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I Quotes

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All I Quotes

“It was Andrew realized, not because of tension or nervousness, but purely because of the pulse of her heart, and suddenly he was gripped by possibility once again, that as long as there was that movement in someone, there was capacity to love and now his heart was beating faster and faster as if the power of the river were pushing blood through his veins, urging him to act. He felt Peggy stir, "So", she said, the faintest of tremors in her voice, "Quick question. With scones...do you go with jam or cream first?" Andrew considered the question. "I'm not sure it really matters..." He said. "Not in the grand scheme of things. " And then he leaned across, took Peggy's face in his hands, and kissed her.”

“It was anyway all a long time ago; the world, we know now, is as it is and not different; if there was ever a time when there were passages, doors, the borders open and many crossing, that time is not now. The world is older than it was. Even the weather isn’t as we remember it clearly once being; never lately does there come a summer day such as we remember, never clouds as white as that, never grass as odorous or shade as deep and full of promise as we remember they can be, as once upon a time they were.”

“It was apparent Jake had taken a hot shower. The air was scented with amber and musk. Enticingly male. She spotted him when he turned away from the sink and cut her a look, sharp with surprise. He was a heart-stopper. He stood nearly nude. A knotted towel hung low on his hip bones. The gap near his groin was shadowed. Neither managed a word. Silence held between them. Engulfing and immodest. She dared to stare. His masculinity merged with the mist. Her gaze flicked over his damp hair, hard face, and thick-muscled chest. Alpha and carnal. All slickened sexiness and raw strength. His legs were long and strong. His feet big and bare. A sigh escaped, low and throaty. She sagged against the doorframe. A dead giveaway that she liked what she saw--- a little too much. She was so into him that she twitched when he said, "Are you flashing me, Hannah? Bra and pretty pink panties.”

“It was apparent to me that religion was an invented thing, a wish-fulfillment thing, a fantasy thing. It was much more real, dangerous, to accept that mortality was the end for you as an individual. As an atheist, I don't believe in an afterlife, so if you're thinking of murder, if your subject is murder, then that's a physical act of absolute destruction because you're ending something, a body, that is unique. That person never existed before, will never exist again, will not be karmically recycled, will not go to heaven, therefore I take it seriously.”

“It was around the time of the tiger rampage in June that he first heard of the beast. “Siluman harimau” according to the Javanese pupils. “Harimau jadian” to the Malay ones. They meant the same thing: were-tiger. He asked the pupils if it was a deity, Yamashiro being a believer of kami-sama after all. This wasn’t a deity, the pupils insisted. It was something unholy.”

“It was as big as a box kite and mounted on a pole, gesticulating wildly with moving arms, vanes, wheels, and propellers larger and small. I'd never seen it. It was all different colors. It didn't resemble anything in particular, except at the top, where there was a woman's head. Attached to her hair were three reflectors. Shells and chimes hung around her neck. Even with half the moving parts stuck, a gust blowing through it set off a flurry of fluttering and shimmering and ringing, as if a flock of exotic birds was taking flight.”

“It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in Persuasion, for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again. This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece Watership Down is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since The Wind in the Willows, but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores.”

“It was as Frank said: the Sparrow Sisters Nursery had quite a reputation. Sally told Henry about the Nursery that was now a landmark in the town. The plants that grew in tidy rows, the orchids that swayed delicately in the beautiful glass greenhouses, and the herbs and vegetables sown in knot gardens around the land were much in demand. Sorrel had planted a dense little Shakespeare garden as a tribute to her reading habits. The lavender, rosemary, roses and honeysuckle, clematis and pansies, creeping thyme and sage were not for sale in that garden, but Sorrel would re-create versions of it for clients whose big houses on the water needed the stamp of culture, even if their owners had little idea what their lovely gardens meant.”