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Happenings Quotes

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Happenings Quotes

“Well, it might have been if I'd had success earlier in life, but having success that much later meant I was far more grounded when it came. The last few years of my life have just been surreal and after a lifetime of disappointment and heartache and rejection, I still don't believe this is all actually happening. I'm extremely grateful for my success - I just never expect it to last and my motto, if I have one, is just put your head down and do the job.”

“It's the difference between hunting a lion and hunting a deer. If someone hunts a lion, it's like: "Wow, they're brave!" But if they're hunting a deer it's like: "That poor deer!" I know that. I know that guys getting killed is horrible but people have seen it before. You've seen The Evil Dead. With girls, it's like: "I don't want to see that happening..." I know that.”

“I used to watch a lot of documentaries about Satanic possession - and I don't know if this is racist or not - but in the documentaries, it never happened to Americans! It was always happening in Central America or South America; that's where the priest was always going down to exorcise possessed people. So I didn't have a lot of fear of being possessed by the devil.”

“We've already seen shifts happening in some of the big companies - Google, Apple - that now understand how vulnerable their customer data is, and that if it's vulnerable, then their business is, too, and so you see a beefing up of encryption technologies. At the same time, no programs have been dismantled at the governmental level, despite international pressure.”

“I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.”

“How would you like your child in kindergarten through 12th grade attending classes with kids who can't read, write, speak or understand English -- or American education values? Furthermore, how would you feel if those students felt zero investment in education, in English and the American way? How would you like your child's education dumbed down to that of a classroom from the Third World? Guess what? Today, if you're a parent of a child in thousands of classrooms across America, that's what's happening to your children with your tax dollars.”

“I think there is a risk that the Holocaust will be placed under a glass bubble just like the Napoleonic Wars or the Thirty Years' War. If you don't make the connection between memories of past atrocities and the present, there isn't any point to it. There are plenty of horrible things happening today in Germany and in the rest of the world.”

“We know there are states, like Alaska, where there are not a lot of providers. How do we work on issues like that? How do we work on making sure that the small-business part of this works better?... And if people have [alternate] plans, let's compare them and see. Access, affordability, and quality - that's what this is about. [But] "repeal" is a symbol of something that I don't think is connected to the substance of what's happening. Do you want to take away care from people who have preexisting conditions? [Repeal] takes you backward.”

“Raindrops are beating, a large puddle is forming, there on the balcony. It all floats in Emptiness, in purest Transparency, with no one here to watch it. If there is an I, it is all that is arising, right now and right now and right now. My lungs are the sky; those mountains are my teeth; the clouds are my skin; the thunder is my heart beating time to the timeless; the rain itself, the tears of our collective estate, here where nothing is really happening.”

“I talk to groups studying the most advanced spiritual teachings and sometimes these people wonder why nothing is happening in their lives. Their motive is the attainment of inner peace for themselves - which of course is a selfish motive. You will not find it with this motive. The motive, if you are to find inner peace, must be an outgoing motive. Service, of course, service. Giving, not getting. Your motive must be good if your work is to have good effect. The secret of life is being of service.”

“A profound transformation is happening here. The framers of our nation never envisioned these huge media giants; never imagined what could happen if big government, big publishing and big broadcasters ever saw eye-to-eye in putting the public's need for news second to their own interests. I approach the end of my own long run believing more strongly than ever that the quality of journalism and the quality of democracy are inextricably joined ... .”

“Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.”

“The violence you witness is Denzel doing it and we're taking some visual effects and doing some things and you see something happen it's happening in front of you as opposed to cutting away and doing a bunch of tricks. It's in front of you. So it's hard not to make it a hard "R" if you see a guy get punched and teeth wind up in someone's knuckles.”

“I'm the most experienced cinematographer in this medium, so there's no point in having that extra conversation in the middle of the loop. You're making the film in relation to what's happening now, and you can't really affect what's happening now. It's not like you're in control of anything in front of the camera. If you're calling yourself the director and you're not the cinematographer, I think you're kidding yourself.”

“We need the political will, and that often comes from the will of the people. So if celebrities or personalities can help to educate the people - not influence them, not tell them (what to do) - just tell them the truth about what's happening and let them form their own opinion, that will strengthen them and they will push their politicians.”

“One of the tricks is to have the exposition conveyed in a scene of conflict, so that a character is forced to say things you want the audience to know - as, for example, if he is defending himself against somebody's attack, his words of defense seem Justified even though his words are actually expository words. Something appears to be happening, so the audience believes it is witnessing a scene (which it is), not listening to expository speeches. Humor is another way of getting exposition across.”

“Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."”

“My favorite thing to do is action-driven, emotionally-charged scenes. If it's not just two people talking in a room, but it's on the move and things are happening and it's chaotic, and emotion comes from the characters and from the action, and the fall-out ultimately changes the character relationships, that exactly the kind of stuff I like writing.”

“We had some ups and downs, creatively, as the season went on, which is true of any show. If you compound that by the production that we go through, in terms of original songwriting and recordings, and all that is happening simultaneously, where we didn't do as good a job, as I hope we do this year, is the arcing of the storylines and the consistency of going in one direction with a character, and continuing in a really interesting way with that arc.”