Quotessence
Home / Topics / Magic Quotes

Magic Quotes

Browse 5346 quotes about Magic.

Related topics

Magic Quotes

“Expectancy speeds progress. Therefore, live in a continual state of expectancy. No matter how much good you are experiencing today, expect greater good tomorrow. Expect to meet new friends. Expect to meet new and wonderful experiences. Try this magic of expectancy and you will soon discover a dramatic side to your work which gives full vent to constructive feeling.”

“The American College of Sports Medicine found that the productivity of people after exercise was an average of 65 percent higher than those who did not exercise. If I have something that's really bothering me, so much that it almost hurts my head to try to sort it out, I always find the solution in a puddle of sweat! Intense exercise is like taking a magic pill that gives you the ability to solve problems like a superhero.”

“New Rule: I don't give two fingleberries and a McShit-all that Dumbledore is gay. I never wanted to know who Dumbledore was in the first place. Let alone his sexuality. What concerns me is adults who read 800-page books about magic schoolboys... and then try to talk to me about it. If I had the slightest interest in homosexuals with powers, I'd be a Republican.”

“Hemingway, damn his soul, makes everything he writes terrifically exciting (and incidentally makes all us second-raters seem positively adolescent) by the seemingly simple expedient of the iceberg principle - three-fourths of the substance under the surface. He comes closer that way to retaining the magic of the original, unexpressed idea or emotion, which is always more stirring than any words. But just try and do it!”

“Suddenly creativity is the popular goal. Ironically, a quality dissonant with our conventional education process is greatly in demand in adults - and those who survive the system without losing their creative integrity are richly rewarded. The magic word in a book's title almost ensures sales: Creative Stitchery, Creative Cookery, Creative Gardening. ... Perhaps we are trying to develop something that was innately ours.”

“I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.”

“I want to try to apply my abilities sometimes to make families happy, so I have to make movies at a venue that are not gratuitously violent, that are not using bullets and bloodshed, but are using things like magic and fantasy and enchantment and the imagination. To me that's just all positive stuff. But I am eclectic and I still like to make movies for the midnight audience as well.”

“Everything that I spent my entire life dedicated to, which is this art of mentalism, of magic... I don't see it and feel it and experience it like I first did when I was getting involved in this art. I try to look at it as a spectator but unless I get amnesia I still can't overlook that. I can appreciate the performance but I would love to be fooled.”

“There were radio shows where you actually got to hear people play off of each other and get that immediate magic that goes on. And rather than doing what a lot of shows do, where an individual comes in, reads their part, and you edit it together later on and try to build a performance, we're lucky because this is really very much a theatrical performance that is going on, every single week.”

“Rather than trying to recover and maintain a tradition that links back to the past (and former glories), Chaos Magick is an approach that enables the individual to use anything that s/he thinks is suitable as a temporary belief or symbol system. What matters is the results you get, not the 'authenticity' of the system used. So Chaos Magic then, is not a system - it utilises systems and encourages adherents to devise their own, giving magic a truly Postmodernist flavour.”

“It's hard: you get older, you have a career, the normal frustrations that come with what you do when you wear your heart on your sleeve and you try really heard. I was exhausted, and I couldn't quite see the magic of creating at that time. That's all. I couldn't get into it, and Andy [Kim] slowly resuscitated me, and that's how I made Darlings.”

“The multiverse as a real physical construct within physics overlapping with a more mystical understanding of many possible worlds - the notion of there being a root down at the quantum level between intention and reality, between consciousness and existence - it's not a matter of trying to explain the mystery of magic away with a pat mechanism of a pseudoscience, it's just a matter of trying to ground it in a domain.”

“I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.”

“You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.”

“When I'm traveling a lot the flight attendants will ask what I do and if I say I'm a magician then I have to do a trick. But if it's a red eye flight and I haven't slept at all, I'll say I'm a comedian. And then they say, "Do a joke." But if you're a magician you should be able to do a trick anywhere, any time of day. And if it's not the best situation to showcase what I do then I'll offer them tickets to my show that night. Trying to do a magic trick right outside of an airplane lavatory isn't the best viewing conditions.”

“When we talk about magic a lot of people think you use that to pick up girls. So therefore there's this slimy connotation associated with it, like, "Oh hey, pick a card - my number's on it!" So I think I've avoided ever having people think that's what's happening. I try to make magic the treat of the interaction or the treat of the flirt. I've never gone up and tried to do a trick to get a girl's number, only because I feel like that's what people expect and it feels slimy.”

“Peter Biskind's Easy Riders, Raging Bulls was made all about drugs, when to most of us, that just meant pot and magic mushrooms. He made it seem like we were all shooting heroin into our eyeballs. But that's part of the whole '60s and what it represented: feminism and civil rights and trying to stop the war. Hopefully we're starting to see some of that optimism again, through the excitement around Barack Obama.”

“I go to a lot of independents and foreign films. I really try to keep up and see what there is to see. If you really love movies, it's the act of watching them that you really love. You can sit and watch a B-Western and have just as much fun watching that as you can a classic. That minute when the lights go down is the part where the magic happens, because you know this could be great. You're always kind of excited, like, "Here I am again in the church of movies, and Mass is starting.".”

“Sometimes you meet someone, and they seem great, they seem exactly what you're thinking of for the role, and then you put a camera on them, and they freeze. And other people come to life with the camera on them. I haven't discovered any reliable predictor for that; I think you just have to try it and see what happens. And, you know, sometimes the people who freeze, if you find the right magic word to say to them, you can unlock them.”

“I have always been delighted at the prospect of a new day, a fresh try, one more start, with perhaps a bit of magic waiting somewhere behind the morning.”

“As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.”

“Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.”

“Now I can do the bolts," she slurred. "I've been trying to focus enough magic all week." The magic shifted and swirled, finally etching a picture in the air. It was a rough picture of Foaly, and he was laughing. I hate you, centaur!" screamed Opal, lunging toward, and then through, the insubstantial image. Her eyes rolled back into her head, and then she collapsed, snoring, on the floor. Artemis straightened his tie. Freud, he was certain, would have a field day with that.”

“Another guy barked orders to a small army of brooms, mops, and buckets that were scuttling around, cleaning up the city. "Like that cartoon," Sadie said. "Where Mickey Mouse tries to do magic and the brooms keep splitting and toting water." "'The Sorcerer's Apprentice,'" Zia said. "You do know that was based on an Egyptian story, don't you?”

“My body Healed quickly. But the wound to my psyche was deep. Wide. First aid, too little, too late, left me hemorrhaging inside, the blood unstaunched by psychological bandage or love's healing magic. Eventually it scabbed over, a thick, ugly welt of memory. I work to conceal it, but no matter how hard I try, once in a while something makes me pick at it until the scarring bleeds. In my arms, Ashante cries, innocence ripped apart by circumstance. Bloodied by inhuman will. Time will prove a tourniquet. But she will always be at risk of infection. (124)”