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Life And Death Quotes

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Life And Death Quotes

“Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. Remember me when no more day by day You tell me of our future that you planned: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad.”

“I'm finding it difficult to keep my head above water in this chaos! I sense that I have moved beyond this reality. Oh yes! In the tumultuous journey of presence, we discover ourselves simultaneously lost and found, wandering through the shadows of our self-imposed turmoil and hell.”

“The place of horror turns out to be no more than a green scoop, sometimes shadowed, sometimes shining with the bilberries and grass within it, as if a mouth had opened from which streamed a beam of light. So my uncle Robert's death, which had looked from a distance to be an all-consuming tragedy was, close-up, the story of a man finding release from his pain and how his brother had showed such defiant love. The past was a grave, a trap - and yet, also neither of these. Just light, coming and going. At the wolf pit you imagine you will stare into a hole littered with bones, but what draws you to that place is not what you take from it. The wolf pit seems a delicate illusion. You walk towards it; there is nothing, just a curve of the moor; then it is a soft green light, and then it is nothing again.”

“My dearest friend Abigail, These probably could be the last words I write to you and I may not live long enough to see your response but I truly have lived long enough to live forever in the hearts of my friends. I thought a lot about what I should write to you. I thought of giving you blessings and wishes for things of great value to happen to you in future; I thought of appreciating you for being the way you are; I thought to give sweet and lovely compliments for everything about you; I thought to write something in praise of your poems and prose; and I thought of extending my gratitude for being one of the very few sincerest friends I have ever had. But that is what all friends do and they only qualify to remain as a part of the bunch of our loosely connected memories and that's not what I can choose to be, I cannot choose to be lost somewhere in your memories. So I thought of something through which I hope you will remember me for a very long time. I decided to share some part of my story, of what led me here, the part we both have had in common. A past, which changed us and our perception of the world. A past, which shaped our future into an unknown yet exciting opportunity to revisit the lost thoughts and to break free from the libido of our lost dreams. A past, which questioned our whole past. My dear, when the moment of my past struck me, in its highest demonised form, I felt dead, like a dead-man walking in flesh without a soul, who had no reason to live any more. I no longer saw any meaning of life but then I saw no reason to die as well. I travelled to far away lands, running away from friends, family and everyone else and I confined myself to my thoughts, to my feelings and to myself. Hours, days, weeks and months passed and I waited for a moment of magic to happen, a turn of destiny, but nothing happened, nothing ever happens. I waited and I counted each moment of it, thinking about every moment of my life, the good and the bad ones. I then saw how powerful yet weak, bright yet dark, beautiful yet ugly, joyous yet grievous; is a one single moment. One moment makes the difference. Just a one moment. Such appears to be the extreme and undisputed power of a single moment. We live in a world of appearance, Abigail, where the reality lies beyond the appearances, and this is also only what appears to be such powerful when in actuality it is not. I realised that the power of the moment is not in the moment itself. The power, actually, is in us. Every single one of us has the power to make and shape our own moments. It is us who by feeling joyful, celebrate for a moment of success; and it is also us who by feeling saddened, cry and mourn over our losses. I, with all my heart and mind, now embrace this power which lies within us. I wish life offers you more time to make use of this power. Remember, we are our own griefs, my dear, we are our own happinesses and we are our own remedies. Take care! Love, Francis. Title: Letter to Abigail Scene: "Death-bed" Chapter: The Road To Awe”

“Life is a dream. We wake up when we die”

“. . . to my surprise I began to know what The Language was about, not just the part we were singing now but the whole poem. It began with the praise and joy in all creation, copying the voice of the wind and the sea. It described sun and moon, stars and clouds, birth and death, winter and spring, the essence of fish, bird, animal, and man. It spoke in what seemed to be the language of each creature. . . . It spoke of well, spring, and stream, of the seed that comes from the loins of a male creature and of the embryo that grows in the womb of the female. It pictured the dry seed deep in the dark earth, feeling the rain and the warmth seeping down to it. It sang of the green shoot and of the tawny heads of harvest grain standing out in the field under the great moon. It described the chrysalis that turns into a golden butterfly, the eggs that break to let out the fluffy bird life within, the birth pangs of woman and of beast. It went on to speak of the dark ferocity of the creatures that pounce upon their prey and plunge their teeth into it--it spoke in the muffled voice of bear and wolf--it sang the song of the great hawks and eagles and owls until their wild faces seemed to be staring into mine, and I knew myself as wild as they. It sang the minor chords of pain and sickness, of injury and old age; for a few moments I felt I was an old woman with age heavy upon me.”

“I always knew the mountains would take something from me one day. I wrote about their fine lines, their graves, and their shades. Then, one day, I looked up upon the gray— it takes everything and then nothing, even if you offer them everything. You can’t survive it, you live with it— in small pieces, small steps, small moments. All along, it takes you, survives you— you’ll never understand it.”

“She sucked up her tears and sniffled one last time. She wasn’t really ready, but she knew she had to be. She wiped her cheeks dry and summoned up all the courage she could muster. This was a matter of life and death. These strangers she was with would sooner leave her behind than risk their lives for her. She had to be tough, at least, for now.”

“Juicy apple, pear, and banana, Gooseberry ... They all speak of Death and life in the mouth ... I have a presentiment ... Read it from a child’s expression If she savours them. It comes from far, from far ... Aren’t you slowly becoming aware of something inexpressible in your mouth? Where a moment ago were words, a flowing discovery Is released, startling, from the fruit’s flesh. Venture to say what your apple is called. This sweetness, which originally condensed itself, Spreading out, slowly in being tasted rose up To achieve a clarity, awake and of transparency, Resonant of opposites, sunny, earthy, of the here and now -: Oh the experience of it, the feeling, the joy -, immense!”

“Attending a funeral would leave the average person insane, if they truly believed that sooner or later they are also going to die.”

“At 23, I took the example Of Moses and Jesus And went 40 days without food. In the end, Moses saw his god's glory, Jesus overcame the devil, I got a divorce... ...At 33, I've learned it's best to receive life As It comes, let go of how you think it will go. Rumi said to die before you die. If you follow his advice, you will live your life alive, And when death comes you will recognize him As someone you've walked with before.”

“The memory of human blood manifests now as a kind of visceral reaction to seeing people's veins and their necks. The skin on a neck appears to me as different from the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared with skin everywhere else, as though it is asking to have marks made on it, like very expensive calligraphy paper, or cold-pressed Fabriano. Often, I wonder whether the urge I have to make art is the same as the urge to consume and destroy the blankness of a human neck. While at art college, I read that the best paper used by artists in the seventeenth century was made from the skins of lamb fetuses. This skin was soft and absorbent, and had an even texture right across its surface. For a long time, the process of creating art has been linked to the killing of living things. My dad, even, used fine silk stretched across wooden frames in his own work as a painter. Once, when we still had some of his pieces, I looked at the odd geometric shapes he created on a huge sheet and thought about all the silkworms who had had their cocoons torn open before they were able to become moths.”

“Rich man, poor man, come away. Come to dance the Macabray. Time to work and time to play, Time to dance the Macabray. One and all will hear and stay Come and dance the Macabray. One to leave and one to stay, And all to dance the Macabray. Step and turn, and walk and stay, Now we dance the Macabray. Now the Lady on the Grey Leads us in the Macabray All must dance the Macabray”

“There is absolutely no worse death curse than the humdrum daily existence of the living dead.”

“As I witness the dead of beloved ones, it makes be become more conscious that life indeed has an end.”