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Art Is Quotes

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Art Is Quotes

“...if photos can reproduce the world more perfectly than any painter, can capture an instant, a look, a gesture, then what makes a painting good anymore? Painting subverts this subversion of its traditional nature by redefining itself - art is idea, not simply skillful execution. So, a work can be crudely made, or even machine made - but it has to be practically and functionally useless.”

“Hip hop is just a reflection of what's going on, or where the art is....Technology definitely gives artists a new mind, new voice and creativity. Right now people need to be more places at once....so whatever can get people to the next level to be efficient is how technology is going to be used......The danger is if people are relying too much on the machines, that new mind and new voice always has to come from within.”

“I think that there is a purity aesthetic, like "I just make art because I'm an artist and I can't help it. I don't care what the critics say." But different mediums have a different relationship with the public. If you're in a performing medium it's hard not to place some weight on whether or not people come to your shows, or whether or not they're enjoying them.”

“I'm a New Yorker. I'm liberal and open-minded. Things don't really shock me. But I was reading the second-act today and thinking that if you're religious, you could be. But you shouldn't be! You can be extremely religious and have your faith and still be open-minded to art. Because this is art. That's part of the excitement. It literally is "The Jerry Springer Show" on-stage set to beautiful operatic music. That's what's so incredible about it!”

“I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.”

“Art is created to make us, to make our passage through the world better, fruitful - and I would say that every story in the end, if it is good, tells us something. This is actually what I meant when I said a novelist is a teacher. Which is why I am constantly dealing with "didactic". Now a teacher in the sense I use it is not somebody who has the profession of standing in front of children, with a piece of chalk in his hand scribbling on the blackboard. That is not the teacher I have in mind. The teacher I have in mind is something less tangible.”

“So long as the system of competition in the production and exchange of the means of life goes on, the degradation of the arts will go on; and if that system is to last for ever, then art is doomed, and will surely die; that is to say, civilization will die.”

“No great artist ever sees things as they really are. If he did, he would cease to be an artist.”

“If art is not to be life-enhancing, what is it to be? Half the world is feminine - why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity?”

“The male frog in mating season," said Crake, "makes as much noise as it can. The females are attracted to the male frog with the biggest, deepest voice because it suggests a more powerful frog, one with superior genes. Small male frogs—it's been documented—discover if they position themselves in empty drainpipes, the pipe acts as a voice amplifier and the small frog appears much larger than it really is." So?" So that's what art is for the artist, an empty drainpipe. An amplifier. A stab at getting laid.”

“To write with taste, in the highest sense, is to write [...] so that no one commits suicide, no one despairs; to write [...] so that people understand, sympathize, see the universality of pain, and feel strengthened, if not directly encouraged to live on. If there is good to be said, the writer should say it. If there is bad to be said, he should say it in a way that reflects the truth that, though we see the evil, we choose to continue among the living. The true artist [...] gets his sense of worth and honor from his conviction that art is powerful--”