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Drugs Quotes

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Drugs Quotes

“The impact of obstetric drugs on the human race cannot be overemphasised. Globally, 500,000 deaths result from illegal drug use, and over 70 percent of these deaths are opioid-related. In 2018, some 58 million people around the world were known to use illegal opioids; the unknown number would be significantly higher. Between 2010 and 2018, the number of fatal opioid overdoses in America increased by 120 percent. Fentanyl and other drugs used in an obstetric context were involved in two-thirds of these deaths; in 2018, there were over 31,335 deaths involving fentanyl and other synthetic narcotics alone.”

“The relationship between obstetric drugs and sometimes ultimately fatal intoxication in adulthood is not accidental. Through amniotic fluid, the foetus develops a taste for the foods his mother prefers; this transmission is thought to assist the transition to nursing and, after weaning, to solids. The same transmission of preference applies to substances, meaning that a pregnant woman who drinks or uses drugs passes the preference to her foetus. Logically, this principle applies to the placental transference of obstetric drugs.”

“Given that observable neurobehavioural characteristics in adulthood are determined in part by GABA-A receptors in early life, and the impact of GABA-acting drugs during pregnancy – in particular, on the construction of the brain – have been said to lead to ‘a cascade of pathogenic consequences’, it’s clear that the long-term effects of phenobarbital regularly administered during infancy would be severe.”

“One thing consumed drugs all have in common, is our initial natural aversion toward them. The first mouthful of alcohol we drink is generally followed by an involuntary grimace. The first puff on a chemical-laden cigarette is followed often by a cough and splutter as the body tries to repel the alien pollution thrust upon it. Our first coffee and tea are generally also greeted somewhat similarly. Of course, it is frequently the case that despite these initial reactions, we push on past them until addiction is formed. Cooked food, although noticeably less recognised as addictive, evokes no less an initial reaction. Think of all those babies whose faces screw up in displeasure vainly attempting rejection of the denatured slop thrust upon them, and the hours spent crying from stomach pains. By the time they are advanced enough to linguistically voice their lack of desire for such foods, they are, alas, already well hooked.”

“99% of all addicts are liars and thieves. This might sound unfair and even close-minded, but it's the truth. There are some exceptions to the rules, but they are incredibly rare. Most people are no match for their addictions. They will be driven to do things they would normally never have considered all in the name of getting high. Sad, but true. So if you're thinking of trying drugs, keep in mind that all the people you will be dealing with are likely to steal from you and lie to you at your own expense.”

“This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.”

“Bear in mind that since medications do not fix anything, they allow the underlying problem to continue uncorrected and actually accelerate. Meanwhile, new symptoms and new seemingly unrelated diseases are the inevitable consequence of this biochemical faux pas. Furthermore, drug side effects are the leading cause of death. NSAIDs as an example of only one group of medications, are fatally toxic to thousands of people each year by damaging joints, lungs, kidneys, eyes, hearts, and intestines. And they are covered by insurance. You and your doctor have been screwed into believing every symptom is a deficiency of some drug or surgery. You've been led to believe you have no control, when in truth you're the one who must take control. Unfortunately, the modus operandi in medicine is to find a drug to turn off the damaged part that is producing symptoms.”

“It is ironic-rouse the limpest adjective-that a government as spontaneously tyrannous and callous as ours should, over the years, have come yo care so much about our health as it endlessly tests and retests commercial drugs available in other lands while arresting those who take "hard" drugs on the potential ground that they are bad for the user's health. One is touched by their concern- touched and dubious. After all, these same compassionate guardians of our well-being have sternly, year in and year out, refused to allow us to have what every other First World country simply takes for granted, a national health service.”

“Lengo kuu la Kolonia Santita kuuza madawa hayo ni kuwafadhili askari wa msituni wa Kolombia (magorila wa vyama visivyokuwa rasmi vya kisiasa au vyama haramu vya kisiasa) kushika hatamu za uongozi wa Kolombia, kwa makubaliano ya Kolonia Santita kutawala biashara ya kokeini ya taifa hilo la Amerika ya Kusini. WODEA lazima ilizuie Shirika la Madawa ya Kulevya la Kolonia Santita kuuza madawa hayo kwa gharama yoyote ile, pesa au damu, kutetea afya na amani ya dunia.”

“My arm reaches up. I don't know if I'm reaching for the pipe or for him. I want to touch his skin. I want to breathe in what he breathes. The yellow swirl. I want to be the yellow swirl. I want him to breathe me in, be sent riding on oxygen molecules deep into lungs. I want to travel through his body, seeing what makes him happy, attaching myself to whatever place in him sparks to life on my arrival. His blood. His tissues. His muscles. I want to burrow inside the folds like a wind-blown dusting of snow so that each time I melt away, he seeks me out again. There's no delineation between the pipe and the smoke and his body. It's all whole, I want in. I want him. 'Please,' I say softly, 'let me try.' Without letting go of the pipe, he swings his hand holding the lighter with incredible force, backhanding my face. My jaw pops. The lighter swings back under the pipe undulating back and forth, inhaling the curl as it rises from the tar, exactly the same as before he hit me, only now he's staring at me, hating me.”

“The mirthroot wrapped soft, sweet arms around his mind and dragged him into its shimmering pool. Ruhn let himself drown in it, too mellow to do anything but let the music wash over him, his body sinking into the mattress, until he was falling through shadows and starlight. The strings of the song hovered overhead, golden threads that glittered with sound. Was he still moving his body? His eyelids were too heavy to lift to check.”

“In the grief that comes with recognizing what happened to us, we often feel there is nowhere to turn for solace…We do things to keep it away, such as becoming overly busy or using drugs or alcohol to numb our feelings. When we are caught up in resistance, we do not feel hope, but when we surrender to our sadness fully, hope trickles in.”

“Sitting on the train I watch the scenery speeding by, notice a cobweb in the top corner of the window, undulating with a gentle breeze I can’t feel. I lean back in my seat and take my book out of the carrier bag. Turning it over in my hand, it feels warm. It feels how I want to feel; full of knowledge, full of the future. The time I’ve spent staying in bed smoking dope I’ve been hibernating, recuperating and gaining strength. I’m weak socially, but being away from other drug users has made me resilient. It’s allowed my mind and body to heal and mend. As if the winter is over, I’ve come out stronger now. I’m on my own. I have the choice of what to do with my life. I’m going to stay clean. I’m going to be the woman I can be.”

“She once told me of a night that fumed with escapes and was filled with bedsides reeking of ecstasy; she told me the stars cast not judgments, but blessings, knowing full well the disastrous outcomes of the deeds they cradled with the strings of their young hearts. She’d inhaled the night itself, those around her doing the same, and so all become one. No disharmony. No discordance. Nothing to shatter the cause; nothing to unearth the beauty. So as we together ascended that front porch, allowing the glow behind the blown-out windows and the odious steams plunder us from through the cracks...time forgot to distill us, and our steps became as silver as glass. I could no longer deny the boiling words of my blood: tonight would be the beginning of a very long road indeed.”

“এইখানে এইখানে সমুদ্র ঢুকে যায় নদীতে নক্ষত্র মেশে রৌদ্রে এইখানে ট্রামের ঘন্টীতে বাজে চলা ও থামার নির্দেশ এইখানে দাঁড়িয়ে চার্মিনার ঠোঁটে আমি রক্তের হিম ও ঊষ্ণতা ছুঁয়ে উঠে আসা কবিতার রহস্যময় পদধ্বনি শুনি-শুনি কবিতার পাশে আত্মার খিস্তি ও চীৎকার এইখানে অস্পষ্ট কু-আশার চাঁদ এইখানে ঝরে পড়ে গনিকার ঋতুস্রাবে এইখানে ৩২৩ খ্রীষ্টপূর্বাব্দের কোন গ্রীকবীর রমন বা ধর্ষণের সাধ ভুলে ইতিহাসে গেঁথে দ্যায় শৌর্য ও বীর্য এইখানে বিষ্ণুপ্রিয়ার শরীরের নরম স্বাদ ভুলে একটি মানবী থেকে মানবজাতির দিকে চলে যায় চৈতন্যের উর্ধ্ববাহু প্রেম-সর্বোপরি ইতিহাস ধর্মচেতনার ওপর জেগে থাকে মানুষের উত্থিত পুরুষাঙ্গ এইখানে এইখানে কবর থেকে উঠে আসা অতৃপ্ত প্রেমিকের কামদগ্ধ কয়েকলক্ষ উপহাসের মুখোমুখি বেড়ে ওঠে আমার উচ্চাশা এইখানে প্রকৃত প্রশ্নিল চোখে চোখ পড়লে কুঁকড়ে যায় আমার হৃদপিণ্ড এইখানে এইখানে সশ্রদ্ধ দৃষ্টির আড়ালে যাবার জন্য পা বাড়াতে হয় আমি নারী মুখ দ্যাখার ইচ্ছায় মাইলের পর মাইল হেঁটে দেখি শুধু মাগীদের ভিড় সাতাশ বছর-একা একা সাতাশ বছর বেক্তিগত বিছানায় শুয়ে দেখি মেধাহীন ভবিষ্যৎ জরাগ্রস্ত স্নায়ুমণ্ডলীর পাশে কবিদের কবির কবিতা চারিধারে ঢিবি দেওয়ালের নীরেট নিঃশক্ত অন্ধকার।”

“They will let you have dope Because they are quite willing To drug you or kill you. They will let you have babies Because they are quite willing To pauperize you-- Or use your kids as labor boys For army, air force, or uranium mine. They will let you have alcohol To make you sodden and drunk And foolish. They will gleefully let you Kill your damn self any way you choose With liquor, drugs, or whatever.”

“I know that my grandmother certainly did nothing to warrant my mother stealing all of her jewelry that my grandfather had given her as gifts over the years, just so she could peddle it for heroin on the street. Those were precious metals and gems that could never be replaced, and each one had a story behind it. A love story between my grandparents, that my mother flushed down a proverbial toilet so that she could shoot up, throw up and pass out.”