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Locks Quotes

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Locks Quotes

“It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us.”

“Heaven knows insanity was disreputable enough, long ago; but now that the lawyers have got to cutting every gallows rope and picking every prison lock with it, it is become a sneaking villainy that ought to hang and keep on hanging its sudden possessors until evil-doers should conclude that the safest plan was to never claim to have it until they came by it legitimately. The very calibre of the people the lawyers most frequently try to save by the insanity subterfuge ought to laugh the plea out of the courts, one would think.”

“I am at a loss to figure out how to rid my e-mail of those bottom-feeders of the electronic world, the generators of spam.... If I were Emperor of the World, I would lock all the spammers in a room and force them to watch nothing but TV commercials for the rest of their miserable lives, and I would condemn the people who respond to spammers to do nothing but clean the toilets in this room.”

“I read Norman Lock’s The Boy in His Winter with delight and amazement. Styled in the vernacular of a rapidly changing America, it stays true to the themes of Mark Twain’s original: class relations, race and slavery, childhood innocence, moral hypocrisy—and, of course, the stark beauty and unforgiving nature of America’s greatest river. I finished this absolutely elegant narrative feeling that Huck Finn has never been more alive.”

“You put a tattoo on yourself with the knowledge that this body is yours to have and enjoy while you're here. You have fun with it, and nobody else can control (supposedly) what you do with it. That's why tattooing is such a big thing in prison: it's an expression of freedom—one of the only expressions of freedom there. They can lock you down, control everything, but 'I've got my mind, and I can tattoo my body—alter it my way as an act of personal will.'”

“We searchers are ambitious only for life itself, for everything beautiful it can provide. Most of all we love and want to be loved. We want to live in a relationship that will not impede our wandering, nor prevent our search, nor lock us in prison walls; that will take us for what little we have to give. We do not want to prove ourselves to another or compete for love.”

“Karen rowed for what the venerable American shell builder George Pocock called `the symphony of motion.' As dawn breaks over the river, the shell is lifted from its rack out into the morning. On another rack the oars hang ready to be greased and slipped into the locks. Then, awakened to the river and the feel of the oars, the oarsmen blend in fulfillment of the shell. The symphony is not of competition. It is the synchronous motion over water, the harmonic flexing of wood and muscle, where each piece of equipment and every oarsman is both essential to, and the limit of motion itself.”

“By the age of six the average child will have completed the basic American education.... From television, the child will have learned how to pick a lock, commit a fairly elaborate bank holdup, prevent wetness all day long, get the laundry twice as white, and kill people with a variety of sophisticated armaments.”

“...when the words pour out of you just right, you understand that these sentences are all part of a river flowing out of your own distant, hidden ranges, and all words become the dissolving snow that feeds your mountain streams forever. The language locks itself in the icy slopes of our own high passes, and it is up to us, the writers, to melt the glaciers within us. When these glaciers break off, we get to call them novels, the changelings of our burning spirits, our life's work.”

“To get closer to Truth and Right, we need a beautiful and soft heart. Every human learns one day or another to become softer. Some accidentally, some because of disease, some suffer from human loss, some other from material loss ... We all face these situations, but we can either see the good in it and open our hearts, or unfortunately see an another occasion to lock it forever.”

“The Rogue Film School is not for the faint-hearted. It is for those who have travelled on foot, who have worked as bouncers in sex clubs or as wardens in a lunatic asylum, for those who are willing to learn about lock picking or forging shooting permits in countries not favoring their projects. In short: for those who have a sense of poetry. For those who are pilgrims. For those who can tell a story to four year old children and hold their attention. For those who have a fire burning within. For those who have a dream.”