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Bars Quotes

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Bars Quotes

“... Wild Bill had his faults, grievous ones, perhaps ... He would get drunk, gamble, and indulge in the general licentiousness characteristic of the border in the early days, yet even when full of the vile libel of the name of whiskey which was dealt over the bars at exorbitant prices, he was gentle as a child, unless aroused to anger by intended insults. ... He was loyal in his friendship, generous to a fault, and invariably espoused the cause of the weaker against the stronger one in a quarrel.”

“People expect your life to change completely. The main difference is I can get work now. I can do my hobby as a job. It's great. It's a privilege. But in terms of the rest of the stuff, I still got all the same group of friends I always had. I don't do anything different. We still go to the same dirty bars and do the same things. So nothing really changes.”

“People have different goals, when you start out making a movie. If the goal is darkness and destruction and despair, it's not like, "Hey, let's go to set, and then let's hit the bar afterwards. Let's jaunt into London and pick up some Chinese food." No, you go home from set and you go fight at the gym, and then you go to sleep. You stay in it. You never excuse yourself, you never take it easy on yourself, you never eat good food.”

“My paint is like a rocket, which describes its own space. I try to make the impossible possible. What is happening I cannot foresee, it is a surprise. Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast. To paint is to destroy what preceded. I never try to make a painting, but a chunk of life. It is a scream; it is a night; it is like a child; it is a tiger behind bars.”

“The mother- poor invaded soul- finds even the bathroom door no bar to hammering little hands.”

“When I was 8 years old, it mattered what my favorite singer said and wore and expressed opinions about. And if I have a chance to matter to the growth and hopes and wishes of little girls, that's something I can't take lightly. So I do factor them in when I'm thinking about what to wear, and what to say, and whether or not to go out to bars even thought I'm not twenty-one.”

“Dinner with Steven Moffat in Bar Shu, spent mostly in enthusiastic Dr Who neepery. I love my life....As a side note, running Windows Vista on the Panasonic w7 is making me really nostalgic for 1986. Whoever thought I'd get to type things then stare at a blank screen for a bit and one-by-one watch the letters appear? Cory and Mike's 'Why Don't You Run Linux?' talks are staring to seem much more sensible.”

“I always maintain that playing in an orchestra intelligently is the best school for democracy. If you play a solo, the conductor and everybody in the orchestra follows you. Then, a few bars later, the main voice goes to another instrument, another group, and then you have to go back into the collective [sound]. The art of playing in an orchestra is being able to express yourself to the maximum but always in relation to something else that is going on.”

“If you set your bar at 'amazing' it's awfully difficult to start. Your first paragraph, sketch, formula, sample or concept isn't going to be amazing. Your tenth one might not be either. Confronted with the gap between your vision of perfect and the reality of what you've created, the easiest path is no path. Shrug. Admit defeat. Hit delete. One more reason to follow someone else and wait for instructions. Of course, the only path to amazing runs directly through not-yet-amazing. But not-yet-amazing is a great place to start, because that's where you are.”

“It's lonely at the top. Ninety-nine percent of people in the world are convinced they are incapable of achieving great things, so they aim for the mediocre. The level of competition is thus fiercest for "realistic" goals, paradoxically making them the most time-consuming and energy consuming. It is easier to raise $10,000,000 than it is $1,000,000. It is easier to pick up the one perfect 10 in the bar than the five 8s.”

“Here's why I think there's something a little odd with George Bush. Because a lot of the times when he speaks, his words don't match his face. Something is askew. You can't talk about the war with a smile on your face. He does it constantly. If you're the President, you should go We're going to talk about the war, I must have a frowny face. The only time you can smile when you're talking about the war in Iraq is when you go, Well, two Iraqis walk into a bar, hahaha.”