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“Many things have changed in our culture here in England as a direct result of the Pistols: the whole street-fashion thing in London, for example, or the coverage of popular culture in the national press, or the fact that the film industry is now about young people making films about young British issues.”

“The very word "change" has changed. When I was young--and not just because I was young--we looked forward with confident impatience to change. Planned, controlled, beneficent change would continue to clear slums, sweep up the remains of empire, raise living and educational standards, tidy away--firmly but kindly--the last aboriginals who still raved about martial glory or the pride of wealth. Now, as it seems to me, change is set almost exclusively in the minor key, change seen overwhelmingly as loss.”

“A big success can be very confusing if it comes too early in your life. When you are young, you are more vulnerable to vanity. I was 36 when I wrote The Shadow of the Wind and the success of it was very gradual. If you have this kind of success straight off, I think there is a danger you can become an idiot, because you don't have a perspective. It hasn't changed me a lot. I fly first class now. But those things don't change you. If I am pretentious, I was before, I haven't changed. The only thing is, I am less anxious now.”

“About what mainly constituted what you ask, it was something other. It was just a certain inclination to meet people. And as far as possible, to change something in the other, but also to let me be changed by him. At any event, I had no resistance, I put no resistance to it. I already began as a young man. I felt I have not the right to want to change another if I am not open to be changed by him as far as it is legitimate.”

“I felt hopeful for the future because Obama is here. But nothing has changed. It's time for young kids to get serious again and really think about what their four fathers were like. As African-Americans, we are resilient, we are some bad mf-ers, and we are survivors. So get those i-pods out of their ears and become heroes again like the Freedom Riders.”

“We were young. We were 23. I was a kid, growing up, that would burn and fry. I didn't understand why. We did all this study and research and learned so much about skin cells and rejuvenation and how the body works and (how) everybody is different. (We) learned what doctors do for treatment of certain things and so I changed my direction and opened up a skin-care company - healthy tanning, skin-care products and rejuvenation and all of that and it took off.”

“I want to tell everybody that you won't hear me trying to pop bottles in the club and all that kind of stuff. It's just not me and I think as long as you stay within your element and your age bracket, sure you're going a couple of young folks and teens, but that's not who I'm focused on. I'm really not. I love whoever supports, but I'm just not going to try and go back there because times have changed. If you don't move with the times, you'll get left off. I'm trying to change with the times.”

“If you make a film and then two and a half, three years later, suddenly the country's changed and you look like you just happened to hit it. I actually like being contrarian. I would have preferred to come out three years ago when everyone was disagreeing with me. But hopefully it asks a lot of questions about our responsibility in sending young men and women to war, especially a war that's so complex, where there's no right answer, where they're forced with impossible decisions every day.”

“There are other concerns in this state [of Mecklenburg-Western Pomerania], which is one of the prettiest. It's also one of the poorest, where people here are making less than the national average. Unemployment is higher than the national average, and a lot of the young people, especially, have left because there just aren't jobs and that sort of thing. So you have that going on, the feeling that that hasn't really changed in years or at least with their help - with the last state government.”

“I was very headstrong about wanting to keep my name when I moved to Los Angeles. But casting directors would call my managers and say I was perfect for the part, but my name wasn't marketable - I was a young guy, and had the old man name of Gary. I kept losing jobs because of the name not being marketable, so I changed it to Garrett.”

“In Cairo, these young men hanging around in the street, we're told these guys are lazy, they're uneducated, they don't care, they don't have any political instincts - just like the working class in America, apparently - and then suddenly what the hell happened? What was that? They changed the world by changing themselves. Now is that over? No. Is the civil rights movement over? No. These movements have not accomplished what they set out to accomplish.”

“We have long had emigration in Ireland. But the nature of emigration has changed. With ferries to Britain and the continent, as well as air travel, emigration isn't the cut­off it used to be. In addition, some of our young people are being educated to levels beyond our present capacity to provide the jobs they are qualified to do. So they go abroad. Many want to come back, especially when they have children they would want to be raised in the Irish society and in the Irish educational system.”

“Who knows what exactly changed Tom Cotton`s mind. I mean, maybe it was that woman who said her husband was dying and only alive thanks to the Affordable Care Act. Maybe it was the young woman on your right side of your screen who said that without the treatment she could only receive through the Affordable Care Act she herself would be dead.”

“The music business has changed so much. Collaborations are all over the Internet. The young people are keeping the old school alive. A lot of them run out of ideas so they grab these songs that we've had out for 50 years and bringing them back and making people rich again. That's a nice thing. A lot of artists don't have incomes after a certain time in their life because nobody's is buying the songs. This revival of their music has taken a lot of writers out of the poor house.”