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Furniture Quotes

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Furniture Quotes

“Trees are very good friends. Firm friends. My five year olds tree could be relied upon to be there next day, uncritical and protective. And think of trees contribution to our lives. They provide boats, buildings, paper, furniture and, for clog-wearers, footwear. As well as contributing toothpicks and chopsticks they give little birdies somewhere comfy to sit. Best of all, they help produce breathable air and lock up that naughty carbon. Why is why I am talking to the Greens about giving trees the vote.”

“Think of your husband as a house. You are allowed to give him a fresh coat of paint and change out the furniture now and then. But if you're constantly trying to pour a new foundation or replace the roof, you're in serious trouble.”

“I explain to everyone I deal with-co-workers, children, friends-that I'm transitionally challenged and they should call me on my cell phone if I'm even a few minutes late. Such calls often come in when I'm happily writing or rearranging the furniture. The monochrones in my life are so organized, they have no trouble remembering to remind me to show up.”

“...If our houses, or clothes, our household furniture and utensils are not works of art, they are either wretched makeshifts, or, what is worse, degrading shams of better things.”

“Directing is a reactionary job more than a creation job. The job is to react whether it's moment one, the first time you read the script or see an article or read a book or notice something happen on the street and have an idea for a movie, and it just continues from there on in. You're just reacting to dialogue, a performance, an audition, a headache, a piece of furniture, a piece of clothing.”

“Deep practice feels a bit like exploring a dark and unfamiliar room. You start slowly, you bump into furniture, stop, think, and start again. Slowly, and a little painfully, you explore the space over and over, attending to errors, extending your reach into the room a bit farther each time, building a mental map until you can move through it quickly and intuitively.”

“When I was creative director [at Estée Lauder], I was always being asked about my beauty must-haves. From there I had this fun idea to create a line of what was in my makeup bag. But I also love accessories, and people associate me with home, family, and beauty. As a girl, my favorite toy was my dollhouse; if I could still play with it now, I would! I used to love a well-arranged room: the furniture, the fabric, the lighting.”

“The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.”

“In my experience, Cupid's arrows rarely strike two people with the same definition of cleanliness. One partner usually feels like he or she is being asked to live in a furniture exhibit in the British Museum. The other partner remains convinced that he or she is forced to contend with the human version of Hurricane Gilbert.”

“Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.”

“Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.”

“O, that we who declare war against wars, and acknowledge our trust to be in God only, may walk in the light, and therein examine our foundation and motives in holding onto money! May we look upon our estates, our treasures, the furniture of our houses, and our garments, and try whether the seeds of war have nourishment in these, our possessions.”

“The artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist (our friends being friends only in the light of an agreeable folly which travels with us through life and to which we readily accommodate ourselves, but which at the bottom of our hearts we know to be no more reasonable than the delusion of the man who talks to the furniture because he believes that it is alive.).”

“My dad also survived five divorces, and the women he married cleaned his ass out every time. I used to think my dad got divorced because he wanted new furniture. At one point in my life, all we had left was a wooden box, a 12 black-and-white TV, and a four-man rubber raft for a couch. And yet, I was the coolest kid in third grade. Mom, can we have a sleepover in Christopher Titus' house? They have a raft in the living room! We can row to breakfast in the morning. I can actually be Captain Crunch!”