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Color Quotes

“You know, you have to do homework. You listen to who they are, what they do. I also compare it to designing clothes for people. If somebody brings in Tilda Swinton, you're not going to give her the same dress you'd give Gabourey Sidibe. Everybody looks different in a different line, a different color. The same thing with the way people speak.”

“There still aren't enough[ roles for women of color]. And I'd say that's the case, not only for African-American women, but for all women in the Hollywood game. It's just slim pickings, and a very challenging time for us. I think that's why more of us need to work our way behind the camera in order to create roles that really illuminate who women are. We still have room for growth in that area, without a doubt.”

“When I came to Delhi first and said, "This is not India. And then I was taken to Varanasi and there I loved, loved the culture. It was a beautiful journey. The way the people dressed - even the poorest people, and the fabrics! With vegetable dyes, and I was fascinated by the color. But in the end I loved the men - all in white - so many shades of white. And I said, "What am I going to do? A color collection or a white collection?" I finally did a neutral white collection.”

“For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.”

“People have assumed that I have to run the ball before I can throw it most all of my career, all the way back before high school. It's a stereotype put on me for a long time because I'm African-American and I'm a dual-threat quarterback. I don't know why that stereotype is still around. It's about talent and the ability to throw the ball, not the color of your skin or your ability to also be a dangerous runner.”

“The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.”

“There's a long-term tradition of white supremacy in this country. [Donald] Trump isn't something entirely new. But then there is the crisis for white supremacy in this country now where you have people of color standing up for themselves in ways that they've never stood up for themselves or at least standing up for themselves in a generational, novel way.”

“Here's an easy one: "Race is an entirely social construct." No, it's partially one, depending on how any given society seeks to define it and its implications. But there are basic things such as skin color and hair texture. Even a Martian who'd had no exposure to human "social constructs" would be able to spot those differences. But no Martian, as hard as he tried, could point at a "culture" or to "equality." Those are the social constructs. Those can't be measured in the same way as human DNA.”

“I was going through a time where I was like man I wanted all of my clothes to be totally understated and I would do pop color with hats from a line called Ale et Ange out of New york City. They created all these hats and I just thought they were super fresh and the only way that I could really get them across...I was just like, 'Let me make everything mute and just put on the hat.'”

“If I had to choose between the two ways of approaching the deity, I should prefer the existential relational way, to the abstract philosophical way. I think it is truer, or in any case, less misleading, to say that God is an old Jew with a white beard whom I love, than to say that God is the ground of being and meaning, or to say that God is a name denoting the ultimate mystery. I prefer the bold primitive colors of the Biblical way of describing God.”

“I think we're starved for a life of the senses. We're in the garage, we're in the car, we drive to work, we're in a windowless cubicle that's gray and beige. In a way, it's funny that we consider ourselves an advanced culture, because people who live in so-called primitive environments still enjoy the richness of the smells, colors, and sounds of our world. We all crave that.”

“It's how you tell the story that makes it new. That's what artists do. They let us look at the world from a different perspective. They let us look at birds in a way that makes us never see birds again in the same way. That's why I don't think computers are healthy for kids. They're too literal. You pop a button and a bluebird comes out. You pop another button and you can take the color blue and shove it into the outline of the bluebird.”

“Back when I played, basketball was all about fundamentals, about hustling, getting those loose balls, all those rebounds under the basket. That equals up to 12, 14, 16 points. You can lose a game with that much. It's different watching basketball now. People don't play the same way. It doesn't matter if you score, if you can't stop the other team from scoring. Our coach used to kick our ass if we didn't. I was told if you saw more of the other team color under the basket than your own team color, you ain't doing your job. Everybody should be under the board, trying to get that ball.”

“The people that say diversity is the reason for the greatness are purposely assaulting the United States as founded. They want you to believe that America was only great for a few people as founded, because, as founded, America was gigantically discriminating against the poor and against people of color and against transgenders. Yeah, I've read the Federalist Papers, you know. James Madison, he wasn't popular with the transgender group back then. Did you know that? You won't find the word. It was not a factor, the way they have attempted to modernize things here today. It's just lies.”

“It's untrue to say the colors I use are not those of reality. They are real: The red I use is red; the green, green; blue, blue; and yellow, yellow. It's a matter of arranging them differently from the way I find them, but they are always real colors. So it's not true that when I tint a road or a wall, they become unreal. They stay real, though colored differently for my scene.”

“I definitely feel like it took me a while to learn the baseline things you have to do if you want people to hear you. That's why I've had the same haircut for the entire time that I've been on television and that's why I wear literally the same jacket every day. I keep all the clothes I wear on TV in my office on a little hanging rack. My girlfriend calls it all the colors of the German rainbow. Grays, blacks, a slightly greenish gray for the days that I'm feeling particularly festive. I'm not trying to accomplish anything in the way I look other than to be boring enough for people to hear me.”

“The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.”