I Quotes

Browse famous quotes beginning with I. This page is a child index of the full Popular Quotes A-Z directory.

All I Quotes

“In worldly terms, she was totally innocent; Eve before the fall, with no knowledge of good and evil. She made one realize how necessary the Fall was; without it, there would have been no human drama, and so no literature, no art, no suffering, no religion, no laughter, no joy, no sin and no redemption. Only camera work (towards which Mrs. Dobbs's painting was reaching) and sociology (which her sister, Beatrice Webb, may be said to have invented).”

“In worship we have our neighbors to right and left, before and behind, yet the Eternal Presence is over all and beneath all. Worship does not consist in achieving a mental state of concentrated isolation from one’s fellows. But in depth of common worship it is as if we found our separate lives were all one life, within whom we live and move and have our being.”

“In wrestling there are so many people inside and outside the ring, and it's so live, and it's this whole adrenaline thing. Whereas you move it into this more intimate thing, everything gets all quiet, someone says action, and you have to say the lines and make the words your own. It couldn't be any more different and it's weird sometimes trying to explain that to people. When I tell people that acting is much more terrifying to me than going out in front of ten thousand people, they don't quite believe it because for some reason that intimacy is just terrifying to me.”

“In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.”

“In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me." [Letter to Joan Lancaster, 26 June 1956]”

“In writing I try to pare down the descriptive bits. If I feel that I could say something in as few words as possible, then I would rather do it than to go on padding. One should describe sufficiently to give the reader a sense of what one feels, but not at the same time overwhelm the reader in any way. For example, I feel that if you use lots of adjectives they have a mutually cancelling effect. If you can describe a scene well enough, without having to use far too many words, I would rather do so.”

“In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.”