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Crazy Quotes

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Crazy Quotes

“In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.”

“I read the script and I really liked it. It was high energy, crazy and it goes to any level to get people nuts and I thought Eve was an interesting character. At first I didn't get her, so it made me want to do the role because I wanted to dive in and see what she was about. On top of that I also wanted to work with Jason Statham because he's an amazing actor.”

“I've always wanted my work to be more available. I had this vision when I was younger of wanting to replace all of the bad jewelry in mom and pop jewelry stores with good designs. [I wanted to offer] a range of crazy, experimental one-of-a-kind pieces that would have integrity and be made of great construction as well as interesting engineering.”

“In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.”

“You could feel the place going crazy because we hadn't been on stage together for maybe 35 years and the audience could just feel us in the darkness come on and they went nuts. It made the little hairs stand up on the back of my neck and we sang Sit on My Face, which I thought was wonderfully appropriate for George's memorial, and then we bowed and we showed our bare asses.”

“I ended up meeting this guy Stefan Simchowitz, who produced Requiem for a Dream and also went to AFI. I randomly met him in Cannes. By September of 2000, we had made a deal with this company that he was working with. They merged with us and in January of 2001, we opened WireImage. It was pretty crazy because I only started shooting celebrity stuff in 1998 - literally two and a half years later, I'm opening this company.”

“Why shouldn't you think it's crazy to believe in a green deer? All your life you have been taught to believe in only what you can use-to set on the table, to put in the bank, to build a house with. What possible use would a green deer be to anyone? Who would believe in a man with a blazing bush in his cart? Then let me tell you that it is beliefs just such as these that are the only hope of the world. Let me tell you that until men are ready to believe in the green deer and the strange carter, we shall not lift our noses above the bloody mess we have made of our living.”

“I'm not saying that I'm the grand genius that came in on a float and made it happen, but they liked my pitch. I was on my way to a camping trip with my daughter when my agent called and said, "This thing came up and it's really wild and crazy, do you want to read it?" And, I said, "Yeah, why don't you just send it to me? But, I'm going on this camping trip, so I probably won't be able to read it until I get back."”

“Then the Lord said, "This is the year of crazy, substantial hope." Then I saw many sitting around the Table of the Lord whom He was about to address. There was such communion, love, and honor. Then the Lord took His place at the Table. I was overwhelmed with the presence of the Lord. He was so alive. He was so much fun. But He made it very clear that this year the Body of Christ was being evaluated in their hope.”

“Marco [Rubio] made reference earlier to the litigation against Trump University. It's fraud case. I want you think about if this man is the nominee, having the Republican nominee on the stand in court being cross examined about whether he committed fraud. You don't think the mainstream media will go crazy on that?”

“The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.”

“"Dollhouse" was really insane. We shot it at this top house studio in Brookyln. It was really cool. I designed a mini dollhouse that we used. I made it all by hand and decorated each room, and we based the actual set off of that. The Dollhouse was just plain wood and I put roofing on it and everything. I got real carpet for it. It was crazy. It was definitely an interesting experience. It was the first music video I've ever made. It was definitely stressful but awesome. Everybody was really amazing on set; we just had a blast doing it.”

“Even though the press at times made me completely crazy as they followed me around the hall, and asked tough questions over and over again - now believe me, every politician feels this way - it is a necessary part of our life, and we must have a press that isn't cowed and won't be afraid of ratings if they get put to the back of the room at a press conference.”