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“Sometimes events that lead us bereft of anything but grief just happen for no reason other than happenstance--a car turns left instead of right, a train is missed, a call comes too late--and the real test of our humanness is whether, in light of that knowledge, we are ever able to recover. When we again find our way despite the inability to manufacture a deeper meaning in our suffering, that I think is when God smiles upon us, proud of the strength of his creation.”

“If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.”

“In giving our daughter life, her father and I had also given her death, something I hadn't realized until that new creature flailed her arms in what was now infinite space. We had given her disease and speeding cars and flying cornices: once out of the fortress that had been myself, she would never be safe again ... We disappoint our kids and they disappoint us, and sometimes they grow up into people we don't like very much. We go on loving, though what we love may be more memory than actuality. And until the day we die we fear the phone that rings in the middle of the night.”

“I can remember when I first got to los Angeles . I didn't have a car, I didn't have any money. I was walking the streets, you know, trying to get from place to place on foot almost. Sometimes, you know, you say, how am I ever going to get from here to there? There are a lot of people still having that dream and not being able to get there. So you never know. The idea is to keep on tap dancing, though.”

“I'm always on the road, and I drive rental cars. Sometimes I don't know what's going on with the car, and I'll drive for ten miles with the emergency brake on. That doesn't say a lot for me, but it doesn't say a lot for the emergency brake. What kind of emergency is this? I need to not stop now. It's not really an emergency brake, it's an emergency make-the-car-smell-funny lever.”

“People sometimes ask me if I would not give anything to be white, I answer, in the words of the song, most emphatically, 'No.' How do I know what I might be if I were a white man? I might be a sand-hog, burrowing away and losing my health for $8 a day. I might be a street-car conductor at $12 or $15 a week. There is many a white man less fortunate and less well equipped than I am. In fact, I have never been able to discover that there was anything disgraceful in being a colored man. But I have often found it inconvenient - in America.”

“The animators are fantastic though. They'll shoot their own reference material, and just go into the car park or something. And they might shoot a very funny scene, or sometimes a serious scene. But they're really just trying to work out the motion. Yet what we get treated to is hilarious video of someone running around a parking lot with a broomstick and a helmet!”

“I think people were a little nervous to work with me to start with, because the movies I've done they thought that I wouldn't be able to control myself at all. I'd have to blow up the cars or something like that, and I think also people are scared of working sometimes with feature directors, because they feel like you're not going to listen to their opinions.”

“We take fabulousness for granted sometimes. We forget what hard work it is. Indeed, when you consider the grueling hours your average celebrity puts in on the movie set and in the recording studio, when you think of them returning to their mansions so dead tired their drivers have to help them out of the car, well, it just makes you want to cry.”

“Sometimes people will bring up these odd things that I did a one-off from. Like, I did a 'Knight Rider,' and I'll get an E-mail from a 'Knight Rider' fan who says, 'Look what I did to my car!' And I don't know if you know about this, but there is a sub-cult of 'Knight Rider' fan who trick out their cars to look like KITT. I'm, like, 'Really? Isn't there anything else you can do? Do you make that much money? Because I have projects I'd like to get off the ground, so how about you don't make KITT and you give it to me?'”

“Of course, in Los Angeles, everything is based on driving, even the killings. In New York, most people don't have cars, so if you want to kill a person, you have to take the subway to their house. And sometimes on the way, the train is delayed and you get impatient, so you have to kill someone on the subway. That's why there are so many subway murders; no one has a car.”

“People who are homeless, they're not all addicts. A lot of times, they're just people who, through something like losing their job or losing someone in their life, ended up on the streets. So much of our time is spent in cars that sometimes you need to look out of those windows. And you see that a dollar, 50 cents, whatever you have, may not mean much to you, but it means everything to people who are hungry and who are in need.”

“I've heard Braggadocio about excess baggage charges, multiple unused hotel rooms, and rental cars held unused for long periods of time, which makes me lose respect for certain photographers. Sometimes it's worth it to spend money on a good idea, but wasting money makes me ill.”

“You know how sometimes you just have a memory of looking up and seeing a face looking over your crib and then remember nothing until tenth grade? - I have one of these early memories where I'm in the back of my parents' car, a place I loved to spend a lot of time as an only child, not having to fight with venomous siblings over the only toy.”

“I graduated high school in 1989, and there was no alternative rock radio, and there wasn't really good college radio you could get on a car stereo. Once you get a car at that age, you're spending all the time you can away from home, sometimes just driving around aimlessly. Listening, or not even listening, but subconsciously soaking up this classic rock barrage.”

“I haven't done it by myself at all. I've been surrounded by a really, really good crew of all ages. I think it's important to have a good age range in the crew so that some of us have experienced that period, or something close to that. But the script, of course, is really inspiring and you just have to trust that. Sometimes on film a glass can be as big as a car, so if the details are right, then they take up as much space on screen as the streets that we didn't have a chance to show as London really has changed since then.”

“Everyday though, I'm just looking for like- I always ask people, What are you listening to? What sounds are good to you? Alot of people are in their car, in the club or on the internet looking and I just don't do any of that. Usually if I'm out and about it's because I have something to do, because I'm like a really big home body. If I'm at home, im watching Nickelodeon cartoons so sometimes I'm out of the loop with the cool music, but for sure I'm predicting that J.Cole is going to be good.”

“Characters in Hollywood movies encounter a lot of car chases. Characters in novels rarely wash their hands or do their laundry. And in the work of moral psychologists, people deliberate and reflect a lot. They deliberate, one sometimes feels, whenever they perform an action, and certainly whenever they act for good reasons.”

“Father was a good driver and enjoyed driving, but the sight of a female in charge of a vehicle was sometimes too much for him. If a car came to close or made the smallest mistake with the rules of the road he shouted, "blasted woman driver", to which my mother was often able to say, with truth, "Funny thing, she's dressed as a man."”