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Complexes Quotes

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Complexes Quotes

“Art should take what is complex and render it simply. It takes a lot of skill, human understanding, stamina, courage, energy, and heart to do that.”

“The area between the nose and the chin, the subject of kissing and the vehicle for speech, is perhaps even more known and set upon than the eyes. The mouth is also riddled with a complex interweaving of folds, curves, flats and lost-and-found edges. These nuances are needed by a perceptive person who might try to understand human nature.”

“When you first start off trying to solve a problem, the first solutions you come up with are very complex, and most people stop there. But if you keep going, and live with the problem and peel more layers of the onion off, you can often times arrive at some very elegant and simple solutions.”

“That's been one of my mantras - focus and simplicity. Simple can be harder than complex.”

“Simple can be harder than complex. You have to work hard to get your thinking clean to make it simple.”

“Intelligence is: (a) the most complex phenomenon in the Universe; or (b) a profoundly simple process. The answer, of course, is (c) both of the above. It's another one of those great dualities that make life interesting.”

“The ecology of the valley was complex beyond our understanding, and it began to die as we went on manipulating it in ever more frantic ways. As it went dead and empty of the old life it became a place where no one wanted to live. In our right minds we want to seek out places that reek of complexity. Our drive to industrialize soured and undercut the intimacies that drew most people to country life in the first place.”

“Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.”

“The text moves like a small crustacean with compound eye and complex nervous system; throbbing, involuted, it becomes a parasite on a different body, animal, using ‘filiform protrusions through which it sucks the vital juices of its host.’ Parasite or creature in mutation on the shore, torrid / delirium: mordant mortality, systematic competition the narrator against the I, leaking gas, a lapse of memory against a promise, an inset in a book. A muscular, involuntary bulging in the breast, circling all its inner surface: mesoblast: visceral.”

“Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space. I know of no sculpture, painting or music that exceeds the compelling spiritual command of the soaring shape of granite cliff and dome, of patina of light on rock and forest, and of the thunder and whispering of the falling, flowing waters. At first the colossal aspect may dominate; then we perceive and respond to the delicate and persuasive complex of nature.”

“The book itself is a curious artifact, not showy in its technology but complex and extremely efficient: a really neat little device, compact, often very pleasant to look at and handle, that can last decades, even centuries. It doesn't have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable.”

“Many writers claim that nearly all crime is caused by economic conditions, or in other words that poverty is practically the whole cause of crime. Endless statistics have been gathered on this subject which seem to show conclusively that property crimes are largely the result of the unequal distribution of wealth. But crime of any class cannot be safely ascribed to a single cause. Life is too complex, heredity is too variant and imperfect, too many separate things contribute to human behavior, to make it possible to trace all actions to a single cause.”

“No revolution can ever succeed as a factor of liberation unless the MEANS used to further it be identical in spirit and tendency with the PURPOSES to be achieved. Revolution is the negation of the existing, a violent protest against man's inhumanity to man with all the thousand and one slaveries it involves. It is the destroyer of dominant values upon which a complex system of injustice, oppression, and wrong has been built up by ignorance and brutality. It is the herald of NEW VALUES, ushering in a transformation of the basic relations of man to man, and of man to society.”

“What I have always found most beautiful in the theatre, in my childhood, and still today, is lustre--a beautiful object, luminous, crystalline, complex, circular, symmetrical. However, I do not absolutely deny the value of dramatic literature. Only, I should like the actors to be mounted on high pattens, to wear masks more expressive than the human face, and to speak through megaphones.”

“The thing that you learn in directing is that when you're on the floor, no matter how complex the shooting is...you have to remain absolutely sensitive to every nuance of the behavior of the people around you. Because, ultimately, if you don't keep in mind the overall humanity, then the machine takes over and suddenly all you have are technically fine shots, technically good performances. The story's being told, but something's lacking, something mysterious, indefinable.”