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“For a decade Americans have been steeped in the rhetoric of "zero tolerance" and the faith that virtually all problems from drug addiction to lousy teaching can be solved by pouring on the punishment. Even without a Commander in Chief who pledges to rid the world of evildoers, smoke them out of their holes and the like, we would be vulnerable to the temptation to brush aside frustrating complexities and relieve intolerable fear (at least for the moment) by settling on one or more scapegoats to crush. To imagine that trauma casts out fantasy is a dangerous mistake.”

“Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.”

“If you feel sincerely sorry on account of your sins, and believe that Christ is able and willing to forgive you, the work is done. You may trust with all the confidence of a child who confesses his fault, and casts himself into his father's arms. This is faith; a simple trust in the power and willingness of the Father to forgive, for the sake of what Christ the Son has done.”

“Well, then, Lord Jesus! I will creep if I cannot walk; I will take hold of Thy word. When I stumble, Thou wilt support me; when I fall, Thou wilt hold out Thy cross, and help me with it to rise again, until at length I reach the place where Thou art, and with all my weaknesses and wants, cast myself into Thy bosom.”

“There is an opinion that parties in free countries are useful checks upon the administration of the government, and serve to keep alive the spirit of liberty. This, within certain limits, is probably true, and, in governments of a monarchical cast, patriotism may look with indulgence, if not with favor, upon the spirit of party. But in those of the popular character, in governments purely elective, it is a spirit not to be encouraged.”

“Human nature is full of riddles; . . . one of those riddles is: how is it that people who have been crushed by the sheer weight of slavery and cast to the bottom of the pit can nevertheless find strength in themselves to rise up and free themselves first in spirit and then in body while those who soar unhampered over the peaks of freedom suddenly lose the taste of freedom, lose the will to defend it, and, hopelessly confused and lost, almost begin to crave slavery?'”

“Love is the bridge that leads from the I sense to the We, and there is a paradox about personal love. Love of another individual opens a new relation between the personality and the world. The lover responds in a new way to nature and may even write poetry. Love is affirmation; it motivates the yes responses and the sense of wider communication. Love casts out fear, and in the security of this togetherness we find contentment, courage. We no longer fear the age-old haunting questions: "Who am I?" "Why am I?" "Where am I going?" - and having cast out fear, we can be honest and charitable.”

“In seasons of severe trial, the Christian has nothing on earth that he can trust to, and is therefore compelled to cast himself on God alone. When no human deliverance can avail, he must simply and entirely trust himself to the providence and care of God. Happy storm that wrecks a man on such a rock as this! O blessed hurricane that drives the soul to God--and God alone!”

“We are, in fact, hyper-dimentional objects of some sort which cast a shadow into matter, and the shadow in matter is the body. And at death, what happens basically, is that the shadow withdraws, or the thing which cast the shadow withdraws, and metabolism ceases, and matter which had been organized into a dissipative structure in a very localized area, sustaining itself against entropy by cycling material in and degrading it and expelling it, that whole phenomenon ceases, but the thing which ordered it is not affected by that.”

“Here when the labouring fish does at the foot arrive, And finds that by his strength but vainly he doth strive; His tail takes in his teeth, and bending like a bow, That's to the compass drawn, aloft himself doth throw: Then springing at his height, as doth a little wand, That, bended end to end, and flerted from the hand, Far off itself doth cast. so does the salmon vaut. And if at first he fail, his second sommersault He instantly assays and from his nimble ring, Still yarking never leaves, Until himself he fling Above the streamful top of the surrounded heap.”

“We who go a-fishing are a peculiar people. Like other men and women in many respects, we are like one another, and like no others, in other respects. We understand each other's thoughts by an intuition of which we know nothing. We cast our flies on many waters, where memories and fancies and facts rise, and we take them and show them to each other, and small or large, we are content with our catch.”

“False casting for practice is the best way to achieve the feel of the line in the air, but in actual fishing, false casts should be limited in number to absolute necessity. In the first place, the more false casts you make, the greater are the chances for the fish to see your arm waving, or the line in the air. And the greater are your chances to make a mistake in the cast and lose your timing. Most anglers, especially tyros, false cast too often. Three false casts should be sufficient for any throw and two is better. One is perfect.”

“As much as anything, the anglers will clue you in to the midge hatch. You will see them hunched over in concentration like herons. The better ones will be in as close as they can get to the dimpling trout. What you'll notice is the rythmic flicking of casts toward a porpoising trout and the lack of any other motions. The only exception will be the gentle tug that sets a very small hook attached to the leader by a very delicate tippet. The playing of the trout, if it is a good one, will be a cat-and-mouse sort of ecstacy.”

“Works of imagination excel by their allurement and delight; by their power of attracting and detaining the attention. That book is good in vain which the reader throws away. He only is the master who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.”

“The worship of the nation has been able to make men tolerate under its authority what they could never have tolerated from princes: a submission to rule, which, through sumptuary laws on food and drink, through conscription, through a cast-iron system of compulsory instruction for all on State ordered lines, and through a State examination at the gate of every profession, has almost killed the citizen's power to react upon that which controls him, and has almost destroyed that variety which is the mark of life.”

“Each character I play I approach differently and separately. I think Marigold is a simpler character for a sweet little movie, and I'm excited to be part of it. In terms of Heroes it's been such an amazing journey on that show. I love working on it and at this point I know I'm coming to Asia and some of the other cast are going to Europe for the world tour to release the DVD.”

“Jen came first, and then they wanted to cast somebody that would... Kevin liked the idea of having a kind of The Ghost of That Character kind of haunt the movie in a way throughout, by having Raquel look so much like her. And also, it was sort of serendipity. I mean, she was also the best actress. I mean, as you can see Raquel has a pretty appealing, engaging kind of precocious, sparkly quality that's... it was just luck really that she happened to the film.”

“I just rely on the text to speak for itself and then speak it as I believe it to interpret it, and then just know that the rules of the world that we're creating allow for things to come to life, and then just trust in the process of making a film. Hopefully we'll make a sequel, because if we do, we had such a great time as an ensemble, I think the best thing to do would be to just take the whole cast back. This is Iain's idea and I agree with it. Just reincarnate all the characters and put them back into the world. There's no rules. Why couldn't we do that?”

“It's an eclectic film and I think we served the novel really well. And we had a great cast who worked for free. Everyone read it and said, I'm in, from Nick [Nolte] to Albert [Finney] to Omar [Epps] to Barbara [Hershey]. We really had fun and shot it in a very short time. I think the subject matter is more topical today, more to the point, than it was 30 years ago, when it concerned the Vietnam War.”

“When I sent out a casual and nonscientific poll of my own to a wide cast of acquaintances, friends and colleagues, I was surprised, but not really, to learn that maybe 60 percent claimed a belief in a God of some sort, including people I would have bet were unregenerate skeptics. Others just shrugged. They don't think about this stuff. It doesn't matter to them. They can't know, they won't beat themselves up trying to know and for that matter they don't care if their kids believe or not.”

“Antiquity was often delighted to cast a halo of mythical glory around its illustrious names. The immortal works of this great philosopher seemed to entitle him to more than mortal honors. A legend into the authenticity of which we will abstain from inquiring, asserted that his mother, Perictione, a pure virgin, suffered an immaculate conception through the influence of Apollo. The god declared to Ariston, to whom she was about to be married, the parentage of the child.”

“I think the key that differentiates the good actors from the mediocre ones that are still trying to come up, is that the good ones know how to listen. It's like being in a jazz band. They know how to listen to what the other musicians are playing. And where to come in and where to sit out. That's my approach to being in an ensemble cast and working with any kind of actors in a scene.”

“You don't cast the animal, per se. You have an animal trainer who looks for several of them. That is a different experience than dealing with actors. That is just difficult. It is what you expect from an animal on the set. You just run a lot of film and prompt it to do the right thing, but sit through it doing all the wrong things first. It's just unbelievably boring, frustrating and painstaking to shoot.”