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Blue Quotes

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Blue Quotes

“This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval]. I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film. The poetic way of looking at it is which project is going to choose me as a director.”

“The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.”

“There is the National Flag. He must be cold, indeed, who can look upon its folds rippling in the breeze without pride of country. If he be in a foreign land, the flag is companionship and country itself, with all its endearment...The very colors have a language which was recognized by our fathers; white is for purity; red, for valor; blue, for justice. And altogether, bunting, stripes, stars, and colors, blazing in the sky, make the flag of our country, to be cherished by all our hearts, to be upheld by all our hands.”

“I get to listen to a lot of this music again doing my DJ work on Little Steven's Underground Garage. To hear Van [Morrison] on Them's version of "It's All Over Now, Baby Blue"- what a vocal, and what an arrangement. Also, I get to hear so many records that I missed the first time around - The Chocolate Watchband, Roky Erikson. It's an audio food fest, a total privilege, a second chance.”

“One of my own stray childhood fears had been to wonder what a whale might feel like had it been born and bred in captivity, then released into the wild-into its ancestral sea-its limited world instantly blowing up when cast into the unknowable depths, seeing strange fish and tasting new waters, not even having a concept of depth, not knowing the language of any whale pods it might meet. It was my fear of a world that would expand suddenly, violently, and without rules or laws: bubbles and seaweed and storms and frightening volumes of dark blue that never end.”

“It's nothing but a big stroke job in this country. The government strokes you every day of your life. Religion never stops stroking you. Big business gives you a good stroke. And it's one big, transcontinental, cross-country, red, white and blue stroke job... Do you know what the national emblem for this country ought to be? Forget that bald eagle. The national emblem of this country ought to be Uncle Sam standing naked at attention saluting, and seated on a chair next to him, the Statue of Liberty jerking him off. That would be a good symbol for the United Strokes of America.”

“The different colors [of water] again refer to the fact that those little jacks, if you want to call them jacks, those little pyramids, can be packed together in all different ways. And depending on how they're packed together.If you Google blue ice, as I did just while your caller was asking his question, you see some beautiful pictures of ice covering a lake.”

“A lot of people complain in the year 2003 that it's not the world of tomorrow as foreseen in the 1950s. 'Where are the flying cars?' people say. 'Where are the robots who bring us blue drinks and warn us of danger?' Alright. We don't have those things, specifically, folks, but you know what we do have? Laser vaginal rejuvenation surgery.”

“The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable.”

“I sometimes think that as singles it's easy to bind to this mentality that my future husband's going to ride up on a white horse, I'll know that he's the one, and we'll start our life together. That happens to people once in a blue moon. I have heard of that - never really dated anyone and then this person comes along - but it's not probable that that would happen.”

“The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutral palette. The 1950's introduced green, black and denim blue, the 1960's introduced orange and heavier more saturated color, the 1970's introduced more primaries, and the fashion palette became more recognizable as a contemporary one from there.”

“I met some brothers out from Canada recently who are real cool people. They make Spanish-language music called Cold Blue and I met then at a Lat-Rap conference and they seem like real good peoples from Central America... and that's what it is. It's just based on mutual respect. So when I meet people like that I'm like, "if y'all going to be real with me, I'm going to be real with y'all" and that's all it takes.”